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all requests to pay in coin; and where in Packingtown could a man go to have his check cashed but to a saloon, where he could pay for the favor by spending a part of the money?

From all of these things Jurgis was saved because of Ona. He never would take but the one drink at noontime; and so he got the reputation of being a surly fellow, and was not quite welcome at the saloons, and had to drift about from one to another. Then at night he would go straight home, helping Ona and Stanislovas, or often putting the former on a car. And when he got home perhaps he would have to trudge several blocks, and come staggering back through the snowdrifts with a bag of coal upon his shoulder. Home was not a very attractive place⁠—at least not this winter. They had only been able to buy one stove, and this was a small one, and proved not big enough to warm even the kitchen in the bitterest weather. This made it hard for Teta Elzbieta all day, and for the children when they could not get to school. At night they would sit huddled round this stove, while they ate their supper off their laps; and then Jurgis and Jonas would smoke a pipe, after which they would all crawl into their beds to get warm, after putting out the fire to save the coal. Then they would have some frightful experiences with the cold. They would sleep with all their clothes on, including their overcoats, and put over them all the bedding and spare clothing they owned; the children would sleep all crowded into one bed, and yet even so they could not keep warm. The outside ones would be shivering and sobbing, crawling over the others and trying to get down into the centre, and causing a fight. This old house with the leaky weatherboards was a very different thing from their cabins at home, with great thick walls plastered inside and outside with mud; and the cold which came upon them was a living thing, a demon-presence in the room. They would waken in the midnight hours, when everything was black; perhaps they would hear it yelling outside, or perhaps there would be deathlike stillness⁠—and that would be worse yet. They could feel the cold as it crept in through the cracks, reaching out for them with its icy, death-dealing fingers; and they would crouch and cower, and try to hide from it, all in vain. It would come, and it would come; a grisly thing, a spectre born in the black caverns of terror; a power primeval, cosmic, shadowing the tortures of the lost souls flung out to chaos and destruction. It was cruel, iron-hard; and hour after hour they would cringe in its grasp, alone, alone. There would be no one to hear them if they cried out; there would be no help, no mercy. And so on until morning⁠—when they would go out to another day of toil, a little weaker, a little nearer to the time when it would be their turn to be shaken from the tree.

VIII

Yet even by this deadly winter the germ of hope was not to be kept from sprouting in their hearts. It was just at this time that the great adventure befell Marija.

The victim was Tamoszius Kuszleika, who played the violin. Everybody laughed at them, for Tamoszius was petite and frail, and Marija could have picked him up and carried him off under one arm. But perhaps that was why she fascinated him; the sheer volume of Marija’s energy was overwhelming. That first night at the wedding Tamoszius had hardly taken his eyes off her; and later on, when he came to find that she had really the heart of a baby, her voice and her violence ceased to terrify him, and he got the habit of coming to pay her visits on Sunday afternoons. There was no place to entertain company except in the kitchen, in the midst of the family, and Tamoszius would sit there with his hat between his knees, never saying more than half a dozen words at a time, and turning red in the face before he managed to say those; until finally Jurgis would clap him upon the back, in his hearty way, crying, “Come now, brother, give us a tune.” And then Tamoszius’s face would light up and he would get out his fiddle, tuck it under his chin, and play. And forthwith the soul of him would flame up and become eloquent⁠—it was almost an impropriety, for all the while his gaze would be fixed upon Marija’s face, until she would begin to turn red and lower her eyes. There was no resisting the music of Tamoszius, however; even the children would sit awed and wondering, and the tears would run down Teta Elzbieta’s cheeks. A wonderful privilege it was to be thus admitted into the soul of a man of genius, to be allowed to share the ecstasies and the agonies of his inmost life.

Then there were other benefits accruing to Marija from this friendship⁠—benents of a more substantial nature. People paid Tamoszius big money to come and make music on state occasions; and also they would invite him to parties and festivals, knowing well that he was too good-natured to come without his fiddle, and that having brought it, he could be made to play while others danced. Once he made bold to ask Marija to accompany him to such a party, and Marija accepted, to his great delight⁠—after which he never went anywhere without her, while if the celebration were given by friends of his, he would invite the rest of the family also. In any case Marija would bring back a huge pocketful of cakes and sandwiches for the children, and stories of all the good things she herself had managed to consume. She

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