The Magnificent Ambersons - Booth Tarkington (top novels of all time TXT) 📗

However, at the last moment she halted with her hand upon the latch of the screen door.

“There’s one thing I hope,” she said. “I hope at least she won’t leave off her full mourning on the very anniversary of Wilbur’s death!”

The light door clanged behind her, and the sound annoyed her nephew. He had no idea why she thus used inoffensive wood and wire to dramatize her departure from the veranda, the impression remaining with him being that she was critical of his mother upon some point of funeral millinery. Throughout the desultory conversation he had been profoundly concerned with his own disturbing affairs, and now was preoccupied with a dialogue taking place (in his mind) between himself and Miss Lucy Morgan. As he beheld the vision, Lucy had just thrown herself at his feet. “George, you must forgive me!” she cried. “Papa was utterly wrong! I have told him so, and the truth is that I have come to rather dislike him as you do, and as you always have, in your heart of hearts. George, I understand you: thy people shall be my people and thy gods my gods. George, won’t you take me back?”

“Lucy, are you sure you understand me?” And in the darkness George’s bodily lips moved in unison with those which uttered the words in his imaginary rendering of this scene. An eavesdropper, concealed behind the column, could have heard the whispered word “sure,” the emphasis put upon it in the vision was so poignant. “You say you understand me, but are you sure?”

Weeping, her head bowed almost to her waist, the ethereal Lucy made reply: “Oh, so sure! I will never listen to father’s opinions again. I do not even care if I never see him again!”

“Then I pardon you,” he said gently.

This softened mood lasted for several moments⁠—until he realized that it had been brought about by processes strikingly lacking in substance. Abruptly he swung his feet down from the copestone to the floor of the veranda. “Pardon nothing!” No meek Lucy had thrown herself in remorse at his feet; and now he pictured her as she probably really was at this moment: sitting on the white steps of her own front porch in the moonlight, with redheaded Fred Kinney and silly Charlie Johnson and four or five others⁠—all of them laughing, most likely, and some idiot playing the guitar!

George spoke aloud: “Riffraff!”

And because of an impish but all too natural reaction of the mind, he could see Lucy with much greater distinctness in this vision than in his former pleasing one. For a moment she was miraculously real before him, every line and colour of her. He saw the moonlight shimmering in the chiffon of her skirts brightest on her crossed knee and the tip of her slipper; saw the blue curve of the characteristic shadow behind her, as she leaned back against the white step; saw the watery twinkling of sequins in the gauze wrap over her white shoulders as she moved, and the faint, symmetrical lights in her black hair⁠—and not one alluring, exasperating twentieth-of-an-inch of her laughing profile was spared him as she seemed to turn to the infernal Kinney⁠—

“Riffraff!” And George began furiously to pace the stone floor. “Riffraff!” By this hard term⁠—a favourite with him since childhood’s scornful hour⁠—he meant to indicate, not Lucy, but the young gentlemen who, in his vision, surrounded her. “Riffraff!” he said again, aloud, and again:

“Riffraff!”

At that moment, as it happened, Lucy was playing chess with her father; and her heart, though not remorseful, was as heavy as George could have wished. But she did not let Eugene see that she was troubled, and he was pleased when he won three games of her. Usually she beat him.

George went driving the next afternoon alone, and, encountering Lucy and her father on the road, in one of Morgan’s cars, lifted his hat, but nowise relaxed his formal countenance as they passed. Eugene waved a cordial hand quickly returned to the steering-wheel; but Lucy only nodded gravely and smiled no more than George did. Nor did she accompany Eugene to the Major’s for dinner, the following Sunday evening, though both were bidden to attend that feast, which was already reduced in numbers and gayety by the absence of George Amberson. Eugene explained to his host that Lucy had gone away to visit a schoolfriend.

The information, delivered in the library, just before old Sam’s appearance to announce dinner, set Miss Minafer in quite a flutter. “Why, George!” she said, turning to her nephew. “How does it happen you didn’t tell us?” And with both hands opening, as if to express her innocence of some conspiracy, she exclaimed to the others, “He’s never said one word to us about Lucy’s planning to go away!”

“Probably afraid to,” the Major suggested. “Didn’t know but he might break down and cry if he tried to speak of it!” He clapped his grandson on the shoulder, inquiring jocularly, “That it, Georgie?”

Georgie made no reply, but he was red enough to justify the Major’s developing a chuckle into laughter; though Miss Fanny, observing her nephew keenly, got an impression that this fiery blush was in truth more fiery than tender. She caught a glint in his eye less like confusion than resentment, and saw a dilation of his nostrils which might have indicated not so much a sweet agitation as an inaudible snort. Fanny had never been lacking in curiosity, and, since her brother’s death, this quality was more than ever alert. The fact that George had spent all the evenings of the past week at home had not been lost upon her, nor had she failed to ascertain, by diplomatic inquiries, that since the day of the visit to Eugene’s shops George had gone driving alone.

At the dinner-table she continued to observe him, sidelong; and toward the conclusion of the meal she was not startled by an episode which brought