The Letters of Charles Dickens - Charles Dickens (graded readers .TXT) 📗
- Author: Charles Dickens
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What do you think of doing "Animal Magnetism" as the last piece (we may play three in all, I think) at Rockingham? If so, we might make Quin the one-eyed servant, and beat up with Mrs. Watson for a Marquis. Will you tell me what you think of this, addressed to Broadstairs? I have not heard from Bulwer again. I daresay I have crossed a letter from him by coming up to-day; but I have every reason to believe that the last week in October is the time.
P.S.—This is quite a managerial letter, which I write with all manner of appointments and business discussions going on about me, having my pen on the paper and my eye on "Household Words," my head on "Copperfield" and my ear nowhere particularly.
I will let you know about "A Day after the Wedding." I have sent for the book on Monday.
Broadstairs, Kent, September 24th, 1850.
Coming out of "Copperfield" into a condition of temporary and partial consciousness, I plunge into histrionic duties, and hold enormous correspondence with Miss Boyle, between whom and myself the most portentous packets are continually passing. I send you a piece we purpose playing last at Rockingham, which "my company" played in London, Scotland, Manchester, Liverpool, and I don't know where else. It is one of the most ridiculous things ever done. We purpose, as I have said, playing it last. Why do I send it to you? Because there is an excellent part (played in my troupe by George Cruikshank) for your brother in it—Jeffrey; with a black patch on his eye, and a lame leg, he would be charming—noble! If he is come home, give him my love and tell him so. If he is not come home, do me that favour when he does come. And add that I have a wig for him belonging to the part, which I have an idea of sending to the Exposition of '51, as a triumph of human ingenuity.
I am the Doctor; Miss Boyle, Lisette; Georgy, the other little woman. We have nearly arranged our "bill" for Rockingham. We shall want one more reasonably good actor, besides your brother and Miss Boyle's, to play the Marquis in this piece. Do you know a being endowed by nature with the requisite qualities?
There are some things in the next "Copperfield" that I think better than any that have gone before. After I have been believing such things with all my heart and soul, two results always ensue: first, I can't write plainly to the eye; secondly, I can't write sensibly to the mind. So "Copperfield" is to blame, and I am not, for this wandering note; and if you like it, you'll forgive me. With my affectionate remembrances to Watson,
Very faithfully yours.
P.S.—I find I am not equal to the flourish.
Devonshire Terrace, Wednesday, Oct 30th, 1850.
We are all extremely concerned and distressed to lose you. But we feel that it cannot be otherwise, and we do not, in our own expectation of amusement, forget the sad cause of your absence.
Bulwer was here yesterday; and if I were to tell you how earnestly he and all the other friends whom you don't know have looked forward to the projected association with you, and in what a friendly spirit they all express their disappointment, you would be quite moved by it, I think. Pray don't give yourself the least uneasiness on account of the blank in our arrangements. I did not write to you yesterday, in the hope that I might be able to tell you to-day that I had replaced you, in however poor a way. I cannot do that yet, but I am busily making out some means of filling the parts before we rehearse to-morrow night, and I trust to be able to do so in some out-of-the-way manner.
Mrs. Dickens and Bridget send you their kindest remembrances. They are bitterly disappointed at not seeing you to-day, but we all hope for a better time.
Faithfully yours always.
Devonshire Terrace, Saturday Evening, Nov. 23rd, 1850.
Being well home from Knebworth, where everything has gone off in a whirl of triumph and fired the whole length and breadth of the county of Hertfordshire, I write a short note to say that we are yours any time after Twelfth-night, and that we look forward to seeing you with the greatest pleasure. I should have made this reply to your last note sooner, but that I have been waiting to send you "Copperfield" in a new waistcoat. His tailor is so slow that it has not yet appeared; but when the resplendent garment comes home it shall be forwarded.
I have not your note at hand, but I think you said "any time after Christmas." At all events, and whatever you said, we will conclude a treaty on any terms you may propose. And if it should include any of Charley's holidays, perhaps you would allow us to put a brass collar round his neck, and chain him up in the stable.
Kate and Georgina (who has covered herself with glory) join me in best remembrances and regards to Watson and you and all the house. I have stupendous proposals to make concerning Switzerland in the spring.
I promised Bulwer to make enquiry of you about "Miss Watson," whom he once knew and greatly wished to hear of. He associated her (but was not clear how) with Lady Palmer.
Ever faithfully yours.
Devonshire Terrace, November 28th, 1850.
If I ever did such a thing, believe me I would do it at your request. But I don't, and if you could see the ramparts of letters from similar institutions with which my desk bristles every now and then, you would feel that nothing lies between total abstinence (in this regard) and utter bewilderment and lecturation.
Mrs. Dickens and her sister unite with me in kind regards to you and Mrs. Bicknell. The consequences of the accident are fast fading, I am happy to say. We all hope to hear shortly that Mrs. Bicknell has recovered that other little accident, which (as you and I know) will occasionally happen in well-regulated families.
Office of "Household Words,"
Wednesday, Dec. 4th, 1850.
I have been (a strange thing for me) so very unwell since Sunday, that I have hardly been able to hold up my head—a bilious attack, I believe, and a very miserable sort of business. This, my dear friend, is the reason why I have not sooner written to you in reference to your noble letter, which I read in The Examiner, and for which—as it exalts me—I cannot, cannot thank you in words.
We had been following up the blow in Kinkel's[9] favour, and I was growing sanguine, in the hope of getting him out (having enlisted strong and active sympathy in his behalf), when the news came of his escape. Since then we have heard nothing of him. I rather incline to the opinion that the damnable powers that be connived at his escape, but know nothing. Whether he be retaken or whether he appear (as I am not without hope he may) in the streets of London, I shall be a party to no step whatever without consulting you; and if any scrap of intelligence concerning him shall reach me, it shall be yours immediately.
Horne wrote the article. I shall see him here to-night, and know how he will feel your sympathy and support. But I do not wait to see him before writing, lest you should think me slow to feel your generosity. We said at home when we read your letter, that it was like the opening of your whole munificent and bare heart.
My dear Landor.
This is No. 2.
Your note to me of Saturday has crossed mine to you, I find. If you open both of mine together, please to observe this is No. 2.
You may rely on Mr. Tucker's doing his work thoroughly well and charging a fair price. It is not possible for him to say aforehand, in such a case, what it will cost, I imagine, as he will have to adapt his work to the place. Nathan's stage knowledge may be stated in the following figures: 00000000000. Therefore, I think you had best refer Mr. Tucker to me, and I will apply all needful screws and tortures to him.
I have thought of one or two very ingenious (hem!) little contrivances for adapting the difficulties of "Used Up" to the small stage. They will require to be so exactly explained to your carpenter (though very easy little things in themselves), that I think I had better, before Christmas, send my servant down for an hour—he is quite an old stager now—to show him precisely what I mean. It is not a day's work, but it would be extremely difficult to explain in writing. I developed these wonderful ideas to the master carpenter at one of the theatres, and he shook his head with an intensely mournful air, and said, "Ah, sir, it's a universal observation in the profession, sir, that it was a great loss to the public when you took to writing books!" which I thought complimentary to "Copperfield."
Devonshire Terrace, Saturday, Dec. 14th, 1850.
I shall be delighted to come on the seventh instead of the eighth. We consider it an engagement. Over and above the pleasure of a quiet day with you, I think I can greatly facilitate the preparations (that's the way, you see, in which we cheat ourselves into making duties of pleasures) by being at Rockingham a day earlier. So that's settled.
I was quite certain when that Child of Israel mentioned those dimensions, that he must be wrong. For which wooden-headedness the Child shall be taken to task on Monday morning, when I am going to look at his preparations, by appointment, about the door. Don't you observe, that the scenery not being made expressly for the room, it may be impossible to use it as you propose? There is a scene before that wall, and unless the door in the scene (supposing there to be one, which I am not sure of) should come exactly into the place of the door of the room, the door of the room might as well be in Africa. If it could be used it would still require to be backed (excuse professional technicality) by another scene in the passage. And if it be rather in the side of the bottom of the room (as I seem to remember it), it would be shut out of sight, or partially, by the side scenes. Do you comprehend these stage managerial sagacities? That piece of additional room in so small a stage would be of immense service, if we could avail ourselves of it. If we can't, I have another means (I think) of discovering Leech, Saville, and Coldstream at table. I am constantly turning over in my mind the capacities of the place, and hope by one means or other to make something more
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