White Fang - Jack London (read a book .TXT) 📗

more dignified, and the master laughed harder than before. In the end, the master laughed him out of his dignity. His jaws slightly parted, his lips lifted a little, and a quizzical expression that was more love than humour came into his eyes. He had learned to laugh.

Likewise he learned to romp with the master, to be tumbled down and rolled over, and be the victim of innumerable rough tricks. In return he feigned anger, bristling and growling ferociously, and clipping his teeth together in snaps that had all the seeming of deadly intention. But he never forgot himself. Those snaps were always delivered on the empty air. At the end of such a romp, when blow and cuff and snap and snarl were last and furious, they would break off suddenly and stand several feet apart, glaring at each other. And then, just as suddenly, like the sun rising on a stormy sea, they would begin to laugh. This would always culminate with the master’s arms going around White Fang’s neck and shoulders while the latter crooned and growled his love-song.

But nobody else ever romped with White Fang. He did not permit it. He stood on his dignity, and when they attempted it, his warning snarl and bristling mane were anything but playful. That he allowed the master these liberties was no reason that he should be a common dog, loving here and loving there, everybody’s property for a romp and good time. He loved with single heart and refused to cheapen himself or his love.

The master went out on horseback a great deal, and to accompany him was one of White Fang’s chief duties in life. In the Northland he had evidenced his fealty by toiling in the harness; but there were no sleds in the Southland, nor did dogs pack burdens on their backs. So he rendered fealty in the new way, by running with the master’s horse. The longest day never played White Fang out. His was the gait of the wolf, smooth, tireless and effortless, and at the end of fifty miles he would come in jauntily ahead of the horse.

It was in connection with the riding, that White Fang achieved one other mode of expression⁠—remarkable in that he did it but twice in all his life. The first time occurred when the master was trying to teach a spirited thoroughbred the method of opening and closing gates without the rider’s dismounting. Time and again and many times he ranged the horse up to the gate in the effort to close it and each time the horse became frightened and backed and plunged away. It grew more nervous and excited every moment. When it reared, the master put the spurs to it and made it drop its forelegs back to earth, whereupon it would begin kicking with its hind legs. White Fang watched the performance with increasing anxiety until he could contain himself no longer, when he sprang in front of the horse and barked savagely and warningly.

Though he often tried to bark thereafter, and the master encouraged him, he succeeded only once, and then it was not in the master’s presence. A scamper across the pasture, a jackrabbit rising suddenly under the horse’s feet, a violent sheer, a stumble, a fall to earth, and a broken leg for the master, was the cause of it. White Fang sprang in a rage at the throat of the offending horse, but was checked by the master’s voice.

“Home! Go home!” the master commanded when he had ascertained his injury.

White Fang was disinclined to desert him. The master thought of writing a note, but searched his pockets vainly for pencil and paper. Again he commanded White Fang to go home.

The latter regarded him wistfully, started away, then returned and whined softly. The master talked to him gently but seriously, and he cocked his ears, and listened with painful intentness.

“That’s all right, old fellow, you just run along home,” ran the talk. “Go on home and tell them what’s happened to me. Home with you, you wolf. Get along home!”

White Fang knew the meaning of “home,” and though he did not understand the remainder of the master’s language, he knew it was his will that he should go home. He turned and trotted reluctantly away. Then he stopped, undecided, and looked back over his shoulder.

“Go home!” came the sharp command, and this time he obeyed.

The family was on the porch, taking the cool of the afternoon, when White Fang arrived. He came in among them, panting, covered with dust.

“Weedon’s back,” Weedon’s mother announced.

The children welcomed White Fang with glad cries and ran to meet him. He avoided them and passed down the porch, but they cornered him against a rocking-chair and the railing. He growled and tried to push by them. Their mother looked apprehensively in their direction.

“I confess, he makes me nervous around the children,” she said. “I have a dread that he will turn upon them unexpectedly some day.”

Growling savagely, White Fang sprang out of the corner, overturning the boy and the girl. The mother called them to her and comforted them, telling them not to bother White Fang.

“A wolf is a wolf!” commented Judge Scott. “There is no trusting one.”

“But he is not all wolf,” interposed Beth, standing for her brother in his absence.

“You have only Weedon’s opinion for that,” rejoined the judge. “He merely surmises that there is some strain of dog in White Fang; but as he will tell you himself, he knows nothing about it. As for his appearance⁠—”

He did not finish his sentence. White Fang stood before him, growling fiercely.

“Go away! Lie down, sir!” Judge Scott commanded.

White Fang turned to the love-master’s wife. She screamed with fright as he seized her dress in his teeth and dragged on it till the frail fabric tore away. By this time he had become the centre of interest.

He had ceased from his growling and stood, head up, looking into their faces. His throat worked spasmodically,