Man and Wife - Wilkie Collins (phonics books TXT) 📗

be visited by any of Lady Lundie’s friends. Whatever the risk might be, the end in view justified her in confronting it. Her whole future depended on Geoffrey’s making an honest woman of her. Not her future with him⁠—that way there was no hope; that way her life was wasted. Her future with Blanche⁠—she looked forward to nothing now but her future with Blanche.

Her spirits sank lower and lower. The tears rose again. It would only irritate him if he came and found her crying. She tried to divert her mind by looking about the room.

There was very little to see. Except that it was solidly built of good sound stone, the Craig Fernie hotel differed in no other important respect from the average of second-rate English inns. There was the usual slippery black sofa⁠—constructed to let you slide when you wanted to rest. There was the usual highly-varnished armchair, expressly manufactured to test the endurance of the human spine. There was the usual paper on the walls, of the pattern designed to make your eyes ache and your head giddy. There were the usual engravings, which humanity never tires of contemplating. The Royal Portrait, in the first place of honor. The next greatest of all human beings⁠—the Duke of Wellington⁠—in the second place of honor. The third greatest of all human beings⁠—the local member of parliament⁠—in the third place of honor; and a hunting scene, in the dark. A door opposite the door of admission from the passage opened into the bedroom; and a window at the side looked out on the open space in front of the hotel, and commanded a view of the vast expanse of the Craig Fernie moor, stretching away below the rising ground on which the house was built.

Anne turned in despair from the view in the room to the view from the window. Within the last half hour it had changed for the worse. The clouds had gathered; the sun was hidden; the light on the landscape was gray and dull. Anne turned from the window, as she had turned from the room. She was just making the hopeless attempt to rest her weary limbs on the sofa, when the sound of voices and footsteps in the passage caught her ear.

Was Geoffrey’s voice among them? No.

Were the strangers coming in?

The landlady had declined to let her have the rooms: it was quite possible that the strangers might be coming to look at them. There was no knowing who they might be. In the impulse of the moment she flew to the bedchamber and locked herself in.

The door from the passage opened, and Arnold Brinkworth⁠—shown in by Mr. Bishopriggs⁠—entered the sitting-room.

“Nobody here!” exclaimed Arnold, looking round. “Where is she?”

Mr. Bishopriggs pointed to the bedroom door. “Eh! yer good leddy’s joost in the bedchamber, nae doot!”

Arnold started. He had felt no difficulty (when he and Geoffrey had discussed the question at Windygates) about presenting himself at the inn in the assumed character of Anne’s husband. But the result of putting the deception in practice was, to say the least of it, a little embarrassing at first. Here was the waiter describing Miss Silvester as his “good lady;” and leaving it (most naturally and properly) to the “good lady’s” husband to knock at her bedroom door, and tell her that he was there. In despair of knowing what else to do at the moment, Arnold asked for the landlady, whom he had not seen on arriving at the inn.

“The landleddy’s just tottin’ up the ledgers o’ the hottle in her ain room,” answered Mr. Bishopriggs. “She’ll be here anon⁠—the wearyful woman!⁠—speerin’ who ye are and what ye are, and takin’ a’ the business o’ the hoose on her ain pair o’ shouthers.” He dropped the subject of the landlady, and put in a plea for himself. “I ha’ lookit after a’ the leddy’s little comforts, Sir,” he whispered. “Trust in me! trust in me!”

Arnold’s attention was absorbed in the very serious difficulty of announcing his arrival to Anne. “How am I to get her out?” he said to himself, with a look of perplexity directed at the bedroom door.

He had spoken loud enough for the waiter to hear him. Arnold’s look of perplexity was instantly reflected on the face of Mr. Bishopriggs. The headwaiter at Craig Fernie possessed an immense experience of the manners and customs of newly-married people on their honeymoon trip. He had been a second father (with excellent pecuniary results) to innumerable brides and bridegrooms. He knew young married couples in all their varieties:⁠—The couples who try to behave as if they had been married for many years; the couples who attempt no concealment, and take advice from competent authorities about them. The couples who are bashfully talkative before third persons; the couples who are bashfully silent under similar circumstances. The couples who don’t know what to do, the couples who wish it was over; the couples who must never be intruded upon without careful preliminary knocking at the door; the couples who can eat and drink in the intervals of “bliss,” and the other couples who can’t. But the bridegroom who stood helpless on one side of the door, and the bride who remained locked in on the other, were new varieties of the nuptial species, even in the vast experience of Mr. Bishopriggs himself.

“Hoo are ye to get her oot?” he repeated. “I’ll show ye hoo!” He advanced as rapidly as his gouty feet would let him, and knocked at the bedroom door. “Eh, my leddy! here he is in flesh and bluid. Mercy preserve us! do ye lock the door of the nuptial chamber in your husband’s face?”

At that unanswerable appeal the lock was heard turning in the door. Mr. Bishopriggs winked at Arnold with his one available eye, and laid his forefinger knowingly along his enormous nose. “I’m away before she falls into your arms! Rely on it I’ll no come in again without knocking first!”

He left Arnold alone in the room. The bedroom door