Short Fiction - Herman Melville (top 100 novels of all time .txt) 📗

stair to a great light room, furnished with no visible thing but rude, manger-like receptacles running all round its sides; and up to these mangers, like so many mares haltered to the rack stood rows of girls. Before each was vertically thrust up a long, glittering scythe, immovably fixed at bottom to the manger-edge. The curve of the scythe, and its having no snath to it, made it look exactly like a sword. To and fro, across the sharp edge, the girls forever dragged long strips of rags, washed white, picked from baskets at one side; thus ripping asunder every seam, and converting the tatters almost into lint. The air swam with the fine, poisonous particles, which from all sides darted, subtly, as motes in sunbeams, into the lungs.

“This is the rag-room,” coughed the boy.

“You find it rather stifling here,” coughed I, in answer; “but the girls don’t cough.”

“Oh, they are used to it.”

“Where do you get such hosts of rags?” picking up a handful from a basket.

“Some from the country round about; some from far over sea⁠—Leghorn and London.”

“ ’Tis not unlikely, then,” murmured I, “that among these heaps of rags there may be some old shirts, gathered from the dormitories of the Paradise of Bachelors. But the buttons are all dropped off. Pray, my lad, do you ever find any bachelor’s buttons hereabouts?”

“None grow in this part of the country. The Devil’s Dungeon is no place for flowers.”

“Oh! you mean the flowers so called⁠—the Bachelor’s Buttons?”

“And was not that what you asked about? Or did you mean the gold bosom-buttons of our boss, Old Bach, as our whispering girls all call him?”

“The man, then, I saw below is a bachelor, is he?”

“Oh, yes, he’s a Bach.”

“The edges of those swords, they are turned outward from the girls, if I see right; but their rags and fingers fly so, I can not distinctly see.”

“Turned outward.”

Yes, murmured I to myself; I see it now; turned outward; and each erected sword is so borne, edge-outward, before each girl. If my reading fails me not, just so, of old, condemned state-prisoners went from the hall of judgment to their doom; an officer before, bearing a sword, its edge turned outward, in significance of their fatal sentence. So, through consumptive pallors of this blank, raggy life, go these white girls to death.

“Those scythes look very sharp,” again turning toward the boy.

“Yes; they have to keep them so. Look!”

That moment two of the girls, dropping their rags, plied each a whetstone up and down the sword-blade. My unaccustomed blood curdled at the sharp shriek of the tormented steel.

Their own executioners; themselves whetting the very swords that slay them; meditated I.

“What makes those girls so sheet-white, my lad?”

“Why”⁠—with a roguish twinkle, pure ignorant drollery, not knowing heartlessness⁠—“I suppose the handling of such white bits of sheets all the time makes them so sheety.”

“Let us leave the rag-room now, my lad.”

More tragical and more inscrutably mysterious than any mystic sight, human or machine, throughout the factory, was the strange innocence of cruel-heartedness in this usage-hardened boy.

“And now,” said he, cheerily, “I suppose you want to see our great machine, which cost us twelve thousand dollars only last autumn. That’s the machine that makes the paper, too. This way, Sir.”

Following him I crossed a large, bespattered place, with two great round vats in it, full of a white, wet, woolly-looking stuff, not unlike the albuminous part of an egg, soft-boiled.

“There,” said Cupid, tapping the vats carelessly, “these are the first beginning of the paper; this white pulp you see. Look how it swims bubbling round and round, moved by the paddle here. From hence it pours from both vats into the one common channel yonder; and so goes, mixed up and leisurely, to the great machine. And now for that.”

He led me into a room, stifling with a strange, blood-like, abdominal heat, as if here, true enough, were being finally developed the germinous particles lately seen.

Before me, rolled out like some long Eastern manuscript, lay stretched one continuous length of iron framework⁠—multitudinous and mystical, with all sorts of rollers, wheels, and cylinders, in slowly-measured and unceasing motion.

“Here first comes the pulp now,” said Cupid, pointing to the nighest end of the machine.

“See; first it pours out and spreads itself upon this wide, sloping board; and then⁠—look⁠—slides, thin and quivering, beneath the first roller there. Follow on now, and see it as it slides from under that to the next cylinder. There; see how it has become just a very little less pulpy now. One step more, and it grows still more to some slight consistence. Still another cylinder, and it is so knitted⁠—though as yet mere dragonfly wing⁠—that it forms an air-bridge here, like a suspended cobweb, between two more separated rollers; and flowing over the last one, and under again, and doubling about there out of sight for a minute among all those mixed cylinders you indistinctly see, it reappears here, looking now at last a little less like pulp and more like paper, but still quite delicate and defective yet awhile. But⁠—a little further onward, Sir, if you please⁠—here now, at this further point, it puts on something of a real look, as if it might turn out to be something you might possibly handle in the end. But it’s not yet done, Sir. Good way to travel yet, and plenty more of cylinders must roll it.”

“Bless my soul!” said I, amazed at the elongation, interminable convolutions, and deliberate slowness of the machine. “It must take a long time for the pulp to pass from end to end, and come out paper.”

“Oh, not so long,” smiled the precocious lad, with a superior and patronizing air; “only nine minutes. But look; you may try it for yourself. Have you a bit of paper? Ah! here’s a bit on the floor. Now mark that with any word you please, and let me dab it on here, and we’ll see how long before it comes out at the other