Table-Talk - William Hazlitt (tohfa e dulha read online TXT) 📗

the dupes and puppets of a favourite idea, a phantom, a prejudice, that must be kept up somewhere (no matter where), if it still plays before and haunts their imagination, while they have sense or understanding left to cling to their darling follies.

There was a remarkable instance of this tendency “to the heap,” this desire to cultivate an abstract passion for wealth, in a will of one of the Thelussons some time back. This will went to keep the greater part of a large property from the use of the natural heirs and next-of-kin for a length of time, and to let it accumulate at compound interest in such a way and so long, that it would at last mount up in value to the purchase-money of a whole county. The interest accruing from the funded property or the rent of the lands at certain periods was to be employed to purchase other estates, other parks and manors in the neighbourhood or farther off, so that the prospect of the future demesne that was to devolve at some distant time to the unborn lord of acres swelled and enlarged itself, like a sea, circle without circle, vista beyond vista, till the imagination was staggered and the mind exhausted. Now here was a scheme for the accumulation of wealth and for laying the foundation of family aggrandisement purely imaginary, romantic⁠—one might almost say, disinterested. The vagueness, the magnitude, the remoteness of the object, the resolute sacrifice of all immediate and gross advantages, clothe it with the privileges of an abstract idea, so that the project has the air of a fiction or of a story in a novel. It was an instance of what might be called posthumous avarice, like the love of posthumous fame. It had little more to do with selfishness than if the testator had appropriated the same sums in the same way to build a pyramid, to construct an aqueduct, to endow a hospital, or effect any other patriotic or merely fantastic purpose. He wished to heap up a pile of wealth (millions of acres) in the dim horizon of future years, that could be of no use to him or to those with whom he was connected by positive and personal ties, but as a crotchet of the brain, a gewgaw of the fancy.35 Yet to enable himself to put this scheme in execution, he had perhaps toiled and watched all his life, denied himself rest, food, pleasure, liberty, society, and persevered with the patience and self-denial of a martyr. I have insisted on this point the more, to show how much of the imaginary and speculative there is interfused even in those passions and purposes which have not the good of others for their object, and how little reason this honest citizen and builder of castles in the air would have had to treat those who devoted themselves to the pursuit of fame, to obloquy and persecution for the sake of truth and liberty, or who sacrificed their lives for their country in a just cause, as visionaries and enthusiasts, who did not understand what was properly due to their own interest and the securing of the main chance. Man is not the creature of sense and selfishness, even in those pursuits which grow out of that origin, so much as of imagination, custom, passion, whim, and humour.

I have heard of a singular instance of a will made by a person who was addicted to a habit of lying. He was so notorious for this propensity (not out of spite or cunning, but as a gratuitous exercise of invention) that from a child no one could ever believe a syllable he uttered. From the want of any dependence to be placed on him, he became the jest and byword of the school where he was brought up. The last act of his life did not disgrace him; for, having gone abroad, and falling into a dangerous decline, he was advised to return home. He paid all that he was worth for his passage, went on shipboard, and employed a few remaining days he had to live in making and executing his will; in which he bequeathed large estates in different parts of England, money in the funds, rich jewels, rings, and all kinds of valuables to his old friends and acquaintance, who, not knowing how far the force of nature could go, were not for some time convinced that all this fairy wealth had never had an existence anywhere but in the idle coinage of his brain, whose whims and projects were no more!⁠—The extreme keeping in this character is only to be accounted for by supposing such an original constitutional levity as made truth entirely indifferent to him, and the serious importance attached to it by others an object of perpetual sport and ridicule!

The art of will-making chiefly consists in baffling the importunity of expectation. I do not so much find fault with this when it is done as a punishment and oblique satire on servility and selfishness. It is in that case “diamond cut diamond”⁠—a trial of skill between the legacy-hunter and the legacy-maker, which shall fool the other. The cringing toad-eater, the officious talebearer, is perhaps well paid for years of obsequious attendance with a bare mention and a mourning-ring; nor can I think that Gil Blas’ library was not quite as much as the coxcombry of his pretensions deserved. There are some admirable scenes in Ben Jonson’s Volpone, showing the humours of a legacy-hunter, and the different ways of fobbing him off with excuses and assurances of not being forgotten. Yet it is hardly right, after all, to encourage this kind of pitiful, barefaced intercourse without meaning to pay for it, as the coquette has no right to jilt the lovers she has trifled with. Flattery and submission are marketable commodities like any other, have their price, and ought scarcely to be obtained under false pretences. If