Far from the Madding Crowd - Thomas Hardy (intellectual books to read .txt) 📗

She hurriedly interrupted: “I’d rather not; though I don’t mind your twos and fours; but your ones and threes are terrible!”

“Very well. I’ll let you off the ones and threes. Next, cuts, points and guards altogether.” Troy duly exhibited them. “Then there’s pursuing practice, in this way.” He gave the movements as before. “There, those are the stereotyped forms. The infantry have two most diabolical upward cuts, which we are too humane to use. Like this⁠—three, four.”

“How murderous and bloodthirsty!”

“They are rather deathly. Now I’ll be more interesting, and let you see some loose play⁠—giving all the cuts and points, infantry and cavalry, quicker than lightning, and as promiscuously⁠—with just enough rule to regulate instinct and yet not to fetter it. You are my antagonist, with this difference from real warfare, that I shall miss you every time by one hair’s breadth, or perhaps two. Mind you don’t flinch, whatever you do.”

“I’ll be sure not to!” she said invincibly.

He pointed to about a yard in front of him.

Bathsheba’s adventurous spirit was beginning to find some grains of relish in these highly novel proceedings. She took up her position as directed, facing Troy.

“Now just to learn whether you have pluck enough to let me do what I wish, I’ll give you a preliminary test.”

He flourished the sword by way of introduction number two, and the next thing of which she was conscious was that the point and blade of the sword were darting with a gleam towards her left side, just above her hip; then of their reappearance on her right side, emerging as it were from between her ribs, having apparently passed through her body. The third item of consciousness was that of seeing the same sword, perfectly clean and free from blood held vertically in Troy’s hand (in the position technically called “recover swords”). All was as quick as electricity.

“Oh!” she cried out in affright, pressing her hand to her side. “Have you run me through?⁠—no, you have not! Whatever have you done!”

“I have not touched you,” said Troy, quietly. “It was mere sleight of hand. The sword passed behind you. Now you are not afraid, are you? Because if you are I can’t perform. I give my word that I will not only not hurt you, but not once touch you.”

“I don’t think I am afraid. You are quite sure you will not hurt me?”

“Quite sure.”

“Is the sword very sharp?”

“O no⁠—only stand as still as a statue. Now!”

In an instant the atmosphere was transformed to Bathsheba’s eyes. Beams of light caught from the low sun’s rays, above, around, in front of her, well-nigh shut out earth and heaven⁠—all emitted in the marvellous evolutions of Troy’s reflecting blade, which seemed everywhere at once, and yet nowhere specially. These circling gleams were accompanied by a keen rush that was almost a whistling⁠—also springing from all sides of her at once. In short, she was enclosed in a firmament of light, and of sharp hisses, resembling a skyfull of meteors close at hand.

Never since the broadsword became the national weapon had there been more dexterity shown in its management than by the hands of Sergeant Troy, and never had he been in such splendid temper for the performance as now in the evening sunshine among the ferns with Bathsheba. It may safely be asserted with respect to the closeness of his cuts, that had it been possible for the edge of the sword to leave in the air a permanent substance wherever it flew past, the space left untouched would have been almost a mould of Bathsheba’s figure.

Behind the luminous streams of this aurora militaris, she could see the hue of Troy’s sword arm, spread in a scarlet haze over the space covered by its motions, like a twanged harpstring, and behind all Troy himself, mostly facing her; sometimes, to show the rear cuts, half turned away, his eye nevertheless always keenly measuring her breadth and outline, and his lips tightly closed in sustained effort. Next, his movements lapsed slower, and she could see them individually. The hissing of the sword had ceased, and he stopped entirely.

“That outer loose lock of hair wants tidying,” he said, before she had moved or spoken. “Wait: I’ll do it for you.”

An arc of silver shone on her right side: the sword had descended. The lock dropped to the ground.

“Bravely borne!” said Troy. “You didn’t flinch a shade’s thickness. Wonderful in a woman!”

“It was because I didn’t expect it. Oh, you have spoilt my hair!”

“Only once more.”

“No⁠—no! I am afraid of you⁠—indeed I am!” she cried.

“I won’t touch you at all⁠—not even your hair. I am only going to kill that caterpillar settling on you. Now: still!”

It appeared that a caterpillar had come from the fern and chosen the front of her bodice as his resting place. She saw the point glisten towards her bosom, and seemingly enter it. Bathsheba closed her eyes in the full persuasion that she was killed at last. However, feeling just as usual, she opened them again.

“There it is, look,” said the sergeant, holding his sword before her eyes.

The caterpillar was spitted upon its point.

“Why, it is magic!” said Bathsheba, amazed.

“Oh no⁠—dexterity. I merely gave point to your bosom where the caterpillar was, and instead of running you through checked the extension a thousandth of an inch short of your surface.”

“But how could you chop off a curl of my hair with a sword that has no edge?”

“No edge! This sword will shave like a razor. Look here.”

He touched the palm of his hand with the blade, and then, lifting it, showed her a thin shaving of scarf-skin dangling therefrom.

“But you said before beginning that it was blunt and couldn’t cut me!”

“That was to get you to stand still, and so make sure of your safety. The risk of injuring you through your moving was too great not to force me to tell you a fib to escape it.”

She shuddered. “I have been within an inch of my