On a Chinese Screen - W. Somerset Maugham (beach read TXT) 📗

carcasses and entrails hang bloody on each side of you, with flies buzzing about them and mangy dogs prowling hungrily below; you will pass through a street where in each house there is a hand-loom and they are busily weaving cloth or silk. There are innumerable eating houses from which come heavy odours and here at all hours people are eating. Then, generally at a corner, you will see teahouses, and here all day long again the tables are packed with men of all sorts drinking tea and smoking. The barbers ply their trade in the public view and you will see men leaning patiently on their crossed arms while their heads are being shaved; others are having their ears cleaned, and some, a revolting spectacle, the inside of their eyelids scraped.

It is a city of a thousand noises. There are the peddlers who announce their presence by a wooden gong; the clappers of the blind musician or of the masseuse; the shrill falsetto of a man singing in a tavern; the loud beating of a gong from a house where a wedding or a funeral is being celebrated. There are the raucous shouts of the coolies and chair-bearers; the menacing whines of the beggars, caricatures of humanity, their emaciated limbs barely covered by filthy tatters and revolting with disease; the cracked melancholy of the bugler who incessantly practises a call he can never get; and then, like a bass to which all these are a barbaric melody, the insistent sound of conversation, of people laughing, quarrelling, joking, shouting, arguing, gossiping. It is a ceaseless din. It is extraordinary at first, then confusing, exasperating, and at last maddening. You long for a moment’s utter silence. It seems to you that it would be a voluptuous delight.

And then combining with the irksome throng and the din that exhausts your ears is a stench which time and experience enable you to distinguish into a thousand separate stenches. Your nostrils grow cunning. Foul odours beat upon your harassed nerves like the sound of uncouth instruments playing a horrible symphony.

You cannot tell what are the lives of these thousands who surge about you. Upon your own people sympathy and knowledge give you a hold; you can enter into their lives, at least imaginatively, and in a way really possess them. By the effort of your fancy you can make them after a fashion part of yourself. But these are as strange to you as you are strange to them. You have no clue to their mystery. For their likeness to yourself in so much does not help you; it serves rather to emphasize their difference. Someone attracts your attention, a pale youth with great horn spectacles and a book under his arm, whose studious look is pleasant, or an old man, wearing a hood, with a grey sparse beard and tired eyes: he looks like one of those sages that the Chinese artists painted in a rocky landscape or under Kang-hsi modelled in porcelain; but you might as well look at a brick wall. You have nothing to go upon, you do not know the first thing about them, and your imagination is baffled.

But when, reaching the top of the hill, you come once more to the crenellated walls that surround the city and go out through the frowning gate, you come to the graves. They stretch over the country, one mile, two miles, three, four, five, interminable green mounds, up and down the hills, with grey stones to which the people once a year come to offer libation and to tell the dead how fare the living whom they left behind; and they are as thickly crowded, the dead, as are the living in the city; and they seem to press upon the living as though they would force them into the turbid, swirling river. There is something menacing about those serried ranks. It is as though they were laying siege to the city, with a sullen ruthlessness, biding their time; and as though in the end, encroaching irresistibly as fate, they would drive those seething throngs before them till the houses and the streets were covered by them, and the green mounds came down to the water gate. Then at last silence, silence would dwell there undisturbed.

They are uncanny, those green graves, they are terrifying. They seem to wait.

LVIII A Libation to the Gods

She was an old woman, and her face was wizened and deeply lined. In her grey hair three long silver knives formed a fantastic headgear. Her dress of faded blue consisted of a long jacket, worn and patched, and a pair of trousers that reached a little below her calves. Her feet were bare, but on one ankle she wore a silver bangle. It was plain that she was very poor. She was not stout, but squarely built, and in her prime she must have done without effort the heavy work in which her life had been spent. She walked leisurely, with the sedate tread of an elderly woman, and she carried on her arm a basket. She came down to the harbour; it was crowded with painted junks; her eyes rested for a moment curiously on a man who stood on a narrow bamboo raft, fishing with cormorants; and then she set about her business. She put down her basket on the stones of the quay, at the water’s edge, and took from it a red candle. This she lit and fixed in a chink of the stones. Then she took several joss-sticks, held each of them for a moment in the flame of the candle and set them up around it. She took three tiny bowls and filled them with a liquid that she had brought with her in a bottle and placed them neatly in a row. Then from her basket she took rolls of paper cash and paper “shoes,” and unravelled them, so that they should burn easily. She