The Story of My Life - Helen Keller (best romance books of all time .txt) 📗

sublimest woe. Beside her stood Sir Henry Irving, wearing the symbols of kingship; and there was majesty of intellect in his every gesture and attitude and the royalty that subdues and overcomes in every line of his sensitive face. In the king’s face, which he wore as a mask, there was a remoteness and inaccessibility of grief which I shall never forget.

I also know Mr. Jefferson. I am proud to count him among my friends. I go to see him whenever I happen to be where he is acting. The first time I saw him act was while at school in New York. He played “Rip Van Winkle.” I had often read the story, but I had never felt the charm of Rip’s slow, quaint, kind ways as I did in the play. Mr. Jefferson’s, beautiful, pathetic representation quite carried me away with delight. I have a picture of old Rip in my fingers which they will never lose. After the play Miss Sullivan took me to see him behind the scenes, and I felt of his curious garb and his flowing hair and beard. Mr. Jefferson let me touch his face so that I could imagine how he looked on waking from that strange sleep of twenty years, and he showed me how poor old Rip staggered to his feet.

I have also seen him in The Rivals. Once while I was calling on him in Boston he acted the most striking parts of The Rivals for me. The reception-room where we sat served for a stage. He and his son seated themselves at the big table, and Bob Acres wrote his challenge. I followed all his movements with my hands, and caught the drollery of his blunders and gestures in a way that would have been impossible had it all been spelled to me. Then they rose to fight the duel, and I followed the swift thrusts and parries of the swords and the waverings of poor Bob as his courage oozed out at his finger ends. Then the great actor gave his coat a hitch and his mouth a twitch, and in an instant I was in the village of Falling Water and felt Schneider’s shaggy head against my knee. Mr. Jefferson recited the best dialogues of Rip van Winkle, in which the tear came close upon the smile. He asked me to indicate as far as I could the gestures and action that should go with the lines. Of course, I have no sense whatever of dramatic action, and could make only random guesses; but with masterful art he suited the action to the word. The sigh of Rip as he murmurs, “Is a man so soon forgotten when he is gone?” the dismay with which he searches for dog and gun after his long sleep, and his comical irresolution over signing the contract with Derrick⁠—all these seem to be right out of life itself; that is, the ideal life, where things happen as we think they should.

I remember well the first time I went to the theatre. It was twelve years ago. Elsie Leslie, the little actress, was in Boston, and Miss Sullivan took me to see her in The Prince and the Pauper. I shall never forget the ripple of alternating joy and woe that ran through that beautiful little play, or the wonderful child who acted it. After the play I was permitted to go behind the scenes and meet her in her royal costume. It would have been hard to find a lovelier or more lovable child than Elsie, as she stood with a cloud of golden hair floating over her shoulders, smiling brightly, showing no signs of shyness or fatigue, though she had been playing to an immense audience. I was only just learning to speak, and had previously repeated her name until I could say it perfectly. Imagine my delight when she understood the few words I spoke to her and without hesitation stretched her hand to greet me.

Is it not true, then, that my life with all its limitations touches at many points the life of the World Beautiful? Everything has its wonders, even darkness and silence, and I learn, whatever state I may be in, therein to be content.

Sometimes, it is true, a sense of isolation enfolds me like a cold mist as I sit alone and wait at life’s shut gate. Beyond there is light, and music, and sweet companionship; but I may not enter. Fate, silent, pitiless, bars the way. Fain would I question his imperious decree, for my heart is still undisciplined and passionate; but my tongue will not utter the bitter, futile words that rise to my lips, and they fall back into my heart like unshed tears. Silence sits immense upon my soul. Then comes hope with a smile and whispers, “There is joy in self-forgetfulness.” So I try to make the light in others’ eyes my sun, the music in others’ ears my symphony, the smile on others’ lips my happiness.

XXIII

Would that I could enrich this sketch with the names of all those who have ministered to my happiness! Some of them would be found written in our literature and dear to the hearts of many, while others would be wholly unknown to most of my readers. But their influence, though it escapes fame, shall live immortal in the lives that have been sweetened and ennobled by it. Those are red-letter days in our lives when we meet people who thrill us like a fine poem, people whose handshake is brimful of unspoken sympathy, and whose sweet, rich natures impart to our eager, impatient spirits a wonderful restfulness which, in its essence, is divine. The perplexities, irritations and worries that have absorbed us pass like unpleasant dreams, and we wake to see with new eyes and hear with new ears the beauty and harmony of God’s real world. The solemn nothings that fill our everyday life blossom suddenly into