The Prince and the Pauper - Mark Twain (tohfa e dulha read online .TXT) 📗

stage to welcome his Majesty to the city. The last verse of his greeting was in these words⁠—

“Welcome, O king! as much as hearts can think;
Welcome, again, as much as tongue can tell⁠—,
Welcome to joyous tongues, and hearts that will not shrink:
God thee preserve, we pray, and wish thee ever well.”

The people burst forth in a glad shout, repeating with one voice what the child had said. Tom Canty gazed abroad over the surging sea of eager faces, and his heart swelled with exultation; and he felt that the one thing worth living for in this world was to be a king, and a nation’s idol. Presently he caught sight, at a distance, of a couple of his ragged Offal Court comrades⁠—one of them the lord high admiral in his late mimic court, the other the first lord of the bedchamber in the same pretentious fiction; and his pride swelled higher than ever. Oh, if they could only recognize him now! What unspeakable glory it would be, if they could recognize him, and realize that the derided mock king of the slums and back alleys was become a real king, with illustrious dukes and princes for his humble menials, and the English world at his feet! But he had to deny himself, and choke down his desire, for such a recognition might cost more than it would come to: so he turned away his head, and left the two soiled lads to go on with their shoutings and glad adulations, unsuspicious of whom it was they were lavishing them upon.

Every now and then rose the cry, “A largess! a largess!” and Tom responded by scattering a handful of bright new coins abroad for the multitude to scramble for.

The chronicler says, “At the upper end of Gracechurch Street, before the sign of the Eagle, the city had erected a gorgeous arch, beneath which was a stage, which stretched from one side of the street to the other. This was an historical pageant, representing the king’s immediate progenitors. There sat Elizabeth of York in the midst of an immense white rose, whose petals formed elaborate furbelows around her; by her side was Henry VII, issuing out of a vast red rose, disposed in the same manner: the hands of the royal pair were locked together, and the wedding-ring ostentatiously displayed. From the red and white roses proceeded a stem, which reached up to a second stage, occupied by Henry VIII, issuing from a red and white rose, with the effigy of the new king’s mother, Jane Seymour, represented by his side. One branch sprang from this pair, which mounted to a third stage, where sat the effigy of Edward VI himself, enthroned in royal majesty; and the whole pageant was framed with wreaths of roses, red and white.”

This quaint and gaudy spectacle so wrought upon the rejoicing people, that their acclamations utterly smothered the small voice of the child whose business it was to explain the thing in eulogistic rhymes. But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognized the exactness of his effigy’s likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth.

The great pageant moved on, and still on, under one triumphal arch after another, and past a bewildering succession of spectacular and symbolical tableaux, each of which typified and exalted some virtue, or talent, or merit, of the little king’s. “Throughout the whole of Cheapside, from every penthouse and window, hung banners and streamers; and the richest carpets, stuffs, and cloth-of-gold tapestried the streets⁠—specimens of the great wealth of the stores within; and the splendor of this thoroughfare was equalled in the other streets, and in some even surpassed.”

“And all these wonders and these marvels are to welcome me⁠—me!” murmured Tom Canty.

The mock king’s cheeks were flushed with excitement, his eyes were flashing, his senses swam in a delirium of pleasure. At this point, just as he was raising his hand to fling another rich largess, he caught sight of a pale, astounded face, which was strained forward out of the second rank of the crowd, its intense eyes riveted upon him. A sickening consternation struck through him; he recognized his mother! and up flew his hand, palm outward, before his eyes⁠—that old involuntary gesture, born of a forgotten episode, and perpetuated by habit. In an instant more she had torn her way out of the press, and past the guards, and was at his side. She embraced his leg, she covered it with kisses, she cried, “O my child, my darling!” lifting toward him a face that was transfigured with joy and love. The same instant an officer of the King’s Guard snatched her away with a curse, and sent her reeling back whence she came with a vigorous impulse from his strong arm. The words “I do not know you, woman!” were falling from Tom Canty’s lips when this piteous thing occurred; but it smote him to the heart to see her treated so; and as she turned for a last glimpse of him, whilst the crowd was swallowing her from his sight, she seemed so wounded, so brokenhearted, that a shame fell upon him which consumed his pride to ashes, and withered his stolen royalty. His grandeurs were stricken valueless: they seemed to fall away from him like rotten rags.

The procession moved on, and still on, through ever augmenting splendors and ever augmenting tempests of welcome; but to Tom Canty they were as if they had not been. He neither saw nor heard. Royalty had lost its grace and sweetness; its pomps were become a reproach. Remorse was eating his heart out. He said, “Would God I were free of my captivity!”

He had unconsciously dropped back into the phraseology of the first days of his compulsory greatness.

The shining pageant still went