Those Barren Leaves - Aldous Huxley (e reader pdf best .TXT) 📗

fright that nearly made her fall backwards down the steps. For as she came up through the trap-door into the sunlight, she suddenly became aware of what seemed, to eyes that looked up from the level of the floor, a gigantic figure advancing, toweringly, towards her.

Irene uttered a little scream; her heart jumped violently and seemed to stop beating.

“Allow me,” said a very polite voice. The giant bent down and took her by the hand. It was Chelifer. “So you’ve climbed up for a bird’s-eye view of the picturesque beauties of nature?” he went on, when he had helped her up through the hatchway. “I’m very partial to bird’s-eye views myself.”

“You gave me such a start,” was all that Irene could say. Her face was quite pale.

“I’m exceedingly sorry,” said Chelifer. There was a long and, for Irene, embarrassing silence.

After a minute she went down again.

“Did you find him?” asked Mrs. Aldwinkle, when her niece emerged a little while later on to the terrace.

Irene shook her head. Somehow she lacked the courage to tell Aunt Lilian the story of her adventure. It would make her too unhappy to think that Chelifer was prepared to climb two hundred and thirty-two steps for the sake of getting out of her way.

Mrs. Aldwinkle tried to guard against his habit of vanishing by never, so far as it was practicable, letting him out of her sight. She arranged that he should always sit next to her at table. She took him for walks and drives in the motor car, she made him sit with her in the garden. It was with difficulty and only by the employment of stratagems that Chelifer managed to procure a moment of liberty and solitude. For the first few days of his stay Chelifer found that “I must go and write” was a good excuse to get away. Mrs. Aldwinkle professed such admiration for him in his poetical capacity that she could not decently refuse to let him go. But she soon found a way of controlling such liberty as he could get in this way by insisting that he should write under the ilex trees, or in one of the mouldering sponge-stone grottoes hollowed in the walls of the lower terrace. Vainly Chelifer protested that he loathed writing or reading out of doors.

“These lovely surroundings,” Mrs. Aldwinkle insisted, “will inspire you.”

“But the only surroundings that really inspire me,” said Chelifer, “are the lower middle class quarters of London, north of the Harrow Road, for example.”

“How can you say such things?” said Mrs. Aldwinkle.

“But I assure you,” he protested, “it’s quite true.”

None the less, he had to go and write under the ilexes or in the grotto. Mrs. Aldwinkle, at a moderate distance, kept him well in sight. Every ten minutes or so she would come tiptoeing into his retreat, smiling, as she imagined, like a sibyl, her finger on her lips, to lay beside his permanently virgin sheet of paper a bunch of late-flowering roses, a dahlia, some Michaelmas daisies or a few pink berries from the spindle tree. Courteously, in some charming and frankly insincere formula, Chelifer would thank her for the gift, and with a final smile, less sibylline, but sweeter, tenderer, Mrs. Aldwinkle would tiptoe away again, like Egeria bidding farewell to King Numa, leaving her inspiration to do its work. It didn’t seem to do its work very well, however. For whenever she asked him how much he had written, he regularly answered “Nothing,” smiling at her meanwhile that courteous and Sphingine smile which Mrs. Aldwinkle always found so baffling, so preeminently “queer.”

Often Mrs. Aldwinkle would try to lead the conversation upwards on to those high spiritual planes from which the most satisfactory and romantic approach to love is to be made. Two souls that have acclimatized themselves to the thin air of religion, art, ethics or metaphysics have no difficulty in breathing the similar atmosphere of ideal love, whose territory lies contiguous to those of the other inhabitants of high mental altitudes. Mrs. Aldwinkle liked to approach love from the heights. One landed, so to speak, by aeroplane on the snowy summit of Popocatepetl, to descend by easy stages into the tropical tierra caliente in the plains below. But with Chelifer it was impossible to gain a footing on any height at all. When, for example, Mrs. Aldwinkle started rapturously on art and the delights of being an artist, Chelifer would modestly admit to being a tolerable second-rate halma player.

“But how can you speak like that?” cried Mrs. Aldwinkle. “How can you blaspheme so against art and your own talent? What’s your talent for?”

“For editing the Rabbit Fanciers’ Gazette, it appears,” Chelifer answered, courteously smiling.

Sometimes she started on the theme of love itself; but with no greater success. Chelifer just politely agreed with everything she said, and when she pressed him for a definite opinion of his own replied, “I don’t know.”

“But you must know,” Mrs. Aldwinkle insisted, “you must have some opinion. You have had experience.”

Chelifer shook his head. “Alas,” he deplored, “never.”

It was hopeless.

“What am I to do?” asked Mrs. Aldwinkle despairingly in the small hours.

Wise in the experience of eighteen years, Irene suggested that the best thing to do would be to think no more about him⁠—in that way.

Mrs. Aldwinkle only sighed and shook her head. She had started loving because she believed in love, because she wanted to love and because a romantic opportunity had presented itself. She had rescued a Poet from death. How could she help loving him? The circumstances, the person were her invention; she had fallen in love, deliberately almost, with the figments of her own imagination. But there was no deliberately falling out again. The romantic yearnings had aroused those profounder instincts of which they were but the polite and literary emanation. The man was young, was beautiful⁠—these were facts, not imaginings. These deep desires once started by the conscious mind from their sleep, once made aware of their quarry, how could they be held back? “He is a poet. For the love of poetry, for