The Small House at Allington - Anthony Trollope (i want to read a book txt) 📗

“I like you best now, because⁠—”

They were standing in the narrow pathway of the gate leading from the bridge into the gardens of the Great House, and the shadow of the thick-spreading laurels was around them. But the moonlight still pierced brightly through the little avenue, and she, as she looked up to him, could see the form of his face and the loving softness of his eye.

“Because⁠—,” said he; and then he stooped over her and pressed her closely, while she put up her lips to his, standing on tiptoe that she might reach to his face.

“Oh, my love!” she said. “My love! my love!”

As Crosbie walked back to the Great House that night, he made a firm resolution that no consideration of worldly welfare should ever induce him to break his engagement with Lily Dale. He went somewhat further also, and determined that he would not put off the marriage for more than six or eight months, or, at the most, ten, if he could possibly get his affairs arranged in that time. To be sure, he must give up everything⁠—all the aspirations and ambition of his life; but then, as he declared to himself somewhat mournfully, he was prepared to do that. Such were his resolutions, and, as he thought of them in bed, he came to the conclusion that few men were less selfish than he was.

“But what will they say to us for staying away?” said Lily, recovering herself. “And I ought to be making the people dance, you know. Come along, and do make yourself nice. Do waltz with Mary Eames;⁠—pray, do. If you don’t, I won’t speak to you all night!”

Acting under which threat, Crosbie did, on his return, solicit the honour of that young lady’s hand, thereby elating her into a seventh heaven of happiness. What could the world afford better than a waltz with such a partner as Adolphus Crosbie? And poor Mary Eames could waltz well; though she could not talk much as she danced, and would pant a good deal when she stopped. She put too much of her energy into the motion, and was too anxious to do the mechanical part of the work in a manner that should be satisfactory to her partner. “Oh! thank you;⁠—it’s very nice. I shall be able to go on⁠—again directly.” Her conversation with Crosbie did not get much beyond that, and yet she felt that she had never done better than on this occasion.

Though there were, at most, not above five couples of dancers, and though they who did not dance, such as the squire and Mr. Boyce, and a curate from a neighbouring parish, had, in fact, nothing to amuse them, the affair was kept on very merrily for a considerable number of hours. Exactly at twelve o’clock there was a little supper, which, no doubt, served to relieve Mrs. Hearn’s ennui, and at which Mrs. Boyce also seemed to enjoy herself. As to the Mrs. Boyces on such occasions, I profess that I feel no pity. They are generally happy in their children’s happiness, or if not, they ought to be. At any rate, they are simply performing a manifest duty, which duty, in their time, was performed on their behalf. But on what account do the Mrs. Hearns betake themselves to such gatherings? Why did that ancient lady sit there hour after hour yawning, longing for her bed, looking every ten minutes at her watch, while her old bones were stiff and sore, and her old ears pained with the noise? It could hardly have been simply for the sake of the supper. After the supper, however, her maid took her across to her cottage, and Mrs. Boyce also then stole away home, and the squire went off with some little parade, suggesting to the young men that they should make no noise in the house as they returned. But the poor curate remained, talking a dull word every now and then to Mrs. Dale, and looking on with tantalized eyes at the joys which the world had prepared for others than him. I must say that I think that public opinion and the bishops together are too hard upon curates in this particular.

In the latter part of the night’s delight, when time and practice had made them all happy together, John Eames stood up for the first time to dance with Lily. She had done all she could, short of asking him, to induce him to do her this favour; for she felt that it would be a favour. How great had been the desire on his part to ask her, and, at the same time, how great the repugnance, Lily, perhaps, did not quite understand. And yet she understood much of it. She knew that he was not angry with her. She knew that he was suffering from the injured pride of futile love, almost as much as from the futile love itself. She wished to put him at his ease in this; but she did not quite give him credit for the full sincerity, and the upright, uncontrolled heartiness of his feelings.

At length he did come up to her, and though, in truth, she was engaged, she at once accepted his offer. Then she tripped across the room. “Adolphus,” she said, “I can’t dance with you, though I said I would. John Eames has asked me, and I haven’t stood up with him before. You understand, and you’ll be a good boy, won’t you?”

Crosbie, not being in the least jealous, was a good boy, and sat himself down to rest, hidden behind a door.

For the first few minutes the conversation between Eames and Lily was of a very matter-of-fact kind. She repeated her wish that she might see him in London, and he said that of course he should come and call. Then there was silence for a little while, and they went through their figure dancing.

“I don’t at all know yet when we are to be married,” said Lily, as