The Magnificent Ambersons - Booth Tarkington (top novels of all time TXT) 📗

at a corner; then bungalows and six-room cottages would swiftly speckle the open green spaces⁠—and a farm had become a suburb which would immediately shoot out other suburbs into the country, on one side, and, on the other, join itself solidly to the city. You drove between pleasant fields and woodland groves one spring day; and in the autumn, passing over the same ground, you were warned off the tracks by an interurban trolley-car’s gonging, and beheld, beyond cement sidewalks just dry, new house-owners busy “moving in.” Gasoline and electricity were performing the miracles Eugene had predicted.

But the great change was in the citizenry itself. What was left of the patriotic old-stock generation that had fought the Civil War, and subsequently controlled politics, had become venerable and was little heeded. The descendants of the pioneers and early settlers were merging into the new crowd, becoming part of it, little to be distinguished from it. What happened to Boston and to Broadway happened in degree to the Midland city; the old stock became less and less typical, and of the grown people who called the place home, less than a third had been born in it. There was a German quarter; there was a Jewish quarter; there was a negro quarter⁠—square miles of it⁠—called “Bucktown”; there were many Irish neighbourhoods; and there were large settlements of Italians, and of Hungarians, and of Romanians, and of Serbians and other Balkan peoples. But not the emigrants, themselves, were the almost dominant type on the streets downtown. That type was the emigrant’s prosperous offspring: descendant of the emigrations of the Seventies and Eighties and Nineties, those great folk-journeyings in search not so directly of freedom and democracy as of more money for the same labour. A new Midlander⁠—in fact, a new American⁠—was beginning dimly to emerge.

A new spirit of citizenship had already sharply defined itself. It was idealistic, and its ideals were expressed in the new kind of young men in business downtown. They were optimists⁠—optimists to the point of belligerence⁠—their motto being “Boost! Don’t Knock!” And they were hustlers, believing in hustling and in honesty because both paid. They loved their city and worked for it with a plutonic energy which was always ardently vocal. They were viciously governed, but they sometimes went so far to struggle for better government on account of the helpful effect of good government on the price of real estate and “betterment” generally; the politicians could not go too far with them, and knew it. The idealists planned and strove and shouted that their city should become a better, better, and better city⁠—and what they meant, when they used the word “better,” was “more prosperous,” and the core of their idealism was this: “The more prosperous my beloved city, the more prosperous beloved I!” They had one supreme theory: that the perfect beauty and happiness of cities and of human life was to be brought about by more factories; they had a mania for factories; there was nothing they would not do to cajole a factory away from another city; and they were never more piteously embittered than when another city cajoled one away from them.

What they meant by Prosperity was credit at the bank; but in exchange for this credit they got nothing that was not dirty, and, therefore, to a sane mind, valueless; since whatever was cleaned was dirty again before the cleaning was half done. For, as the town grew, it grew dirty with an incredible completeness. The idealists put up magnificent business buildings and boasted of them, but the buildings were begrimed before they were finished. They boasted of their libraries, of their monuments and statues; and poured soot on them. They boasted of their schools, but the schools were dirty, like the children within them. This was not the fault of the children or their mothers. It was the fault of the idealists, who said: “The more dirt, the more prosperity.” They drew patriotic, optimistic breaths of the flying powdered filth of the streets, and took the foul and heavy smoke with gusto into the profundities of their lungs. “Boost! Don’t knock!” they said. And every year or so they boomed a great Cleanup Week, when everybody was supposed to get rid of the tin cans in his backyard.

They were happiest when the tearing down and building up were most riotous, and when new factory districts were thundering into life. In truth, the city came to be like the body of a great dirty man, skinned, to show his busy works, yet wearing a few barbaric ornaments; and such a figure carved, coloured, and discoloured, and set up in the marketplace, would have done well enough as the god of the new people. Such a god they had indeed made in their own image, as all peoples make the god they truly serve; though of course certain of the idealists went to church on Sunday, and there knelt to Another, considered to be impractical in business. But while the Growing went on, this god of their marketplace was their true god, their familiar and spirit-control. They did not know that they were his helplessly obedient slaves, nor could they ever hope to realize their serfdom (as the first step toward becoming free men) until they should make the strange and hard discovery that matter should serve man’s spirit.

“Prosperity” meant good credit at the bank, black lungs, and housewives’ Purgatory. The women fought the dirt all they could; but if they let the air into their houses they let in the dirt. It shortened their lives, and kept them from the happiness of ever seeing anything white. And thus, as the city grew, the time came when Lucy, after a hard struggle, had to give up her blue-and-white curtains and her white walls. Indoors, she put everything into dull gray and brown, and outside had the little house painted the dark green nearest to black. Then she knew, of course, that everything was as