Monsieur Lecoq - Émile Gaboriau (inspiring books for teens txt) 📗

corner of the street, it so happened that the very first person the young detective questioned concerning the virtuous Toinon was well acquainted with her whereabouts. The house in which she resided was pointed out, and Lecoq was instructed to go upstairs to the top floor, and knock at the door in front of him. With such precise directions the two detectives speedily reached Madame Polyte Chupin’s abode.

This proved to be a cold and gloomy attic of medium size, windowless, but provided with a small skylight. A straw pallet, a broken table, two chairs, and a few plain kitchen utensils constituted the sole appointments of this miserable garret. But in spite of the occupant’s evident poverty, everything was neat and clean, and to use a forcible expression that fell from Father Absinthe, one could have eaten off the floor.

The two detectives entered, and found a woman busily engaged in making a heavy linen sack. She was seated in the centre of the room, directly under the skylight, so that the sun’s rays might fall upon her work. At the sight of two strangers, she half rose from her chair, surprised, and perhaps a little frightened; but when Lecoq had explained that they desired a few moments’ conversation with her, she gave up her own seat, and drawing the second chair from a corner, invited both detectives to sit down. Lecoq complied, but Father Absinthe declared that he preferred to remain standing.

With a single glance Lecoq took an inventory of the humble abode, and, so to speak, appraised the woman. She was short, stout, and of commonplace appearance. Her forehead was extremely low, being crowned by a forest of coarse, black hair; while the expression of her large, black eyes, set very close together, recalled the look of patient resignation one so often detects in ill-treated and neglected animals. Possibly, in former days, she might have possessed that fleeting attraction called the beaute du diable; but now she looked almost as old as her wretched mother-in-law. Sorrow and privation, excessive toil and ill-treatment, had imparted to her face a livid hue, reddening her eyes and stamping deep furrows round about her temples. Still, there was an attribute of native honesty about her which even the foul atmosphere in which she had been compelled to live had not sufficed to taint.

Her little boy furnished a striking contrast. He was pale and puny; his eyes gleamed with a phosphorescent brilliancy; and his hair was of a faded flaxen tint. One little circumstance attracted both detectives’ attention. If the mother was attired in an old, thin, faded calico dress, the child was warmly clad in stout woolen material.

“Madame, you have doubtless heard of a dreadful crime, committed in your mother-in-law’s establishment,” began Lecoq in a soft voice.

“Alas! yes, sir,” replied Toinon the Virtuous, quickly adding: “But my husband could not have been implicated in it, since he is in prison.”

Did not this objection, forestalling, as it were, suspicion, betray the most horrible apprehensions?

“Yes, I am aware of that,” replied Lecoq. “Polyte was arrested a fortnight ago⁠—”

“Yes, and very unjustly, sir,” replied the neglected wife. “He was led astray by his companions, wicked, desperate men. He is so weak when he has taken a glass of wine that they can do whatever they like with him. If he were only left to himself he would not harm a child. You have only to look at him⁠—”

As she spoke, the virtuous Toinon turned her red and swollen eyes to a miserable photograph hanging against the wall. This blotchy smudge portrayed an exceedingly ugly, dissipated-looking young man, afflicted with a terrible squint, and whose repulsive mouth was partially concealed by a faint mustache. This rake of the barrières was Polyte Chupin. And yet despite his unprepossessing aspect there was no mistaking the fact that this unfortunate woman loved him⁠—had always loved him; besides, he was her husband.

A moment’s silence followed her indication of the portrait⁠—an act which clearly revealed how deeply she worshiped her persecutor; and during this pause the attic door slowly and softly opened. Not of itself, however, for suddenly a man’s head peered in. The intruder, whoever he was, instantly withdrew, uttering as he did so a low exclamation. The door was swiftly closed again; the key⁠—which had been left on the outside⁠—grated in the lock, and the occupants of the garret could hear hurried steps descending the stairs.

Lecoq was sitting with his back to the door, and could not, therefore, see the intruder’s face. Quickly as he had turned, he had failed to see who it was: and yet he was far from being surprised at the incident. Intuition explained its meaning.

“That must have been the accomplice!” he cried.

Thanks to his position, Father Absinthe had seen the man’s face. “Yes,” said he, “yes, it was the same man who made me drink with him yesterday.”

With a bound, both detectives threw themselves against the door, exhausting their strength in vain attempts to open it. It resisted all their efforts, for it was of solid oak, having been purchased by the landlord from some public building in process of demolition, and it was, moreover, furnished with a strong and massive fastening.

“Help us!” cried Father Absinthe to the woman, who stood petrified with astonishment; “give us a bar, a piece of iron, a nail⁠—anything!”

The younger man was making frantic efforts to push back the bolt, or to force the lock from the wood. He was wild with rage. At last, having succeeded in forcing the door open, they dashed out in pursuit of their mysterious adversary. On reaching the street, they eagerly questioned the bystanders. Having described the man as best they could, they found two persons who had seen him enter the house of Toinon the Virtuous, and a third who had seen him as he left. Some children who were playing in the middle of the street added that he had run off in the direction of the Rue du