Writings in the United Amateur, 1915-1922 - H. P. Lovecraft (ebook reader 8 inch txt) 📗
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Man's respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training it can be elevated tremendously, yet there is always a limit. The man or nation of high culture may acknowledge to great lengths the restraints imposed by conventions and honour, but beyond a certain point primitive will or desire cannot be curbed. Denied anything ardently desired, the individual or state will argue and parley just so long—then, if the impelling motive be sufficiently great, will cast aside every rule and break down every acquired inhibition, plunging viciously after the object wished; all the more fantastically savage because of previous repression. The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous. Dangerous beyond description are the voices sometimes heard today, decrying the continuance of armament after the close of the present hostilities.
The specific application of the scientific truth regarding man's native instincts will be found in the adoption of a post-bellum international programme. Obviously, we must take into account the primordial substructure and arrange for the upholding of culture by methods which will stand the acid test of stress and conflicting ambitions. In disillusioned diplomacy, ample armament, and universal military training alone will be found the solution of the world's difficulties. It will not be a perfect solution, because humanity is not perfect. It will not abolish war, because war is the expression of a natural human tendency. But it will at least produce an approximate stability of social and political conditions, and prevent the menace of the entire world by the greed of any one of its constituent parts.
REPORTS OF OFFICERS PRESIDENT'S MESSAGEFellow-Amateurs:—
The conclusion of an administrative year is naturally a time for retrospection rather than for announcement and planning, and seldom may we derive more satisfaction from such a backward glance than at the present period.
The United has just completed a twelvemonth which, though not notable for numerousness of publications or expansion of the membership list, will nevertheless be long remembered for the tone and quality of its literature, and the uniformly smooth maintenance of its executive programme. The virtual extirpation of petty politics, and the elimination of all considerations save development of literary taste and encouragement of literary talent, have raised our Association to a new level of poise, harmony, dignity, and usefulness to the serious aspirant.
Prime honours must be awarded to our Official Editor and Official Publisher, who have given us an official organ unequalled and unapproached in the history of amateur journalism. The somewhat altered nature of contents, and radically elevated standard of editorship, mark an era in the progress of the Association; since the UNITED AMATEUR is really the nucleus of our activity and a reflection of the best in our current thought and ideals. We have this year helped to shatter the foolish fetichism which restricts the average official organ to a boresome and needless display of facts and figures, relating to the political mechanism of amateurdom. The organ has been a literary one, as befits a literary association; and has been conducted with a sounder sense of relative values than in times when amateurs seemed to place elections and annual banquets above art, taste, and rhetoric.
The publications of the year have been distinguished for their merit, general polish, and scholarly editorship. The percentage of crude matter appearing in print has been reduced to a minimum through the careful and conscientious critical service rendered both by the official bureau and by private individuals. The artistic standard of the United has evolved to a point where no aims short of excellence can win unqualified approval. The classics have become our sole models, and whilst even the most glaring faults of the sincere beginner receive liberal consideration and sympathetically constructive attention, there is no longer a seat of honour for complacent crudity. Genuine aspiration is our criterion of worth. The spirit of this newer amateur journalism is splendidly shown by such magazines of the year as Eurus, Spindrift, The Vagrant, and the official organ.
Just before the close of the present term, several new publications have appeared, amongst them a Vagrant, a Conservative, and Mr. Moloney's splendid first venture, The Voice From the Mountains. Early in the next fiscal year will appear The United Co-Operative, the fruit of this year's planning, edited by Mrs. Jordan, Miss Lehr, Mr. J. Clinton Pryor, and the undersigned. A revival of manuscript magazines, inaugurated by the appearance of Sub-Lieut. McKeag's Northumbrian, is in a measure solving the problems created by the high price of printing. Next month the undersigned will put into circulation Hesperia, a typewritten magazine designed to foster a closer relationship between British and American amateurdom.
Judges of Award for the Laureateship contests have been appointed as follows: Poetry, Mr. Nixon Waterman, a New England bard who needs no introduction to the lover of lofty and graceful expression. Verse, Dr. Henry T. Schnittkind of the Stratford Publishing Co. Essay, Prof. Lewis P. Shanks of the University of Pennsylvania. Study, Mr. J. Lee Robinson, Editor of the Cambridge Tribune. Story, Mr. William R. Murphy of the Philadelphia Evening Ledger, a former United man of the highest attainments. Editorial, Hon. Oliver Wayne Stewart, Associate Editor of The National Enquirer.
In doffing the official mantle after a year of executive endeavour, the undersigned must express regret at his inability to serve in as vigorous a manner as would the ideal President. He is acutely conscious of his shortcomings in a position which demands constant care and exertion, and which imposes a strain that only the robust are perfectly qualified to bear. It would be impossible for him fully to express his gratitude to his faithful and capable colleagues, to whose unremitting and faultlessly co-ordinated efforts all the successes of the present year must in justice be attributed. Valete!
H. P. Lovecraft
The centre of our studies, the goal of our thoughts, the point to which all paths lead and the point from which all paths start again, is to be found in Rome and her abiding power.—Freeman.
Few students of mankind, if truly impartial, can fail to select as the greatest of human institutions that mighty and enduring civilisation which, first appearing on the banks of the Tiber, spread throughout the known world and became the direct parent of our own. If to Greece is due the existence of all modern thought, so to Rome is due its survival and our possession of it; for it was the majesty of the Eternal City which, reducing all Western Europe to a single government, made possible the wide and uniform diffusion of the high culture borrowed from Greece, and thereby laid the foundation of European enlightenment. To this day the remnants of the Roman world exhibit a superiority over those parts which never came beneath the sway of the Imperial Mother; a superiority strikingly manifest when we contemplate the savage code and ideals of the Germans, aliens to the priceless heritage of Latin justice, humanity, and philosophy. The study of Roman literature, then, needs no plea to recommend it. It is ours by intellectual descent; our bridge to all antiquity and to those Grecian stores of art and thought which are the fountain head of existing culture.
In considering Rome and her artistic history, we are conscious of a subjectivity impossible in the case of Greece or any other ancient nation. Whilst the Hellenes, with their strange beauty-worship and defective moral ideals, are to be admired and pitied at once, as luminous but remote phantoms; the Romans, with their greater practical sense, ancient virtue, and love of law and order, seem like our own people. It is with personal pride that we read of the valour and conquests of this mighty race, who used the alphabet we use, spoke and wrote with but little difference many of the words we speak and write, and with divine creative power evolved virtually all the forms of law which govern us today. To the Greek, art and literature were inextricably involved in daily life and thought; to the Roman, as to us, they were a separate unit in a many-sided civilisation. Undoubtedly this circumstance proves the inferiority of the Roman culture to the Greek; but it is an inferiority shared by our own culture, and therefore a bond of sympathy.
The race whose genius gave rise to the glories of Rome is, unhappily, not now in existence. Centuries of devastating wars, and foreign immigration into Italy, left but few real Latins after the early Imperial æra. The original Romans were a blend of closely related dolichocephalic Mediterranean tribes, whose racial affinities with the Greeks could not have been very remote, plus a slight Etruscan element of doubtful classification. The latter stock is an object of much mystery to ethnologists, being at present described by most authorities as of the brachycephalic Alpine variety. Many Roman customs and habits of thought are traceable to this problematical people.
It is a singular circumstance, that classic Latin literature is, save in the case of satire, almost wholly unrelated to the crude effusions of the primitive Latins; being borrowed as to form and subject from the Greeks, at a comparatively late date in Rome's political history. That this borrowing assisted greatly in Latin cultural advancement, none may deny; but it is also true that the new Hellenised literature exerted a malign influence on the nation's ancient austerity, introducing lax Grecian notions which contributed to moral and material decadence. The counter-currents, however, were strong; and the virile Roman spirit shone nobly through the Athenian dress in almost every instance, imparting to the literature a distinctively national cast, and displaying the peculiar characteristics of the Italian mind. On the whole, Roman life moulded Roman literature more than the literature moulded the life.
The earliest writings of the Latins are, save for a fragment or two, lost to posterity; though a few of their qualities are known. They were for the most part crude ballads in an odd "Saturnian" metre copied from the Etruscans, primitive religious chants and dirges, rough medleys of comic verse forming the prototype of satire, and awkward "Fescennine" dialogues or dramatic farces enacted by the lively peasantry. All doubtless reflected the simple, happy and virtuous, if stern, life
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