Shirley - Charlotte Brontë (primary phonics .txt) 📗

“Miss Mann did not make herself, or tune her voice, Robert.”

“Nature made her in the mood in which she makes her briars and thorns; whereas for the creation of some women she reserves the May morning hours, when with light and dew she wooes the primrose from the turf and the lily from the wood-moss.”

Ushered into Miss Mann’s little parlour, Caroline found her, as she always found her, surrounded by perfect neatness, cleanliness, and comfort (after all, is it not a virtue in old maids that solitude rarely makes them negligent or disorderly?)⁠—no dust on her polished furniture, none on her carpet, fresh flowers in the vase on her table, a bright fire in the grate. She herself sat primly and somewhat grimly-tidy in a cushioned rocking-chair, her hands busied with some knitting. This was her favourite work, as it required the least exertion. She scarcely rose as Caroline entered. To avoid excitement was one of Miss Mann’s aims in life. She had been composing herself ever since she came down in the morning, and had just attained a certain lethargic state of tranquillity when the visitor’s knock at the door startled her, and undid her day’s work. She was scarcely pleased, therefore, to see Miss Helstone. She received her with reserve, bade her be seated with austerity, and when she got her placed opposite, she fixed her with her eye.

This was no ordinary doom⁠—to be fixed with Miss Mann’s eye. Robert Moore had undergone it once, and had never forgotten the circumstance.

He considered it quite equal to anything Medusa could do. He professed to doubt whether, since that infliction, his flesh had been quite what it was before⁠—whether there was not something stony in its texture. The gaze had had such an effect on him as to drive him promptly from the apartment and house; it had even sent him straightway up to the rectory, where he had appeared in Caroline’s presence with a very queer face, and amazed her by demanding a cousinly salute on the spot, to rectify a damage that had been done him.

Certainly Miss Mann had a formidable eye for one of the softer sex. It was prominent, and showed a great deal of the white, and looked as steadily, as unwinkingly, at you as if it were a steel ball soldered in her head; and when, while looking, she began to talk in an indescribably dry, monotonous tone⁠—a tone without vibration or inflection⁠—you felt as if a graven image of some bad spirit were addressing you. But it was all a figment of fancy, a matter of surface. Miss Mann’s goblin grimness scarcely went deeper than the angel sweetness of hundreds of beauties. She was a perfectly honest, conscientious woman, who had performed duties in her day from whose severe anguish many a human Peri, gazelle-eyed, silken-tressed, and silver-tongued, would have shrunk appalled. She had passed alone through protracted scenes of suffering, exercised rigid self-denial, made large sacrifices of time, money, health for those who had repaid her only by ingratitude, and now her main⁠—almost her sole⁠—fault was that she was censorious.

Censorious she certainly was. Caroline had not sat five minutes ere her hostess, still keeping her under the spell of that dread and Gorgon gaze, began flaying alive certain of the families in the neighbourhood. She went to work at this business in a singularly cool, deliberate manner, like some surgeon practising with his scalpel on a lifeless subject. She made few distinctions; she allowed scarcely anyone to be good; she dissected impartially almost all her acquaintance. If her auditress ventured now and then to put in a palliative word she set it aside with a certain disdain. Still, though thus pitiless in moral anatomy, she was no scandalmonger. She never disseminated really malignant or dangerous reports. It was not her heart so much as her temper that was wrong.

Caroline made this discovery for the first time today, and moved thereby to regret diverse unjust judgments she had more than once passed on the crabbed old maid, she began to talk to her softly, not in sympathizing words, but with a sympathizing voice. The loneliness of her condition struck her visitor in a new light, as did also the character of her ugliness⁠—a bloodless pallor of complexion, and deeply worn lines of feature. The girl pitied the solitary and afflicted woman; her looks told what she felt. A sweet countenance is never so sweet as when the moved heart animates it with compassionate tenderness. Miss Mann, seeing such a countenance raised to her, was touched in her turn. She acknowledged her sense of the interest thus unexpectedly shown in her, who usually met with only coldness and ridicule, by replying to her candidly. Communicative on her own affairs she usually was not, because no one cared to listen to her; but today she became so, and her confidante shed tears as she heard her speak, for she told of cruel, slow-wasting, obstinate sufferings. Well might she be corpse-like; well might she look grim, and never smile; well might she wish to avoid excitement, to gain and retain composure! Caroline, when she knew all, acknowledged that Miss Mann was rather to be admired for fortitude than blamed for moroseness. Reader! when you behold an aspect for whose constant gloom and frown you cannot account, whose unvarying cloud exasperates you by its apparent causelessness, be sure that there is a canker somewhere, and a canker not the less deeply corroding because concealed.

Miss Mann felt that she was understood partly, and wished to be understood further; for, however old, plain, humble, desolate, afflicted we may be, so long as our hearts preserve the feeblest spark of life, they preserve also, shivering near that pale ember, a starved, ghostly longing for appreciation and affection. To this extenuated spectre, perhaps, a crumb is not thrown once a year, but when ahungered and athirst to famine⁠—when all humanity has forgotten