Far from the Madding Crowd - Thomas Hardy (intellectual books to read .txt) 📗

and the stables, which are to a farm what a fireplace is to a room, were behind, their lower portions being lost amid bushes of laurel. Inside the blue door, open half-way down, were to be seen at this time the backs and tails of half-a-dozen warm and contented horses standing in their stalls; and as thus viewed, they presented alternations of roan and bay, in shapes like a Moorish arch, the tail being a streak down the midst of each. Over these, and lost to the eye gazing in from the outer light, the mouths of the same animals could be heard busily sustaining the above-named warmth and plumpness by quantities of oats and hay. The restless and shadowy figure of a colt wandered about a loose-box at the end, whilst the steady grind of all the eaters was occasionally diversified by the rattle of a rope or the stamp of a foot.

Pacing up and down at the heels of the animals was Farmer Boldwood himself. This place was his almonry and cloister in one: here, after looking to the feeding of his four-footed dependants, the celibate would walk and meditate of an evening till the moon’s rays streamed in through the cobwebbed windows, or total darkness enveloped the scene.

His square-framed perpendicularity showed more fully now than in the crowd and bustle of the market-house. In this meditative walk his foot met the floor with heel and toe simultaneously, and his fine reddish-fleshed face was bent downwards just enough to render obscure the still mouth and the well-rounded though rather prominent and broad chin. A few clear and thread-like horizontal lines were the only interruption to the otherwise smooth surface of his large forehead.

The phases of Boldwood’s life were ordinary enough, but his was not an ordinary nature. That stillness, which struck casual observers more than anything else in his character and habit, and seemed so precisely like the rest of inanition, may have been the perfect balance of enormous antagonistic forces⁠—positives and negatives in fine adjustment. His equilibrium disturbed, he was in extremity at once. If an emotion possessed him at all, it ruled him; a feeling not mastering him was entirely latent. Stagnant or rapid, it was never slow. He was always hit mortally, or he was missed.

He had no light and careless touches in his constitution, either for good or for evil. Stern in the outlines of action, mild in the details, he was serious throughout all. He saw no absurd sides to the follies of life, and thus, though not quite companionable in the eyes of merry men and scoffers, and those to whom all things show life as a jest, he was not intolerable to the earnest and those acquainted with grief. Being a man who read all the dramas of life seriously, if he failed to please when they were comedies, there was no frivolous treatment to reproach him for when they chanced to end tragically.

Bathsheba was far from dreaming that the dark and silent shape upon which she had so carelessly thrown a seed was a hotbed of tropic intensity. Had she known Boldwood’s moods, her blame would have been fearful, and the stain upon her heart ineradicable. Moreover, had she known her present power for good or evil over this man, she would have trembled at her responsibility. Luckily for her present, unluckily for her future tranquillity, her understanding had not yet told her what Boldwood was. Nobody knew entirely; for though it was possible to form guesses concerning his wild capabilities from old floodmarks faintly visible, he had never been seen at the high tides which caused them.

Farmer Boldwood came to the stable-door and looked forth across the level fields. Beyond the first enclosure was a hedge, and on the other side of this a meadow belonging to Bathsheba’s farm.

It was now early spring⁠—the time of going to grass with the sheep, when they have the first feed of the meadows, before these are laid up for mowing. The wind, which had been blowing east for several weeks, had veered to the southward, and the middle of spring had come abruptly⁠—almost without a beginning. It was that period in the vernal quarter when we may suppose the Dryads to be waking for the season. The vegetable world begins to move and swell and the saps to rise, till in the completest silence of lone gardens and trackless plantations, where everything seems helpless and still after the bond and slavery of frost, there are bustlings, strainings, united thrusts, and pulls-all-together, in comparison with which the powerful tugs of cranes and pulleys in a noisy city are but pigmy efforts.

Boldwood, looking into the distant meadows, saw there three figures. They were those of Miss Everdene, Shepherd Oak, and Cainy Ball.

When Bathsheba’s figure shone upon the farmer’s eyes it lighted him up as the moon lights up a great tower. A man’s body is as the shell, or the tablet, of his soul, as he is reserved or ingenuous, overflowing or self-contained. There was a change in Boldwood’s exterior from its former impassibleness; and his face showed that he was now living outside his defences for the first time, and with a fearful sense of exposure. It is the usual experience of strong natures when they love.

At last he arrived at a conclusion. It was to go across and inquire boldly of her.

The insulation of his heart by reserve during these many years, without a channel of any kind for disposable emotion, had worked its effect. It has been observed more than once that the causes of love are chiefly subjective, and Boldwood was a living testimony to the truth of the proposition. No mother existed to absorb his devotion, no sister for his tenderness, no idle ties for sense. He became surcharged with the compound, which was genuine lover’s love.

He approached the gate of the meadow. Beyond it the ground was melodious with ripples, and the sky with larks; the low bleating