The Hill of Dreams - Arthur Machen (that summer book TXT) 📗

he realized that he had lost the art of humanity forever. He had thought when he closed his ears to the wood whisper and changed the fauns’ singing for the murmur of the streets, the black pools for the shadows and amber light of London, that he had put off the old life, and had turned his soul to healthy activities, but the truth was that he had merely exchanged one drug for another. He could not be human, and he wondered whether there were some drop of the fairy blood in his body that made him foreign and a stranger in the world.

He did not surrender to desolation without repeated struggles. He strove to allure himself to his desk by the promise of some easy task; he would not attempt invention, but he had memoranda and rough jottings of ideas in his notebooks, and he would merely amplify the suggestions ready to his hand. But it was hopeless, again and again it was hopeless. As he read over his notes, trusting that he would find some hint that might light up the dead fires, and kindle again that pure flame of enthusiasm, he found how desperately his fortune had fallen. He could see no light, no color in the lines he had scribbled with eager trembling fingers; he remembered how splendid all these things had been when he wrote them down, but now they were meaningless, faded into grey. The few words he had dashed on to the paper, enraptured at the thought of the happy hours they promised, had become mere jargon, and when he understood the idea it seemed foolish, dull, unoriginal. He discovered something at last that appeared to have a grain of promise, and determined to do his best to put it into shape, but the first paragraph appalled him; it might have been written by an unintelligent schoolboy. He tore the paper in pieces, and shut and locked his desk, heavy despair sinking like lead into his heart. For the rest of that day he lay motionless on the bed, smoking pipe after pipe in the hope of stupefying himself with tobacco fumes. The air in the room became blue and thick with smoke; it was bitterly cold, and he wrapped himself up in his greatcoat and drew the counterpane over him. The night came on and the window darkened, and at last he fell asleep.

He renewed the effort at intervals, only to plunge deeper into misery. He felt the approaches of madness, and knew that his only hope was to walk till he was physically exhausted, so that he might come home almost fainting with fatigue, but ready to fall asleep the moment he got into bed. He passed the mornings in a kind of torpor, endeavoring to avoid thought, to occupy his mind with the pattern of the paper, with the advertisements at the end of a book, with the curious greyness of the light that glimmered through the mist into his room, with the muffled voices that rumbled now and then from the street. He tried to make out the design that had once colored the faded carpet on the floor, and wondered about the dead artist in Japan, the adorner of his bureau. He speculated as to what his thoughts had been as he inserted the rainbow mother-of-pearl and made that great flight of shining birds, dipping their wings as they rose from the reeds, or how he had conceived the lacquer dragons in red gold, and the fantastic houses in the garden of peach-trees. But sooner or later the oppression of his grief returned, the loud shriek and clang of the garden-gate, the warning bell of some passing bicyclist steering through the fog, the noise of his pipe falling to the floor, would suddenly awaken him to the sense of misery. He knew that it was time to go out; he could not bear to sit still and suffer. Sometimes he cut a slice of bread and put it in his pocket, sometimes he trusted to the chance of finding a public-house, where he could have a sandwich and a glass of beer. He turned always from the main streets and lost himself in the intricate suburban byways, willing to be engulfed in the infinite whiteness of the mist.

The roads had stiffened into iron ridges, the fences and trees were glittering with frost crystals, everything was of strange and altered aspect. Lucian walked on and on through the maze, now in a circle of shadowy villas, awful as the buried streets of Herculaneum, now in lanes dipping onto open country, that led him past great elm-trees whose white boughs were all still, and past the bitter lonely fields where the mist seemed to fade away into grey darkness. As he wandered along these unfamiliar and ghastly paths he became the more convinced of his utter remoteness from all humanity, he allowed that grotesque suggestion of there being something visibly amiss in his outward appearance to grow upon him, and often he looked with a horrible expectation into the faces of those who passed by, afraid lest his own senses gave him false intelligence, and that he had really assumed some frightful and revolting shape. It was curious that, partly by his own fault, and largely, no doubt, through the operation of mere coincidence, he was once or twice strongly confirmed in this fantastic delusion. He came one day into a lonely and unfrequented byway, a country lane falling into ruin, but still fringed with elms that had formed an avenue leading to the old manor-house. It was now the road of communication between two far outlying suburbs, and on these winter nights lay as black, dreary, and desolate as a mountain track. Soon after the frost began, a gentleman had been set upon in this lane as he picked his way between the corner where the bus had set him down, and his home where the fire was blazing,