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few relics of its origin and dreams of its destiny.

This denial of scientific precision is true of all questions of general human relations and attitude. And in regard to all these matters affecting our personal motives, our self-control and our devotions, it is much truer.

From this it is an easy step to the statement that so far as the clear-cut confident sort of knowledge goes, the sort of knowledge one gets from a time-table or a textbook of chemistry, or seeks from a witness in a police court, I am, in relation to religious and moral questions an agnostic. I do not think any general propositions partaking largely of the nature of fact can be known about these things. There is nothing possessing the general validity of fact to be stated or known.

 

1.11. BELIEFS.

Yet it is of urgent practical necessity that we should have such propositions and beliefs. All those we conjure out of our mental apparatus and the world of fact dissolve and disappear again under scrutiny. It is clear we must resort to some other method for these necessities.

Now I make my beliefs as I want them. I do not attempt to distil them out of fact as physicists distil their laws. I make them thus and not thus exactly as an artist makes a picture so and not so. I believe that is how we all make our beliefs, but that many people do not see this clearly and confuse their beliefs with perceived and proven fact.

I draw my beliefs exactly as an artist draws lines to make a picture, to express my impression of the world and my purpose.

The artist cannot defend his expression as a scientific man defends his, and demonstrate that they are true upon any assumptions whatsoever. Any loud fool may stand in front of a picture and call it inaccurate, untrustworthy, unbeautiful. That last, the most vital issue of all, is the one least assured. Loud fools always do do that sort of thing. Take quite ignorant people before almost any beautiful work of art and they will laugh at it as absurd. If one sits on a popular evening in that long room at South Kensington which contains Raphael’s cartoons, one remarks that perhaps a third of those who stray through and look at all those fine efforts, titter. If one searches in the magazines of a little while ago, one finds in the angry and resentful reception of the Pre-Raphaelites another instance of the absolutely indefensible nature of many of the most beautiful propositions. And as a still more striking and remarkable case, take the onslaught made by Ruskin upon the works of Whistler. You will remember that a libel action ensued and that these pictures were gravely reasoned about by barristers and surveyed by jurymen to assess their merits…

In the end it is the indefensible truth that lasts; it lasts because it works and serves. People come to it and remain and attract other understanding and enquiring people.

Now when I say I make my beliefs and that I cannot prove them to you and convince you of them, that does not mean that I make them wantonly and regardless of fact, that I throw them off as a child scribbles on a slate. Mr. Ruskin, if I remember rightly, accused Whistler of throwing a pot of paint in the face of the public,—that was the essence of his libel. The artistic method in this field of beliefs, as in the field of visual renderings, is one of great freedom and initiative and great poverty of test, but of no wantonness; the conditions of rightness are none the less imperative because they are mysterious and indefinable. I adopt certain beliefs because I feel the need for them, because I feel an often quite unanalyzable rightness in them; because the alternative of a chaotic life distresses me. My belief in them rests upon the fact that they WORK for me and satisfy my desire for harmony and beauty. They are arbitrary assumptions, if you will, that I see fit to impose upon my universe.

But though they are arbitrary, they are not necessarily individual. Just so far as we all have a common likeness, just so far can we be brought under the same imperatives to think and believe.

And though they are arbitrary, each day they stand wear and tear, and each new person they satisfy, is another day and another voice towards showing they do correspond to something that is so far fact and real.

This is Pragmatism as I conceive it; the abandonment of infinite assumptions, the extension of the experimental spirit to all human interests.

 

1.12. SUMMARY.

In concluding this first Book let me give a summary of the principal points of what has gone before.

I figure the mind of man as an imperfect being obtaining knowledge by imperfect eyesight, imperfect hearing and so forth; who must needs walk manfully and patiently, exercising will and making choices and determining things between the mysteries of external and internal fact.

Essentially man’s mind moves within limits depending upon his individual character and experience. These limits constitute what Herbart called his “circle of thought,” and they differ for everyone.

That briefly is what I consider to be the case with my own mind, and I believe it is the case with everyone’s.

Most minds, it seems to me, are similar, but none are absolutely alike in character or in contents.

We are all biassed to ignore our mental imperfections and to talk and act as though our minds were exact instruments,—something wherewith to scale the heavens with assurance,—and also we are biassed to believe that, except for perversity, all our minds work exactly alike.

Man, thinking man, suffers from intellectual over-confidence and a vain belief in the universal validity of reasoning.

We all need training, training in the balanced attitude.

Of everything we need to say: this is true but it is not quite true.

Of everything we need to say: this is true in relation to things in or near its plane, but not true of other things.

Of everything we have to remember: this may be truer for us than for other people.

In disputation particularly we have to remember this (and most with our antagonist): that the spirit of an utterance may be better than the phrase.

We have to discourage the cheap tricks of controversy, the retort, the search for inconsistency. We have to realize that these things are as foolish and ill-bred and anti-social as shouting in conversation or making puns; and we have to work out habits of thought purged from the sin of assurance. We have to do this for our own good quite as much as for the sake of intercourse.

All the great and important beliefs by which life is guided and determined are less of the nature of fact than of artistic expression.

 

BOOK THE SECOND.

OF BELIEFS.

 

2.1. MY PRIMARY ACT OF FAITH.

And now having stated my conception of the true relationship between our thoughts and words to facts, having distinguished between the more accurate and frequently verified propositions of science and the more arbitrary and infrequently verified propositions of belief, and made clear the spontaneous and artistic quality that inheres in all our moral and religious generalizations, I may hope to go on to my confession of faith with less misunderstanding.

Now my most comprehensive belief about the external and the internal and myself is that they make one universe in which I and every part are ultimately important. That is quite an arbitrary act of my mind. It is quite possible to maintain that everything is a chaotic assembly, that any part might be destroyed without affecting any other part. I do not choose to argue against that. If you choose to say that, I am no more disposed to argue with you than if you choose to wear a mitre in Fleet Street or drink a bottle of ink, or declare the figure of Ally Sloper more dignified and beautiful than the head of Jove. There is no Q.E.D. that you cannot do so. You can. You will not like to go on with it, I think, and it will not answer, but that is a different matter.

I dismiss the idea that life is chaotic because it leaves my life ineffectual, and I cannot contemplate an ineffectual life patiently. I am by my nature impelled to refuse that. I assert that it is not so. I assert therefore that I am important in a scheme, that we are all important in that scheme, that the wheel-smashed frog in the road and the fly drowning in the milk are important and correlated with me. What the scheme as a whole is I do not know; with my limited mind I cannot know. There I become a Mystic. I use the word scheme because it is the best word available, but I strain it in using it. I do not wish to imply a schemer, but only order and co-ordination as distinguished from haphazard. “All this is important, all this is profoundly significant.” I say it of the universe as a child that has not learnt to read might say it of a parchment agreement. I cannot read the universe, but I can believe that this is so.

And this unfounded and arbitrary declaration of the ultimate rightness and significance of things I call the Act of Faith. It is my fundamental religious confession. It is a voluntary and deliberate determination to believe, a choice made.

 

2.2. ON USING THE NAME OF GOD.

You may say if you will that this scheme I talk about, this something that gives importance and correlation and significance, is what is meant by God. You may embark upon a logical wrangle here with me if you have failed to master what I have hitherto said about the meaning of words. If a Scheme, you will say, then there must be a Schemer.

But, I repeat, I am using scheme and importance and significance here only in a spirit of analogy because I can find no better words, and I will not allow myself to be entangled by an insistence upon their implications.

Yet let me confess that I am greatly attracted by such fine phrases as the Will of God, the Hand of God, the Great Commander. These do most wonderfully express aspects of this belief I choose to hold. I think if there had been no gods before, I would call this God. But I feel that there is a great danger in doing this sort of thing unguardedly. Many people would be glad for rather trivial and unworthy reasons that I should confess a faith in God, and few would take offence. But the run of people even nowadays mean something more and something different when they say “God.” They intend a personality exterior to them and limited, and they will instantly conclude I mean the same thing. To permit that misconception is, I feel, the first step on the slippery slope of meretricious complaisance, is to become in some small measure a successor of those who cried, “Great is Diana of the Ephesians.” Occasionally we may best serve the God of Truth by denying him.

Yet at times I admit the sense of personality in the universe is very strong. If I am confessing, I do not see why I should not confess up to the hilt. At times in the silence of the night and in rare lonely moments, I come upon a sort of communion of myself and something great that is not myself. It is perhaps poverty of mind and language obliges me to say that then this universal scheme takes on the effect of a sympathetic person—and my communion a quality of fearless worship. These moments happen, and

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