The Enchanted Castle - E. Nesbit (best novels to read for students TXT) 📗

had certainly not expressed herself with clearness.

“Ah! that’s for mortals,” he said. “We can hear and see each other in the few moments when life is ours. That is a part of the beautiful enchantment.”

“But I am a mortal,” said Kathleen.

“You are as modest as you are charming,” said Phoebus Apollo absently; “the white water calls me! I go,” and the next moment rings of liquid silver spread across the lake, widening and widening, from the spot where the white joined hands of the Sun-god had struck the water as he dived.

Kathleen turned and went up the hill towards the rhododendron bushes. She must find Mabel, and they must go home at once. If only Mabel was of a size that one could conveniently take home with one! Most likely, at this hour of enchantments, she was. Kathleen, heartened by the thought, hurried on. She passed through the rhododendron bushes, remembered the pointed painted paper face that had looked out from the glossy leaves, expected to be frightened and wasn’t. She found Mabel easily enough, and much more easily than she would have done had Mabel been as she wished to find her. For quite a long way off in the moonlight, she could see that long and worm-like form, extended to its full twelve feet and covered with coats and trousers and waistcoats. Mabel looked like a drainpipe that has been covered in sacks in frosty weather. Kathleen touched her long cheek gently, and she woke.

“What’s up?” she said sleepily.

“It’s only me,” Kathleen explained.

“How cold your hands are!” said Mabel.

“Wake up,” said Kathleen, “and let’s talk.”

“Can’t we go home now? I’m awfully tired, and it’s so long since teatime.”

“You’re too long to go home yet,” said Kathleen sadly, and then Mabel remembered.

She lay with closed eyes then suddenly she stirred and cried out:

“Oh! Cathy, I feel so funny like one of those horn snakes when you make it go short to get it into its box. I am⁠—yes⁠—I know I am⁠—”

She was; and Kathleen, watching her, agreed that it was exactly like the shortening of a horn spiral snake between the closing hands of a child. Mabel’s distant feet drew near⁠—Mabel’s long, lean arms grew shorter⁠—Mabel’s face was no longer half a yard long.

“You’re coming right⁠—you are! Oh, I am so glad!” cried Kathleen.

“I know I am,” said Mabel; and as she said it she became once more Mabel, not only in herself which, of course, she had been all the time, but in her outward appearance.

“You are all right. Oh, hooray! hooray! I am so glad!” said Kathleen kindly; “and now we’ll go home at once, dear.”

“Go home?” said Mabel, slowly sitting up and staring at Kathleen with her big dark eyes. “Go home⁠—like that?”

“Like what?” Kathleen asked impatiently.

“Why, you,” was Mabel’s odd reply.

“I’m all right,” said Kathleen. “Come on.”

“Do you mean to say you don’t know?” said Mabel. “Look at yourself⁠—your hands⁠—your dress⁠—everything.”

Kathleen looked at her hands. They were of marble whiteness. Her dress, too⁠—her shoes, her stockings, even the ends of her hair. She was white as new-fallen snow.

“What is it?” she asked, beginning to tremble. “What am I all this horrid colour for?”

“Don’t you see? Oh, Cathy, don’t you see? You’ve not come right. You’re a statue still.”

“I’m not⁠—I’m alive⁠—I’m talking to you.”

“I know you are, darling,” said Mabel, soothing her as one soothes a fractious child. “That’s because it’s moonlight.”

“But you can see I’m alive.”

“Of course I can. I’ve got the ring.”

“But I’m all right; I know I am.”

“Don’t you see,” said Mabel gently, taking her white marble hand, “you’re not all right? It’s moonlight, and you’re a statue, and you’ve just come alive with all the other statues. And when the moon goes down you’ll just be a statue again. That’s the difficulty, dear, about our going home again. You’re just a statue still, only you’ve come alive with the other marble things. Where’s the dinosaurus?”

“In his bath,” said Kathleen, “and so are all the other stone beasts.”

“Well,” said Mabel, trying to look on the bright side of things, “then we’ve got one thing, at any rate, to be thankful for!”

X

“If,” said Kathleen, sitting disconsolate in her marble, “if I am really a statue come alive, I wonder you’re not afraid of me.”

“I’ve got the ring,” said Mabel with decision. “Cheer up, dear! you will soon be better. Try not to think about it.”

She spoke as you speak to a child that has cut its finger, or fallen down on the garden path, and rises up with grazed knees to which gravel sticks intimately.

“I know,” Kathleen absently answered.

“And I’ve been thinking,” said Mabel brightly, “we might find out a lot about this magic place, if the other statues aren’t too proud to talk to us.”

“They aren’t,” Kathleen assured her; “at least, Phoebus wasn’t. He was most awfully polite and nice.”

“Where is he?” Mabel asked.

“In the lake⁠—he was,” said Kathleen.

“Then let’s go down there,” said Mabel. “Oh, Cathy! it is jolly being your own proper thickness again.” She jumped up, and the withered ferns and branches that had covered her long length and had been gathered closely upon her as she shrank to her proper size fell as forest leaves do when sudden storms tear them. But the white Kathleen did not move.

The two sat on the grey moonlit grass with the quiet of the night all about them. The great park was still as a painted picture; only the splash of the fountains and the far-off whistle of the Western express broke the silence, which, at the same time, then deepened.

“What cheer, little sister!” said a voice behind them a golden voice. They turned quick, startled heads, as birds, surprised, might turn. There in the moonlight stood Phoebus, dripping still from the lake, and smiling at them, very gentle, very friendly.

“Oh, it’s you!” said Kathleen.

“None other,” said Phoebus cheerfully. “Who is your friend, the earth-child?”

“This is Mabel,” said Kathleen.

Mabel got up and bowed, hesitated, and held out