The Enchanted Castle - E. Nesbit (best novels to read for students TXT) 📗

Jimmy did not fail to point out later, was enough to account for what now happened to Gerald, who was leading the melancholy little procession. He stumbled, clutched at a tree-trunk, missed his clutch, and disappeared, with a yell and a clatter; and Mabel, who came next, only pulled herself up just in time not to fall down a steep flight of moss-grown steps that seemed to open suddenly in the ground at her feet.

“Oh, Gerald!” she called down the steps; “are you hurt?”

“No,” said Gerald, out of sight and crossly, for he was hurt, rather severely; “it’s steps, and there’s a passage.”

“There always is,” said Jimmy.

“I knew there was a passage,” said Mabel; “it goes under the water and comes out at the Temple of Flora. Even the gardeners know that, but they won’t go down, for fear of snakes.”

“Then we can get out that way⁠—I do think you might have said so,” Gerald’s voice came up to say.

“I didn’t think of it,” said Mabel. “At least⁠—And I suppose it goes past the place where the Ugly-Wugly found its good hotel.”

“I’m not going,” said Kathleen positively, “not in the dark, I’m not. So I tell you!”

“Very well, baby,” said Gerald sternly, and his head appeared from below very suddenly through interlacing brambles. “No one asked you to go in the dark. We’ll leave you here if you like, and return and rescue you with a boat. Jimmy, the bicycle lamp!” He reached up a hand for it.

Jimmy produced from his bosom, the place where lamps are always kept in fairy stories⁠—see Aladdin and others⁠—a bicycle lamp.

“We brought it,” he explained, “so as not to break our shins over bits of long Mabel among the rhododendrons.”

“Now,” said Gerald very firmly, striking a match and opening the thick, rounded glass front of the bicycle lamp, “I don’t know what the rest of you are going to do, but I’m going down these steps and along this passage. If we find the good hotel⁠—well, a good hotel never hurt anyone yet.”

“It’s no good, you know,” said Jimmy weakly; “you know jolly well you can’t get out of that Temple of Flora door, even if you get to it.”

“I don’t know,” said Gerald, still brisk and commander-like; “there’s a secret spring inside that door most likely. We hadn’t a lamp last time to look for it, remember.”

“If there’s one thing I do hate it’s undergroundness,” said Mabel.

“You’re not a coward,” said Gerald, with what is known as diplomacy. “You’re brave, Mabel. Don’t I know it! You hold Jimmy’s hand and I’ll hold Cathy’s. Now then.”

“I won’t have my hand held,” said Jimmy, of course. “I’m not a kid.”

“Well, Cathy will. Poor little Cathy! Nice brother Jerry’ll hold poor Cathy’s hand.”

Gerald’s bitter sarcasm missed fire here, for Cathy gratefully caught the hand he held out in mockery. She was too miserable to read his mood, as she mostly did. “Oh, thank you, Jerry dear,” she said gratefully; “you are a dear, and I will try not to be frightened.” And for quite a minute Gerald shamedly felt that he had not been quite, quite kind.

So now, leaving the growing goldness of the sunrise, the four went down the stone steps that led to the underground and underwater passage, and everything seemed to grow dark and then to grow into a poor pretence of light again, as the splendour of dawn gave place to the small dogged lighting of the bicycle lamp. The steps did indeed lead to a passage, the beginnings of it choked with the drifted dead leaves of many old autumns. But presently the passage took a turn, there were more steps, down, down, and then the passage was empty and straight⁠—lined above and below and on each side with slabs of marble, very clear and clean. Gerald held Cathy’s hand with more of kindness and less of exasperation than he had supposed possible.

And Cathy, on her part, was surprised to find it possible to be so much less frightened than she expected.

The flame of the bull’s-eye threw ahead a soft circle of misty light⁠—the children followed it silently. Till, silently and suddenly, the light of the bull’s-eye behaved as the flame of a candle does when you take it out into the sunlight to light a bonfire, or explode a train of gunpowder, or whatnot. Because now, with feelings mixed indeed, of wonder, and interest, and awe, but no fear, the children found themselves in a great hall, whose arched roof was held up by two rows of round pillars, and whose every corner was filled with a soft, searching, lovely light, filling every cranny, as water fills the rocky secrecies of hidden sea-caves.

“How beautiful!” Kathleen whispered, breathing hard into the tickled ear of her brother, and Mabel caught the hand of Jimmy and whispered, “I must hold your hand⁠—I must hold on to something silly, or I shan’t believe it’s real.”

For this hall in which the children found themselves was the most beautiful place in the world. I won’t describe it, because it does not look the same to any two people, and you wouldn’t understand me if I tried to tell you how it looked to any one of these four. But to each it seemed the most perfect thing possible. I will only say that all round it were great arches. Kathleen saw them as Moorish, Mabel as Tudor, Gerald as Norman, and Jimmy as Churchwarden Gothic. (If you don’t know what these are, ask your uncle who collects brasses, and he will explain, or perhaps Mr. Millar will draw the different kinds of arches for you.) And through these arches one could see many things⁠—oh! but many things. Through one appeared an olive garden, and in it two lovers who held each other’s hands, under an Italian moon; through another a wild sea, and a ship to whom the wild, racing sea was slave. A third showed a king on his throne, his courtiers obsequious about him; and