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Lucia were struggling financially. The Straubs might find themselves coerced into supporting Luciaā€™s whole family.

I also researched surrogacy laws. From a conversation with Amelia, Iā€™d already gathered that paid surrogacy wasnā€™t legal in New York. Iā€™d have a significant advantage as an ā€œaltruistic surrogate,ā€ if the Straubs were to go that route. A whole layer of logistical complication could be eliminated, though they wouldnā€™t have an enforceable contract. In New York, a woman who gives birth is presumed to be the legal mother at birth and she has preferred parental status. If I were the surrogate, they would have to trust me.

Later that night, I opened up one of the folders on my hard drive. It contained photos of the Straubsā€™ kitchen, the ones I took when I was babysitting Natalie and Piper. I couldnā€™t help dwelling on the high ceilings, the exquisite finishes, the various touches of brass, copper, nickel all working in unison with glass to create a shimmery vision. I remember when I first saw that kitchen. It appeared to be made out of crystal because it sparkled so much.

I pulled up the photos of myself that Iā€™d used for my website. Five years earlier, Lana had shot them as a favor to me. They were by far the best photos of myself that Iā€™d ever had taken. The close-ups emphasized my bright blue eyes, creamy skin, and silky hair. The long shots highlighted my hourglass figure. Iā€™d enjoyed designing my website, primarily because it had been an opportunity to showcase the photos. Once finished with my website, Iā€™d sought out other occasions to use them. I considered it a waste to leave such extraordinary pictures sitting unused on my computer, so I placed my image in advertisements I found online and created photos of myself skiing or hiking or scuba diving. The activity was amusing, but since I didnā€™t know the other people in the frame, and Iā€™d never been to the locations, it was hard for me to believe in the pictures. Whereas, I discovered that inserting myself into my clientsā€™ photos wasnā€™t such a stretch for my imagination, and, as a result, I found it much more gratifying.

When I layered my image into the Straubsā€™ kitchen, it was a way to spend time with the Straubs, all of whom I missed terribly, and a way to fully inhabit their home and their life. I found stock photos of pots and pans online and layered them into the scene too, along with cutting boards, knives, vegetables, and fruit. I already had photos of Natalie and Piper watching Mean Girls. And now I had photos of myself cooking. I cut back and forth between the images to create a short slideshow. One would have inferred that I was their mother, or possibly Natalieā€™s big sister. Then I cut to photos of Natalie and Piper sound asleep in Natalieā€™s room. That came afterward in the sequence. Then, at the end of the evening, I cut to photos of me and Fritz. We were making love in the Straubsā€™ bedroom. I had already taken independent photos of Fritz, me, and the Straubsā€™ bedroom. I just had to layer our bodies on their bed. Fritzā€™s naked body posed a bit of a challenge, but I combined a few different images, some I had taken myself and some from Ameliaā€™s Instagram accountā€”pictures of him in his swimsuit. As luck would have it, the light in all of these was coming from the same direction, hitting him at the same angle. I had more than one AI ā€œundressingā€ app on my computer. All I had to do was input Fritzā€™s image in a swimsuit, and after a couple of minutes, Iā€™d get Fritz completely nude, front, back and side views. The computerā€™s best guess of what heā€™d look like naked was close, but inferior to my best guess, so I tweaked the computer-generated image, changing the skin tone and muscle tone slightly.

I was pleased with my creation.

I inserted a photo of Amelia and me together in the cooking section. She was reading a recipe to me and I was mixing the ingredients in a bowl. It looked to be my home and I was cooking with my dear friend Amelia. I found it comforting to play the slideshow for myself and watched it several times. I especially liked the section with me and Fritz in the Straubsā€™ bed, our bodies pressed together. When I looked at the photos, I felt connected to a world and a life. I thought about replacing Fritzā€™s body with Ameliaā€™sā€”an image of me and Amelia, our bodies pressed against each other. That would also be an uplifting vision, but I instinctively felt it would be a little harder to achieve.

I was about to go to sleep when I realized that I hadnā€™t included Jasper. I experienced a stab of guilt: I hadnā€™t thought about my son, and now it wasnā€™t clear how to incorporate him. Where had Jasper been the whole time? I finally decided that he had been sleeping the entire evening. That was plausible. He was only five years old, after all. So I created a bed for him in Natalieā€™s room, and layered his delicate little body onto that bed. It was Natalie and Jasper, as opposed to Natalie and Piper, who were asleep in Natalieā€™s room. It was as if Piper had gone home after the movie, and Jasper and Natalie were asleep in their beds.

I texted Amelia again Saturday morning and didnā€™t hear back. I felt increasingly unmoored and didnā€™t know what to do with myself. I needed contact with the Straubs. I hadnā€™t seen them or spoken to them for a week.

Ian was now my only source of information. I made plans to meet him for dinner at a gastropub in the West Village. After dinner, we bundled up and walked down Greenwich Avenue through the crowd of pedestrians. After several blocks, we came to a red light and

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