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matter, but Arcot has seen natural matter forced into this exceedingly explosive atomic figuration.

“It is so heavily charged in the nucleus that its X-ray spectrum is well toward the gamma! The inner electrons can scarcely vibrate.”

Again the substance changed⁠—and was gone.

“Too far⁠—atom of weight 20,000 becomes invisible and nonexistent as space closes in about it⁠—perhaps the origin of our space. Atoms of this weight, if breaking up, would form two or more atoms that would exist in our space, then these would be unstable, and break down further into normal atoms. We don’t know.

“And one more substance,” continued Morey as he opened the relay once more. Arcot sat down and rested his head in his hands. He was not accustomed to this strain, and though his mind was one of the most powerful on Earth, it was very hard for him.

“We have a substance of commercial and practical use now. Cosmium. Arcot will show one method of making it.”

Arcot resumed his work, seated now. A formation reached out, and grasped the lump of platinum still on the floor. Other bars of iron were brought over from the stack of material laid ready, and piled on a broad sheet that had formed in the air, tons of it, tens of tons. Finally he stopped. There was enough. The sheet wrapped itself into a sphere, and contracted, slowly, steadily. It was rampant with energy, energy flowed from it, and the air about was glowing with ionization. There was a feeling of awful power that seeped into the minds of the watchers, and held them spellbound before the glowing, opalescent sphere. The tons of matter were compressed now to a tiny ball! Suddenly the energy flared out violently, a terrific burst of energy, ionizing the air in the entire room, and shooting it with tiny, burning sparks. Then it was over. The ball split, and became two planes. Between them was a small ball of a glistening solid. The planes moved slowly together, and the ball flattened, and flowed. It was a sheet.

A clamp of artificial matter took it, and held the paper-thin sheet, many feet square, in the air. It seemed it must bend under its own enormous weight of tons, but thin as it was it did not.

“Cosmium,” said Morey softly.

Arcot crumpled it, and pressed it once more between artificial matter tools. It was a plate, thick as heavy cardboard, and two feet on a side. He set it in a holder of artificial matter, a sort of frame, and caused the controls to lock.

Taking off the headpiece he had worn, he explained, “As Morey said, Cosmium. Briefly, density, 5007.89. Tensile strength, about two hundred thousand times that of good steel!” The audience gasped. That seems little to men who do not realize what it meant. An inch of this stuff would be harder to penetrate than three miles of steel!

“Our new ship,” continued Arcot, “will carry six-inch armor. Six inches would be the equivalent of eighteen miles of solid steel, with the enormous improvement that it will be concentrated, and so will have far greater resistance than any amount of steel. Its tensile strength would be the equivalent of an eighteen-mile wall of steel.

“But its most important properties are that it reflects everything we know of. Cosmics, light, and even moleculars! It is made of cosmic ray photons, as lux is made of light photons, but the inexpressibly tighter bond makes the strength enormous. It cannot be handled by any means save by artificial matter tools.

“And now I am going to give a demonstration of the theatrical possibilities of this new agent. Hardly scientific⁠—but amusing.”

But it wasn’t exactly amusing.

Arcot again donned the headpiece. “I think,” he continued, “that a manifestation of the supernatural will be most interesting. Remember that all you see is real, and all effects are produced by artificial matter generated by the cosmic energy, as I have explained, and are controlled by my mind.”

Arcot had chosen to give this demonstration with definite reason. Apparently a bit of scientific playfulness, yet he knew that nothing is so impressive, nor so lastingly remembered as a theatrical demonstration of science. The greatest scientist likes to play with his science.

But Arcot’s experiment now⁠—it was on a level of its own!

From behind the table, apparently crawling up the leg came a thing! It was a hand. A horrible, disjointed hand. It was withered and incarmined with blood, for it was severed from its wrist, and as it hunched itself along, moving by a ghastly twitching of fingers and thumb, it left a trail of red behind it. The papers to be distributed rustled as it passed, scurrying suddenly across the table, down the leg, and racing toward the light switch! By some process of writhing jerks it reached it, and suddenly the room was plunged into half-light as the lights winked out. Light filtering over the transom of the door from the hall alone illuminated the hall, but the hand glowed! It glowed, and scurried away with an awful rustling, scuttling into some unseen hole in the wall. The quiet of the hall was the quiet of tenseness.

From the wall, coming through it, came a mistiness that solidified as it flowed across. It was far to the right, a bent stooped figure, a figure half glimpsed, but fully known, for it carried in its bony, glowing hand a great, nicked scythe. Its rattling tread echoed hollowly on the floor. Stooping walk, shuffling gait, the great metal scythe scraping on the floor, half seen as the gray, luminous cloak blew open in some unfelt breeze of its ephemeral world, revealing bone; dry, gray bone. Only the scythe seemed to know Life, and it was red with that Life. Slow running, sticky lifestuff.

Death paused, and raised his awful head. The hood fell back from the cavernous eyesockets, and they flamed with a greenish radiance that made every strained face in the room assume the same deathly pallor.

“The Scythe, the Scythe of Death,” grated the

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