Beyond Good and Evil - Friedrich Nietzsche (read any book .txt) 📗

be well-nigh galling; rivalry for rights, indeed actual strife itself, would be preferred: in a word, woman is losing modesty. And let us immediately add that she is also losing taste. She is unlearning to fear man: but the woman who “unlearns to fear” sacrifices her most womanly instincts. That woman should venture forward when the fear-inspiring quality in man⁠—or more definitely, the man in man⁠—is no longer either desired or fully developed, is reasonable enough and also intelligible enough; what is more difficult to understand is that precisely thereby⁠—woman deteriorates. This is what is happening nowadays: let us not deceive ourselves about it! Wherever the industrial spirit has triumphed over the military and aristocratic spirit, woman strives for the economic and legal independence of a clerk: “woman as clerkess” is inscribed on the portal of the modern society which is in course of formation. While she thus appropriates new rights, aspires to be “master,” and inscribes “progress” of woman on her flags and banners, the very opposite realises itself with terrible obviousness: woman retrogrades. Since the French Revolution the influence of woman in Europe has declined in proportion as she has increased her rights and claims; and the “emancipation of woman,” insofar as it is desired and demanded by women themselves (and not only by masculine shallow-pates), thus proves to be a remarkable symptom of the increased weakening and deadening of the most womanly instincts. There is stupidity in this movement, an almost masculine stupidity, of which a well-reared woman⁠—who is always a sensible woman⁠—might be heartily ashamed. To lose the intuition as to the ground upon which she can most surely achieve victory; to neglect exercise in the use of her proper weapons; to let-herself-go before man, perhaps even “to the book,” where formerly she kept herself in control and in refined, artful humility; to neutralize with her virtuous audacity man’s faith in a veiled, fundamentally different ideal in woman, something eternally, necessarily feminine; to emphatically and loquaciously dissuade man from the idea that woman must be preserved, cared for, protected, and indulged, like some delicate, strangely wild, and often pleasant domestic animal; the clumsy and indignant collection of everything of the nature of servitude and bondage which the position of woman in the hitherto existing order of society has entailed and still entails (as though slavery were a counterargument, and not rather a condition of every higher culture, of every elevation of culture):⁠—what does all this betoken, if not a disintegration of womanly instincts, a defeminising? Certainly, there are enough of idiotic friends and corrupters of woman among the learned asses of the masculine sex, who advise woman to defeminize herself in this manner, and to imitate all the stupidities from which “man” in Europe, European “manliness,” suffers⁠—who would like to lower woman to “general culture,” indeed even to newspaper reading and meddling with politics. Here and there they wish even to make women into free spirits and literary workers: as though a woman without piety would not be something perfectly obnoxious or ludicrous to a profound and godless man;⁠—almost everywhere her nerves are being ruined by the most morbid and dangerous kind of music (our latest German music), and she is daily being made more hysterical and more incapable of fulfilling her first and last function, that of bearing robust children. They wish to “cultivate” her in general still more, and intend, as they say, to make the “weaker sex” strong by culture: as if history did not teach in the most emphatic manner that the “cultivating” of mankind and his weakening⁠—that is to say, the weakening, dissipating, and languishing of his force of will⁠—have always kept pace with one another, and that the most powerful and influential women in the world (and lastly, the mother of Napoleon) had just to thank their force of will⁠—and not their schoolmasters⁠—for their power and ascendancy over men. That which inspires respect in woman, and often enough fear also, is her nature, which is more “natural” than that of man, her genuine, carnivora-like, cunning flexibility, her tiger-claws beneath the glove, her naivete in egoism, her untrainableness and innate wildness, the incomprehensibleness, extent, and deviation of her desires and virtues. That which, in spite of fear, excites one’s sympathy for the dangerous and beautiful cat, “woman,” is that she seems more afflicted, more vulnerable, more necessitous of love, and more condemned to disillusionment than any other creature. Fear and sympathy it is with these feelings that man has hitherto stood in the presence of woman, always with one foot already in tragedy, which rends while it delights⁠—What? And all that is now to be at an end? And the disenchantment of woman is in progress? The tediousness of woman is slowly evolving? Oh Europe! Europe! We know the horned animal which was always most attractive to thee, from which danger is ever again threatening thee! Thy old fable might once more become “history”⁠—an immense stupidity might once again overmaster thee and carry thee away! And no God concealed beneath it⁠—no! only an “idea,” a “modern idea”! VIII Peoples and Countries 240

I heard, once again for the first time, Richard Wagner’s overture to the Mastersingers: it is a piece of magnificent, gorgeous, heavy, latter-day art, which has the pride to presuppose two centuries of music as still living, in order that it may be understood:⁠—it is an honour to Germans that such a pride did not miscalculate! What flavours and forces, what seasons and climes do we not find mingled in it! It impresses us at one time as ancient, at another time as foreign, bitter, and too modern, it is as arbitrary as it is pompously traditional, it is not infrequently roguish, still oftener rough and coarse⁠—it has fire and courage, and at the same time the loose, dun-coloured skin of fruits which ripen too late. It flows broad and full: and suddenly there is a moment of inexplicable hesitation, like a