Short Fiction - Kate Chopin (animal farm read .txt) 📗

here. The steep, black, moss-covered roof sat like an extinguisher above the eight large rooms that it covered, and had come to do its office so poorly that not more than half of these were habitable when the rain fell. Perhaps the live-oaks made too thick and close a shelter about it. The verandas were long and broad and inviting; but it was well to know that the brick pillar was crumbling away under one corner, that the railing was insecure at another, and that still another had long ago been condemned as unsafe. But that, of course, was not the corner in which Wallace Offdean sat the day following his arrival at the Santien place. This one was comparatively secure. A gloire-de-Dijon, thick-leaved and charged with huge creamy blossoms, grew and spread here like a hardy vine upon the wires that stretched from post to post. The scent of the blossoms was delicious; and the stillness that surrounded Offdean agreeably fitted his humor that asked for rest. His old host, Pierre Manton, the manager of the place, sat talking to him in a soft, rhythmic monotone; but his speech was hardly more of an interruption than the hum of the bees among the roses. He was saying:⁠—

“If it would been me myse’f, I would nevair grumb’. W’en a chimbly breck, I take one, two de boys; we patch ’im up bes’ we know how. We keep on men’ de fence’, firs’ one place, anudder; an’ if it would n’ be fer dem mule’ of Lacroix⁠—tonnerre! I don’ wan’ to talk ’bout dem mule’. But me, I would n’ grumb’. It’s Euphrasie, hair. She say dat’s all fool nonsense fer rich man lack Hardin’-Offde’n to let a piece o’ lan’ goin’ lack dat.”

“Euphrasie?” questioned Offdean, in some surprise; for he had not yet heard of any such person.

“Euphrasie, my li’le chile. Escuse me one minute,” Pierre added, remembering that he was in his shirtsleeves, and rising to reach for his coat, which hung upon a peg near by. He was a small, square man, with mild, kindly face, brown and roughened from healthy exposure. His hair hung gray and long beneath the soft felt hat that he wore. When he had seated himself, Offdean asked:⁠—

“Where is your little child? I haven’t seen her,” inwardly marveling that a little child should have uttered such words of wisdom as those recorded of her.

“She yonder to Mme. Duplan on Cane River. I been kine espectin’ hair sence yistiday⁠—hair an’ Placide,” casting an unconscious glance down the long plantation road. “But Mme. Duplan she nevair want to let Euphrasie go. You know it’s hair raise’ Euphrasie sence hair po’ ma die’, Mr. Offde’n. She teck dat li’le chile, an’ raise it, sem lack she raisin’ Ninette. But it’s mo’ ’an a year now Euphrasie say dat’s all fool nonsense to leave me livin’ ’lone lack dat, wid nuttin’ ’cep’ dem nigger’⁠—an’ Placide once a w’ile. An’ she came yair bossin’! My goodness!” The old man chuckled, “Dat’s hair been writin’ all dem letter’ to Hardin’-Offde’n. If it would been me myse’f”⁠—

III

Placide seemed to have had a foreboding of ill from the start when he found that Euphrasie began to interest herself in the condition of the plantation. This ill feeling voiced itself partly when he told her it was none of her lookout if the place went to the dogs. “It’s good enough for Joe Duplan to run things en grand seigneur, Euphrasie; that’s w’at’s spoiled you.”

Placide might have done much single-handed to keep the old place in better trim, if he had wished. For there was no one more clever than he to do a hand’s turn at any and every thing. He could mend a saddle or bridle while he stood whistling a tune. If a wagon required a brace or a bolt, it was nothing for him to step into a shop and turn out one as deftly as the most skilled blacksmith. Anyone seeing him at work with plane and rule and chisel would have declared him a born carpenter. And as for mixing paints, and giving a fine and lasting coat to the side of a house or barn, he had not his equal in the country.

This last talent he exercised little in his native parish. It was in a neighboring one, where he spent the greater part of his time, that his fame as a painter was established. There, in the village of Orville, he owned a little shell of a house, and during odd times it was Placide’s great delight to tinker at this small home, inventing daily new beauties and conveniences to add to it. Lately it had become a precious possession to him, for in the spring he was to bring Euphrasie there as his wife.

Maybe it was because of his talent, and his indifference in turning it to good, that he was often called “a no-account creole” by thriftier souls than himself. But no-account creole or not, painter, carpenter, blacksmith, and whatever else he might be at times, he was a Santien always, with the best blood in the country running in his veins. And many thought his choice had fallen in very low places when he engaged himself to marry little Euphrasie, the daughter of old Pierre Manton and a problematic mother a good deal less than nobody.

Placide might have married almost anyone, too; for it was the easiest thing in the world for a girl to fall in love with him⁠—sometimes the hardest thing in the world not to, he was such a splendid fellow, such a careless, happy, handsome fellow. And he did not seem to mind in the least that young men who had grown up with him were lawyers now, and planters, and members of Shakespeare clubs in town. No one ever expected anything quite so humdrum as that of the Santien boys. As youngsters, all three had been the despair of the country