The Warden - Anthony Trollope (good books to read for adults .TXT) 📗

found amongst the most self-indulgent of the rich were crowded into this abode. Here the reader was introduced to the demon of the book, the Mephistopheles of the drama. What story was ever written without a demon? What novel, what history, what work of any sort, what world, would be perfect without existing principles both of good and evil? The demon of “The Almshouse” was the clerical owner of this comfortable abode. He was a man well stricken in years, but still strong to do evil: he was one who looked cruelly out of a hot, passionate, bloodshot eye; who had a huge red nose with a carbuncle, thick lips, and a great double, flabby chin, which swelled out into solid substance, like a turkey-cock’s comb, when sudden anger inspired him: he had a hot, furrowed, low brow, from which a few grizzled hairs were not yet rubbed off by the friction of his handkerchief: he wore a loose unstarched white handkerchief, black loose ill-made clothes, and huge loose shoes, adapted to many corns and various bunions: his husky voice told tales of much daily port wine, and his language was not so decorous as became a clergyman. Such was the master of Mr. Sentiment’s “Almshouse.” He was a widower, but at present accompanied by two daughters, and a thin and somewhat insipid curate. One of the young ladies was devoted to her father and the fashionable world, and she of course was the favourite; the other was equally addicted to Puseyism and the curate.

The second chapter of course introduced the reader to the more especial inmates of the hospital. Here were discovered eight old men; and it was given to be understood that four vacancies remained unfilled, through the perverse ill-nature of the clerical gentleman with the double chin. The state of these eight paupers was touchingly dreadful: sixpence-farthing a day had been sufficient for their diet when the almshouse was founded; and on sixpence-farthing a day were they still doomed to starve, though food was four times as dear, and money four times as plentiful. It was shocking to find how the conversation of these eight starved old men in their dormitory shamed that of the clergyman’s family in his rich drawing-room. The absolute words they uttered were not perhaps spoken in the purest English, and it might be difficult to distinguish from their dialect to what part of the country they belonged; the beauty of the sentiment, however, amply atoned for the imperfection of the language; and it was really a pity that these eight old men could not be sent through the country as moral missionaries, instead of being immured and starved in that wretched almshouse.

Bold finished the number; and as he threw it aside, he thought that that at least had no direct appliance to Mr. Harding, and that the absurdly strong colouring of the picture would disenable the work from doing either good or harm. He was wrong. The artist who paints for the million must use glaring colours, as no one knew better than Mr. Sentiment when he described the inhabitants of his almshouse; and the radical reform which has now swept over such establishments has owed more to the twenty numbers of Mr. Sentiment’s novel, than to all the true complaints which have escaped from the public for the last half century.

XVI A Long Day in London

The warden had to make use of all his very moderate powers of intrigue to give his son-in-law the slip, and get out of Barchester without being stopped on his road. No schoolboy ever ran away from school with more precaution and more dread of detection; no convict, slipping down from a prison wall, ever feared to see the gaoler more entirely than Mr. Harding did to see his son-in-law as he drove up in the pony carriage to the railway station, on the morning of his escape to London.

The evening before he went he wrote a note to the archdeacon, explaining that he should start on the morrow on his journey; that it was his intention to see the attorney-general if possible, and to decide on his future plans in accordance with what he heard from that gentleman; he excused himself for giving Dr. Grantly no earlier notice, by stating that his resolve was very sudden; and having entrusted this note to Eleanor, with the perfect, though not expressed, understanding that it was to be sent over to Plumstead Episcopi without haste, he took his departure.

He also prepared and carried with him a note for Sir Abraham Haphazard, in which he stated his name, explaining that he was the defendant in the case of The Queen on behalf of the Wool-carders of Barchester v. Trustees under the will of the late John Hiram, for so was the suit denominated, and begged the illustrious and learned gentleman to vouchsafe to him ten minutes’ audience at any hour on the next day. Mr. Harding calculated that for that one day he was safe; his son-in-law, he had no doubt, would arrive in town by an early train, but not early enough to reach the truant till he should have escaped from his hotel after breakfast; and could he thus manage to see the lawyer on that very day, the deed might be done before the archdeacon could interfere.

On his arrival in town the warden drove, as was his wont, to the Chapter Hotel and Coffee House, near St. Paul’s. His visits to London of late had not been frequent; but in those happy days when “Harding’s Church Music” was going through the press, he had been often there; and as the publisher’s house was in Paternoster Row, and the printer’s press in Fleet Street, the Chapter Hotel and Coffee House had been convenient. It was a quiet, sombre, clerical house, beseeming such a man as the warden, and thus he afterwards frequented it. Had he dared, he would on this occasion have gone elsewhere to throw the archdeacon