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wildly, and with restless impatience he watched the return of evening, which would remove his suspence.

Night at length came. He repaired to the pavilion, and secreted himself among the trees that embowered it. Many minutes had not passed, when he heard a sound of low whispering voices steal from among the trees, and footsteps approaching down the alley. He stood almost petrified with terrible sensations, and presently heard some persons enter the pavilion. The marquis now emerged from his hiding-place; a faint light issued from the building. He stole to the window, and beheld within, Maria and the Cavalier de Vincini. Fired at the sight, he drew his sword, and sprang forward. The sound of his step alarmed the cavalier, who, on perceiving the marquis, rushed by him from the pavilion, and disappeared among the woods. The marquis pursued, but could not overtake him; and he returned to the pavilion with an intention of plunging his sword in the heart of Maria, when he discovered her senseless on the ground. Pity now suspended his vengeance; he paused in agonizing gaze upon her, and returned his sword into the scabbard.

She revived, but on observing the marquis, screamed and relapsed. He hastened to the castle for assistance, inventing, to conceal his disgrace, some pretence for her sudden illness, and she was conveyed to her chamber.

The marquis was now not suffered to doubt her infidelity, but the passion which her conduct abused, her faithlessness could not subdue; he still doted with absurd fondness, and even regretted that uncertainty could no longer flatter him with hope. It seemed as if his desire of her affection increased with his knowledge of the loss of it; and the very circumstance which should have roused his aversion, by a strange perversity of disposition, appeared to heighten his passion, and to make him think it impossible he could exist without her.

When the first energy of his indignation was subsided, he determined, therefore, to reprove and to punish, but hereafter to restore her to favor.

In this resolution he went to her apartment, and reprehended her falsehood in terms of just indignation.

Maria de Vellorno, in whom the late discovery had roused resentment, instead of awakening penitence; and exasperated pride without exciting shame⁠—heard the upbraidings of the marquis with impatience, and replied to them with acrimonious violence.

She boldly asserted her innocence, and instantly invented a story, the plausibility of which might have deceived a man who had evidence less certain than his senses to contradict it. She behaved with a haughtiness the most insolent; and when she perceived that the marquis was no longer to be misled, and that her violence failed to accomplish its purpose, she had recourse to tears and supplications. But the artifice was too glaring to succeed; and the marquis quitted her apartment in an agony of resentment.

His former fascinations, however, quickly returned, and again held him in suspension between love and vengeance. That the vehemence of his passion, however, might not want an object, he ordered Baptista to discover the retreat of the Cavalier de Vincini on whom he meant to revenge his lost honor. Shame forbade him to employ others in the search.

This discovery suspended for a while the operations of the fatal scheme, which had before employed the thoughts of the marquis; but it had only suspended⁠—not destroyed them. The late occurrence had annihilated his domestic happiness; but his pride now rose to rescue him from despair, and he centered all his future hopes upon ambition. In a moment of cool reflection, he considered that he had derived neither happiness or content from the pursuit of dissipated pleasures, to which he had hitherto sacrificed every opposing consideration. He resolved, therefore, to abandon the gay schemes of dissipation which had formerly allured him, and dedicate himself entirely to ambition, in the pursuits and delights of which he hoped to bury all his cares. He therefore became more earnest than ever for the marriage of Julia with the Duke de Luovo, through whose means he designed to involve himself in the interests of the state, and determined to recover her at whatever consequence. He resolved, without further delay, to appeal to the pope; but to do this with safety it was necessary that the marchioness should die; and he returned therefore to the consideration and execution of his diabolical purpose.

He mingled a poisonous drug with the food he designed for her; and when night arrived, carried it to the cell. As he unlocked the door, his hand trembled; and when he presented the food, and looked consciously for the last time upon the marchioness, who received it with humble thankfulness, his heart almost relented. His countenance, over which was diffused the paleness of death, expressed the secret movements of his soul, and he gazed upon her with eyes of stiffened horror. Alarmed by his looks, she fell upon her knees to supplicate his pity.

Her attitude recalled his bewildered senses; and endeavouring to assume a tranquil aspect, he bade her rise, and instantly quitted the cell, fearful of the instability of his purpose. His mind was not yet sufficiently hardened by guilt to repel the arrows of conscience, and his imagination responded to her power. As he passed through the long dreary passages from the prison, solemn and mysterious sounds seemed to speak in every murmur of the blast which crept along their windings, and he often started and looked back.

He reached his chamber, and having shut the door, surveyed the room in fearful examination. Ideal forms flitted before his fancy, and for the first time in his life he feared to be alone. Shame only withheld him from calling Baptista. The gloom of the hour, and the deathlike silence that prevailed, assisted the horrors of his imagination. He half repented of the deed, yet deemed it now too late to obviate it; and he threw himself on his bed in terrible emotion. His head grew dizzy, and a sudden faintness overcame him; he hesitated, and at

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