The Rainbow - D. H. Lawrence (e reader comics TXT) 📗

him in the Marsh kitchen. In himself, he knew her. But his outward faculties seemed suspended. He did not see her with his eyes, nor hear her with his voice.

And yet he trembled, sometimes into a kind of swoon, holding her in his arms. They would stand sometimes folded together in the barn, in silence. Then to her, as she felt his young, tense figure with her hands, the bliss was intolerable, intolerable the sense that she possessed him. For his body was so keen and wonderful, it was the only reality in her world. In her world, there was this one tense, vivid body of a man, and then many other shadowy men, all unreal. In him, she touched the centre of reality. And they were together, he and she, at the heart of the secret. How she clutched him to her, his body the central body of all life. Out of the rock of his form the very fountain of life flowed.

But to him, she was a flame that consumed him. The flame flowed up his limbs, flowed through him, till he was consumed, till he existed only as an unconscious, dark transit of flame, deriving from her.

Sometimes, in the darkness, a cow coughed. There was, in the darkness, a slow sound of cud chewing. And it all seemed to flow round them and upon them as the hot blood flows through the womb, laving the unborn young.

Sometimes, when it was cold, they stood to be lovers in the stables, where the air was warm and sharp with ammonia. And during these dark vigils, he learned to know her, her body against his, they drew nearer and nearer together, the kisses came more subtly close and fitting. So when in the thick darkness a horse suddenly scrambled to its feet, with a dull, thunderous sound, they listened as one person listening, they knew as one person, they were conscious of the horse.

Tom Brangwen had taken them a cottage at Cossethay, on a twenty-one years’ lease. Will Brangwen’s eyes lit up as he saw it. It was the cottage next the church, with dark yew-trees, very black old trees, along the side of the house and the grassy front garden; a red, squarish cottage with a low slate roof, and low windows. It had a long dairy-scullery, a big flagged kitchen, and a low parlour, that went up one step from the kitchen. There were whitewashed beams across the ceilings, and odd corners with cupboards. Looking out through the windows, there was the grassy garden, the procession of black yew trees down one side, and along the other sides, a red wall with ivy separating the place from the highroad and the churchyard. The old, little church, with its small spire on a square tower, seemed to be looking back at the cottage windows.

“There’ll be no need to have a clock,” said Will Brangwen, peeping out at the white clock-face on the tower, his neighbour.

At the back of the house was a garden adjoining the paddock, a cowshed with standing for two cows, pig-cotes and fowl-houses. Will Brangwen was very happy. Anna was glad to think of being mistress of her own place.

Tom Brangwen was now the fairy godfather. He was never happy unless he was buying something. Will Brangwen, with his interest in all woodwork, was getting the furniture. He was left to buy tables and round-staved chairs and the dressers, quite ordinary stuff, but such as was identified with his cottage.

Tom Brangwen, with more particular thought, spied out what he called handy little things for her. He appeared with a set of newfangled cooking-pans, with a special sort of hanging lamp, though the rooms were so low, with canny little machines for grinding meat or mashing potatoes or whisking eggs.

Anna took a sharp interest in what he bought, though she was not always pleased. Some of the little contrivances, which he thought so canny, left her doubtful. Nevertheless she was always expectant, on market days there was always a long thrill of anticipation. He arrived with the first darkness, the copper lamps of his cart glowing. And she ran to the gate, as he, a dark, burly figure up in the cart, was bending over his parcels.

“It’s cupboard love as brings you out so sharp,” he said, his voice resounding in the cold darkness. Nevertheless he was excited. And she, taking one of the cart lamps, poked and peered among the jumble of things he had brought, pushing aside the oil or implements he had got for himself.

She dragged out a pair of small, strong bellows, registered them in her mind, and then pulled uncertainly at something else. It had a long handle, and a piece of brown paper round the middle of it, like a waistcoat.

“What’s this?” she said, poking.

He stopped to look at her. She went to the lamplight by the horse, and stood there bent over the new thing, while her hair was like bronze, her apron white and cheerful. Her fingers plucked busily at the paper. She dragged forth a little wringer, with clean india-rubber rollers. She examined it critically, not knowing quite how it worked.

She looked up at him. He stood a shadowy presence beyond the light.

“How does it go?” she asked.

“Why, it’s for pulpin’ turnips,” he replied.

She looked at him. His voice disturbed her.

“Don’t be silly. It’s a little mangle,” she said. “How do you stand it, though?”

“You screw it on th’ side o’ your washtub.” He came and held it out to her.

“Oh, yes!” she cried, with one of her little skipping movements, which still came when she was suddenly glad.

And without another thought she ran off into the house, leaving him to untackle the horse. And when he came into the scullery, he found her there, with the little wringer fixed on the dolly-tub, turning blissfully at the handle, and Tilly beside her, exclaiming:

“My word, that’s a natty little thing! That’ll save you luggin’ your inside out. That’s the