The Devil’s Dictionary - Ambrose Bierce (mystery books to read .TXT) 📗
- Author: Ambrose Bierce
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The extreme outpost of the face. From the circumstance that great conquerors have great noses, Getius, whose writings antedate the age of humor, calls the nose the organ of quell. It has been observed that one’s nose is never so happy as when thrust into the affairs of another, from which some physiologists have drawn the inference that the nose is devoid of the sense of smell.
There’s a man with a Nose,
And wherever he goes
The people run from him and shout:
“No cotton have we
For our ears if so be
He blow that interminous snout!”
So the lawyers applied
For injunction. “Denied,”
Said the Judge: “the defendant prefixion,
Whate’er it portend,
Appears to transcend
The bounds of this court’s jurisdiction.”
The fame of one’s competitor for public honors. The kind of renown most accessible and acceptable to mediocrity. A Jacob’s-ladder leading to the vaudeville stage, with angels ascending and descending.
NoumenonThat which exists, as distinguished from that which merely seems to exist, the latter being a phenomenon. The noumenon is a bit difficult to locate; it can be apprehended only be a process of reasoning—which is a phenomenon. Nevertheless, the discovery and exposition of noumena offer a rich field for what Lewes calls “the endless variety and excitement of philosophic thought.” Hurrah (therefore) for the noumenon!
NovelA short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes—some of which have a large sale.
NovemberThe eleventh twelfth of a weariness.
O OathIn law, a solemn appeal to the Deity, made binding upon the conscience by a penalty for perjury.
OblivionThe state or condition in which the wicked cease from struggling and the dreary are at rest. Fame’s eternal dumping ground. Cold storage for high hopes. A place where ambitious authors meet their works without pride and their betters without envy. A dormitory without an alarm clock.
ObservatoryA place where astronomers conjecture away the guesses of their predecessors.
ObsessedVexed by an evil spirit, like the Gadarene swine and other critics. Obsession was once more common than it is now. Arasthus tells of a peasant who was occupied by a different devil for every day in the week, and on Sundays by two. They were frequently seen, always walking in his shadow, when he had one, but were finally driven away by the village notary, a holy man; but they took the peasant with them, for he vanished utterly. A devil thrown out of a woman by the Archbishop of Rheims ran through the trees, pursued by a hundred persons, until the open country was reached, where by a leap higher than a church spire he escaped into a bird. A chaplain in Cromwell’s army exorcised a soldier’s obsessing devil by throwing the soldier into the water, when the devil came to the surface. The soldier, unfortunately, did not.
ObsoleteNo longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer’s attitude toward “obsolete” words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.
ObstinateInaccessible to the truth as it is manifest in the splendor and stress of our advocacy.
The popular type and exponent of obstinacy is the mule, a most intelligent animal.
OccasionalAfflicting us with greater or less frequency. That, however, is not the sense in which the word is used in the phrase “occasional verses,” which are verses written for an “occasion,” such as an anniversary, a celebration or other event. True, they afflict us a little worse than other sorts of verse, but their name has no reference to irregular recurrence.
OccidentThe part of the world lying west (or east) of the Orient. It is largely inhabited by Christians, a powerful subtribe of the Hypocrites, whose principal industries are murder and cheating, which they are pleased to call “war” and “commerce.” These, also, are the principal industries of the Orient.
OceanA body of water occupying about two-thirds of a world made for man—who has no gills.
OffensiveGenerating disagreeable emotions or sensations, as the advance of an army against its enemy.
“Were the enemy’s tactics offensive?” the king asked. “I should say so!” replied the unsuccessful general. “The blackguard wouldn’t come out of his works!”
OldIn that stage of usefulness which is not inconsistent with general inefficiency, as an old man. Discredited by lapse of time and offensive to the popular taste, as an old book.
“Old books? The devil take them!” Goby said.
“Fresh every day must be my books and bread.”
Nature herself approves the Goby rule
And gives us every moment a fresh fool.
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