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a distance one can feel the large, positive qualities that control a character. Close at hand, Mrs. Todd seemed able and warmhearted and quite absorbed in her bustling industries, but her distant figure looked mateless and appealing, with something about it that was strangely self-possessed and mysterious. Now and then she stooped to pick something⁠—it might have been her favorite pennyroyal⁠—and at last I lost sight of her as she slowly crossed an open space on one of the higher points of land, and disappeared again behind a dark clump of juniper and the pointed firs.

As I came away on the little coastwise steamer, there was an old sea running which made the surf leap high on all the rocky shores. I stood on deck, looking back, and watched the busy gulls agree and turn, and sway together down the long slopes of air, then separate hastily and plunge into the waves. The tide was setting in, and plenty of small fish were coming with it, unconscious of the silver flashing of the great birds overhead and the quickness of their fierce beaks. The sea was full of life and spirit, the tops of the waves flew back as if they were winged like the gulls themselves, and like them had the freedom of the wind. Out in the main channel we passed a bent-shouldered old fisherman bound for the evening round among his lobster traps. He was toiling along with short oars, and the dory tossed and sank and tossed again with the steamer’s waves. I saw that it was old Elijah Tilley, and though we had so long been strangers we had come to be warm friends, and I wished that he had waited for one of his mates, it was such hard work to row along shore through rough seas and tend the traps alone. As we passed I waved my hand and tried to call to him, and he looked up and answered my farewells by a solemn nod. The little town, with the tall masts of its disabled schooners in the inner bay, stood high above the flat sea for a few minutes then it sank back into the uniformity of the coast, and became indistinguishable from the other towns that looked as if they were crumbled on the furzy-green stoniness of the shore.

The small outer islands of the bay were covered among the ledges with turf that looked as fresh as the early grass; there had been some days of rain the week before, and the darker green of the sweet-fern was scattered on all the pasture heights. It looked like the beginning of summer ashore, though the sheep, round and warm in their winter wool, betrayed the season of the year as they went feeding along the slopes in the low afternoon sunshine. Presently the wind began to blow and we struck out seaward to double the long sheltering headland of the cape, and when I looked back again, the islands and the headland had run together and Dunnet Landing and all its coasts were lost to sight.

Colophon

The Country of the Pointed Firs
was published in 1896 by
Sarah Orne Jewett.

This ebook was produced for
Standard Ebooks
by
Guan Un,
and is based on a transcription produced in 2008 by
Judith Boss and David Widger
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.

The cover page is adapted from
Mount Starr King, Yosemite,
a painting completed in 1866 by
Albert Bierstadt.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 31, 2020, 6:27 p.m.
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