I Will Repay - Baroness Orczy (animal farm read TXT) 📗

The house itself was squalid and dirty, up one of those mean streets which, by their narrow way and shelving buildings, shut out sun, air, and light from their miserable inhabitants.

The Cheval Borgne was one of the most wretched-looking dwellings in this street of evil repute. The plaster was cracked, the walls themselves seemed bulging outward, preparatory to a final collapse. The ceilings were low, and supported by beams black with age and dirt.

At one time it had been celebrated for its vast cellarage, which had contained some rare old wines. And in the days of the Grand Monarch young bucks were wont to quit the gay salons of the ladies, in order to repair to the Cheval Borgne for a night’s carouse.

In those days the vast cellarage was witness of many a dark encounter, of many a mysterious death; could the slimy walls have told their own tale, it would have been one which would have put to shame the wildest chronicles of M. Vidoq.

Now it was no longer so.

Things were done in broad daylight on the Place de la Révolution: there was no need for dark, mysterious cellars, in which to accomplish deeds of murder and of revenge.

Rats and vermin of all sorts worked their way now in the underground portion of the building. They ate up each other, and held their orgies in the cellars, whilst men did the same sort of thing in the rooms above.

It was a club of Equality and Fraternity. Any passerby was at liberty to enter and take part in the debates, his only qualification for this temporary membership being an inordinate love for Madame la Guillotine.

It was from the sordid rooms of the Cheval Borgne that most of the denunciations had gone forth which led but to the one inevitable ending⁠—death.

They sat in conclave here, some twoscore or so at first, the rabid patriots of this poor, downtrodden France. They talked of Liberty mostly, with many oaths and curses against the tyrants, and then started a tyranny, an autocracy, ten thousand times more awful than any wielded by the dissolute Bourbons.

And this was the temple of Liberty, this dark, damp, evil-smelling brothel, with is narrow, cracked windowpanes, which let in but an infinitesimal fraction of air, and that of the foulest, most unwholesome kind.

The floor was of planks roughly put together; now they were worm-eaten, bare, save for a thick carpet of greasy dust, which deadened the sound of booted feet. The place only boasted of a couple of chairs, both of which had to be propped against the wall lest they should break, and bring the sitter down upon the floor; otherwise a number of empty wine barrels did duty for seats, and rough deal boards on broken trestles for tables.

There had once been a paper on the walls, now it hung down in strips, showing the cracked plaster beneath. The whole place had a tone of yellowish-grey grime all over it, save where, in the centre of the room, on a rough double post, shaped like the guillotine, a scarlet cap of Liberty gave a note of lurid colour to the dismal surroundings.

On the walls here and there the eternal device, so sublime in conception, so sordid in execution, recalled the aims of the so-called club: “Liberté, Fraternité, Egalité, sinon la Mort.”

Below the device, in one or two corners of the room, the wall was further adorned with rough charcoal sketches, mostly of an obscene character, the work of one of the members of the club, who had chosen this means of degrading his art.

Tonight the assembly had been reduced to less than a score.

Even according to the dictates of these apostles of Fraternity: “la guillotine va toujours”⁠—the guillotine goes on always. She had become the most potent factor in the machinery of government, of this great Revolution, and she had been daily, almost hourly fed through the activity of this nameless club, which held its weird and awesome sittings in the dank coffee-room of the Cheval Borgne.

The number of the active members had been reduced. Like the rats in the cellars below, they had done away with one another, swallowed one another up, torn each other to pieces in this wild rage for a Utopian fraternity.

Marat, founder of the organisation, had been murdered by a girl’s hand; but Charon, Manuel, Osselin had gone the usual way, denounced by their colleagues, Rabaut, Custine, Bison, who in their turn were sent to the guillotine by those more powerful, perhaps more eloquent, than themselves.

It was merely a case of who could shout the loudest at an assembly of the National Convention.

“La guillotine va toujours!”

After the death of Marat, Merlin became the most prominent member of the club⁠—he and Foucquier-Tinville, his bosom friend, Public Prosecutor, and the most bloodthirsty homicide of this homicidal age.

Bosom friend both, yet they worked against one another, undermining each other’s popularity, whispering persistently, one against the other: “He is a traitor!” It had become just a neck-to-neck race between them towards the inevitable goal⁠—the guillotine.

Foucquier-Tinville is in the ascendant for the moment. Merlin had been given a task which he had failed to accomplish. For days now, weeks even, the debates of this noble assembly had been chiefly concerned with the downfall of Citizen-Deputy Déroulède. His popularity, his calm security in the midst of this reign of terror and anarchy, had been a terrible thorn in the flesh of these rabid Jacobins.

And now the climax had been reached. An anonymous denunciation had roused the hopes of these sanguinary patriots. It all sounded perfectly plausible. To try and save that traitor, Marie Antoinette, the widow of Louis Capet, was just the sort of scheme that would originate in the brain of Paul Déroulède.

He had always been at heart an aristocrat, and the feeling of chivalry for a persecuted woman was only the outward signs of his secret adherence to the hated class.

Merlin had been sent to