On a Chinese Screen - W. Somerset Maugham (beach read TXT) 📗
- Author: W. Somerset Maugham
Book online «On a Chinese Screen - W. Somerset Maugham (beach read TXT) 📗». Author W. Somerset Maugham
His story was a little unusual. He had been a soldier and he was pleased to talk of the old days when he had hunted with the Quorn and danced through the London season. He had no unhealthy feeling of past sin.
“I was a great dancer in my young days,” he said, “but I expect I should be quite out of it now with all these new dances.”
It was a good life so long as it lasted and though he did not for a moment regret it, he had no feeling of resentment for it. The call had come when he was in India. He did not exactly know how or why, it had just come, a sudden feeling that he must give up his life to bringing the heathen to the belief in Christ, but it was a feeling that he could not resist; it gave him no peace. He was a happy man now, enjoying his work.
“It’s a slow business,” he said, “but I see signs of progress and I love the Chinese. I wouldn’t change my life here for any in the world.”
The two missionaries said goodbye to one another.
“When are you going home?” asked the Englishman.
“Moi? Oh, in a day or two.”
“I may not see you again then. I expect to go home in March.”
But one meant the little town with its narrow streets where he had lived for fifty years, since when he left France, a young man, he left it forever; but the other meant the Elizabethan house in Cheshire, with its smooth lawns and its oak trees, where his ancestors had dwelt for three centuries.
IX The InnIt seems long since the night fell, and for an hour a coolie has walked before your chair carrying a lantern. It throws a thin circle of light in front of you, and as you pass you catch a pale glimpse (like a thing of beauty emerging vaguely from the ceaseless flux of common life) of a bamboo thicket, a flash of water in a rice field, or the heavy darkness of a banyan. Now and then a belated peasant bearing two heavy baskets on his yoke sidles by. The bearers walk more slowly, but after the long day they have lost none of their spirit, and they chatter gaily; they laugh, and one of them breaks into a fragment of tuneless song. But the causeway rises and the lantern throws its light suddenly on a whitewashed wall: you have reached the first miserable houses that straggle along the path outside the city wall, and two or three minutes more bring you to a steep flight of steps. The bearers take them at a run. You pass through the city gates. The narrow streets are multitudinous and in the shops they are busy still. The bearers shout raucously. The crowd divides and you pass through a double hedge of serried curious people. Their faces are impassive and their dark eyes stare mysteriously. The bearers, their day’s work done, march with a swinging stride. Suddenly they stop, wheel to the right, into a courtyard, and you have reached the inn. Your chair is set down.
The inn—it consists of a long yard, partly covered, with rooms opening on it on each side—is lit by three or four oil lamps. They throw a dim light immediately around them, but make the surrounding darkness more impenetrable. All the front of the yard is crowded with tables and at these people are packed, eating rice or drinking tea. Some of them play games you do not know. At the great stove, where water in a cauldron is perpetually heating and rice in a huge pan being prepared, stand the persons of the inn. They serve out rapidly great bowls of rice and fill the teapots which are incessantly brought them. Further back a couple of naked coolies, sturdy, thickset and supple, are sluicing themselves with boiling water. You walk to the end of the yard where, facing the entrance but protected from the vulgar gaze by a screen, is the principal guest chamber.
It is a spacious, windowless room, with a floor of trodden earth, lofty, for it goes the whole height of the inn, with an open roof. The walls are whitewashed,
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