The Brothers Karamazov - Fyodor Dostoevsky (philippa perry book TXT) 📗

him, who had till then loved nothing but “evil.” When Alyosha had left him, he confessed to himself that he had learnt something he had not till then been willing to learn.

I have mentioned already that Grigory had detested Adelaïda Ivanovna, the first wife of Fyodor Pavlovitch and the mother of Dmitri, and that he had, on the contrary, protected Sofya Ivanovna, the poor “crazy woman,” against his master and anyone who chanced to speak ill or lightly of her. His sympathy for the unhappy wife had become something sacred to him, so that even now, twenty years after, he could not bear a slighting allusion to her from anyone, and would at once check the offender. Externally, Grigory was cold, dignified and taciturn, and spoke, weighing his words, without frivolity. It was impossible to tell at first sight whether he loved his meek, obedient wife; but he really did love her, and she knew it.

Marfa Ignatyevna was by no means foolish; she was probably, indeed, cleverer than her husband, or, at least, more prudent than he in worldly affairs, and yet she had given in to him in everything without question or complaint ever since her marriage, and respected him for his spiritual superiority. It was remarkable how little they spoke to one another in the course of their lives, and only of the most necessary daily affairs. The grave and dignified Grigory thought over all his cares and duties alone, so that Marfa Ignatyevna had long grown used to knowing that he did not need her advice. She felt that her husband respected her silence, and took it as a sign of her good sense. He had never beaten her but once, and then only slightly. Once during the year after Fyodor Pavlovitch’s marriage with Adelaïda Ivanovna, the village girls and women⁠—at that time serfs⁠—were called together before the house to sing and dance. They were beginning “In the Green Meadows,” when Marfa, at that time a young woman, skipped forward and danced “the Russian Dance,” not in the village fashion, but as she had danced it when she was a servant in the service of the rich Miüsov family, in their private theater, where the actors were taught to dance by a dancing master from Moscow. Grigory saw how his wife danced, and, an hour later, at home in their cottage he gave her a lesson, pulling her hair a little. But there it ended: the beating was never repeated, and Marfa Ignatyevna gave up dancing.

God had not blessed them with children. One child was born but it died. Grigory was fond of children, and was not ashamed of showing it. When Adelaïda Ivanovna had run away, Grigory took Dmitri, then a child of three years old, combed his hair and washed him in a tub with his own hands, and looked after him for almost a year. Afterwards he had looked after Ivan and Alyosha, for which the general’s widow had rewarded him with a slap in the face; but I have already related all that. The only happiness his own child had brought him had been in the anticipation of its birth. When it was born, he was overwhelmed with grief and horror. The baby had six fingers. Grigory was so crushed by this, that he was not only silent till the day of the christening, but kept away in the garden. It was spring, and he spent three days digging the kitchen garden. The third day was fixed for christening the baby: meantime Grigory had reached a conclusion. Going into the cottage where the clergy were assembled and the visitors had arrived, including Fyodor Pavlovitch, who was to stand godfather, he suddenly announced that the baby “ought not to be christened at all.” He announced this quietly, briefly, forcing out his words, and gazing with dull intentness at the priest.

“Why not?” asked the priest with good-humored surprise.

“Because it’s a dragon,” muttered Grigory.

“A dragon? What dragon?”

Grigory did not speak for some time. “It’s a confusion of nature,” he muttered vaguely, but firmly, and obviously unwilling to say more.

They laughed, and of course christened the poor baby. Grigory prayed earnestly at the font, but his opinion of the newborn child remained unchanged. Yet he did not interfere in any way. As long as the sickly infant lived he scarcely looked at it, tried indeed not to notice it, and for the most part kept out of the cottage. But when, at the end of a fortnight, the baby died of thrush, he himself laid the child in its little coffin, looked at it in profound grief, and when they were filling up the shallow little grave he fell on his knees and bowed down to the earth. He did not for years afterwards mention his child, nor did Marfa speak of the baby before him, and, even if Grigory were not present, she never spoke of it above a whisper. Marfa observed that, from the day of the burial, he devoted himself to “religion,” and took to reading the Lives of the Saints, for the most part sitting alone and in silence, and always putting on his big, round, silver-rimmed spectacles. He rarely read aloud, only perhaps in Lent. He was fond of the Book of Job, and had somehow got hold of a copy of the sayings and sermons of “the God-fearing Father Isaac the Syrian,” which he read persistently for years together, understanding very little of it, but perhaps prizing and loving it the more for that. Of late he had begun to listen to the doctrines of the sect of Flagellants settled in the neighborhood. He was evidently shaken by them, but judged it unfitting to go over to the new faith. His habit of theological reading gave him an expression of still greater gravity.

He was perhaps predisposed to mysticism. And the birth of his deformed child, and its death, had, as though by special design, been accompanied by another strange and