Short Fiction - Arthur Machen (books suggested by elon musk TXT) 📗

“I can’t exactly say how it has happened or what has happened at all,” said one, “but if you have all the world and the glory of it, how can you fight for fivepence?”

The church of Llantrisant is a typical example of a Welsh parish church, before the evil and horrible period of “restoration.”

This lower world is a palace of lies, and of all foolish lies there is none more insane than a certain vague fable about the medieval freemasons, a fable which somehow imposed itself upon the cold intellect of Hallam the historian. The story is, in brief, that throughout the Gothic period, at any rate, the art and craft of church building were executed by wandering guilds of “freemasons,” possessed of various secrets of building and adornment, which they employed wherever they went. If this nonsense were true, the Gothic of Cologne would be as the Gothic of Colne, and the Gothic of Arles like to the Gothic of Abingdon. It is so grotesquely untrue that almost every county, let alone every country, has its distinctive style in Gothic architecture. Arfon is in the west of Wales; its churches have marks and features which distinguish them from the churches in the east of Wales.

The Llantrisant church has that primitive division between nave and chancel which only very foolish people decline to recognise as equivalent to the Oriental iconostasis and as the origin of the Western rood-screen. A solid wall divided the church into two portions; in the centre was a narrow opening with a rounded arch, through which those who sat towards the middle of the church could see the small, red-carpeted altar and the three roughly shaped lancet windows above it.

The “reading pew” was on the outer side of this wall of partition, and here the rector did his service, the choir being grouped in seats about him. On the inner side were the pews of certain privileged houses of the town and district.

On the Sunday morning the people were all in their accustomed places, not without a certain exultation in their eyes, not without a certain expectation of they knew not what. The bells stopped ringing, the rector, in his old-fashioned, ample surplice, entered the reading-desk, and gave out the hymn: “My God, and is Thy Table spread.”

And, as the singing began, all the people who were in the pews within the wall came out of them and streamed through the archway into the nave. They took what places they could find up and down the church, and the rest of the congregation looked at them in amazement.

Nobody knew what had happened. Those whose seats were next to the aisle tried to peer into the chancel, to see what had happened or what was going on there. But somehow the light flamed so brightly from the windows above the altar, those being the only windows in the chancel, one small lancet in the south wall excepted, that no one could see anything at all.

“It was as if a veil of gold adorned with jewels was hanging there,” one man said; and indeed there are a few odds and scraps of old painted glass left in the eastern lancets.

But there were few in the church who did not hear now and again voices speaking beyond the veil.

The well-to-do and dignified personages who left their pews in the chancel of Llantrisant Church and came hurrying into the nave could give no explanation of what they had done. They felt, they said, that they had to go, and to go quickly; they were driven out, as it were, by a secret, irresistible command. But all who were present in the church that morning were amazed, though all exulted in their hearts; for they, like the sailors who saw the rose of fire on the waters, were filled with a joy that was literally ineffable, since they could not utter it or interpret it to themselves.

And they too, like the sailors, were transmuted, or the world was transmuted for them. They experienced what the doctors call a sense of bien être but a bien être raised, to the highest power. Old men felt young again, eyes that had been growing dim now saw clearly, and saw a world that was like Paradise, the same world, it is true, but a world rectified and glowing, as if an inner flame shone in all things, and behind all things.

And the difficulty in recording this state is this, that it is so rare an experience that no set language to express it is in existence. A shadow of its raptures and ecstasies is found in the highest poetry; there are phrases in ancient books telling of the Celtic saints that dimly hint at it; some of the old Italian masters of painting had known it, for the light of it shines in their skies and about the battlements of their cities that are founded on magic hills. But these are but broken hints.

It is not poetic to go to Apothecaries’ Hall for similes. But for many years I kept by me an article from the Lancet or the British Medical Journal⁠—I forget which⁠—in which a doctor gave an account of certain experiments he had conducted with a drug called the Mescal Button, or Anhelonium lewinii. He said that while under the influence of the drug he had but to shut his eyes, and immediately before him there would rise incredible Gothic cathedrals, of such majesty and splendour and glory that no heart had ever conceived. They seemed to surge from the depths to the very heights of heaven, their spires swayed amongst the clouds and the stars, they were fretted with admirable imagery. And as he gazed, he would presently become aware that all the stones were living stones, that they were quickening and palpitating, and then that they were glowing jewels, say, emeralds, sapphires, rubies, opals, but