Suspiria de Profundis - Thomas De Quincey (best thriller novels of all time txt) 📗

blow we had given to it⁠—as if it sympathised with human horror, was all alive with tremblings and shiverings. The young man trembled not, nor shivered. He sat like a rock. But his was the steadiness of agitation frozen into rest by horror. As yet he dared not to look round; for he knew that, if anything remained to do, by him it could no longer be done. And as yet he knew not for certain if their safety were accomplished. But the lady⁠—

But the lady⁠—! Oh, heavens! will that spectacle ever depart from my dreams, as she rose and sank upon her seat, sank and rose, threw up her arms wildly to heaven, clutched at some visionary object in the air, fainting, praying, raving, despairing? Figure to yourself, reader, the elements of the case; suffer me to recall before your mind the circumstances of that unparalleled situation. From the silence and deep peace of this saintly summer night⁠—from the pathetic blending of this sweet moonlight, dawnlight, dreamlight⁠—from the manly tenderness of this flattering, whispering, murmuring love⁠—suddenly as from the woods and fields⁠—suddenly as from the chambers of the air opening in revelation⁠—suddenly as from the ground yawning at her feet, leaped upon her, with the flashing of cataracts, Death the crowned phantom, with all the equipage of his terrors, and the tiger roar of his voice.

The moments were numbered; the strife was finished; the vision was closed. In the twinkling of an eye, our flying horses had carried us to the termination of the umbrageous aisle; at the right angles we wheeled into our former direction; the turn of the road carried the scene out of my eyes in an instant, and swept it into my dreams forever.

III Dream-Fugue: Founded on the Preceding Theme of Sudden Death

“Whence the sound
Of instruments, that made melodious chime,
Was heard, of harp and organ; and who moved
Their stops and chords was seen; his volant touch
Instinct through all proportions, low and high,
Fled and pursued transverse the resonant fugue.”

Paradise Lost, Book XI

Tumultuosissimamente

Passion of sudden death! that once in youth I read and interpreted by the shadows of thy averted signs!40⁠—rapture of panic taking the shape (which amongst tombs in churches I have seen) of woman bursting her sepulchral bonds⁠—of woman’s Ionic form bending forward from the ruins of her grave with arching foot, with eyes upraised, with clasped adoring hands⁠—waiting, watching, trembling, praying for the trumpet’s call to rise from dust forever! Ah, vision too fearful of shuddering humanity on the brink of almighty abysses!⁠—vision that didst start back, that didst reel away, like a shrivelling scroll from before the wrath of fire racing on the wings of the wind! Epilepsy so brief of horror, wherefore is it that thou canst not die? Passing so suddenly into darkness, wherefore is it that still thou sheddest thy sad funeral blights upon the gorgeous mosaics of dreams? Fragment of music too passionate, heard once, and heard no more, what aileth thee, that thy deep rolling chords come up at intervals through all the worlds of sleep, and after forty years have lost no element of horror?

I

Lo, it is summer⁠—almighty summer! The everlasting gates of life and summer are thrown open wide; and on the ocean, tranquil and verdant as a savannah, the unknown lady from the dreadful vision and I myself are floating⁠—she upon a fairy pinnace, and I upon an English three-decker. Both of us are wooing gales of festal happiness within the domain of our common country, within that ancient watery park, within the pathless chase of ocean, where England takes her pleasure as a huntress through winter and summer, from the rising to the setting sun. Ah, what a wilderness of floral beauty was hidden, or was suddenly revealed, upon the tropic islands through which the pinnace moved! And upon her deck what a bevy of human flowers: young women how lovely, young men how noble, that were dancing together, and slowly drifting towards us amidst music and incense, amidst blossoms from forests and gorgeous corymbi from vintages, amidst natural carolling, and the echoes of sweet girlish laughter. Slowly the pinnace nears us, gaily she hails us, and silently she disappears beneath the shadow of our mighty bows. But then, as at some signal from heaven, the music, and the carols, and the sweet echoing of girlish laughter⁠—all are hushed. What evil has smitten the pinnace, meeting or overtaking her? Did ruin to our friends couch within our own dreadful shadow? Was our shadow the shadow of death? I looked over the bow for an answer, and, behold! the pinnace was dismantled; the revel and the revellers were found no more; the glory of the vintage was dust; and the forests with their beauty were left without a witness upon the seas. “But where,” and I turned to our crew⁠—“where are the lovely women that danced beneath the awning of flowers and clustering corymbi? Whither have fled the noble young men that danced with them?” Answer there was none. But suddenly the man at the masthead, whose countenance darkened with alarm, cried out, “Sail on the weather beam! Down she comes upon us: in seventy seconds she also will founder.”

II

I looked to the weather side, and the summer had departed. The sea was rocking, and shaken with gathering wrath. Upon its surface sat mighty mists, which grouped themselves into arches and long cathedral aisles. Down one of these, with the fiery pace of a quarrel from a crossbow, ran a frigate right athwart our course. “Are they mad?” some voice exclaimed from our deck. “Do they woo their ruin?” But in a moment, as she was close upon us, some impulse of a heady current or local vortex gave a wheeling bias to her course, and off she forged without a shock. As she ran past us, high aloft amongst the shrouds stood the lady of