Madame Bovary - Gustave Flaubert (best self help books to read txt) 📗

to pay his respects.” And as he finished these words the ex-clerk of Yonville entered the box.

He held out his hand with the ease of a gentleman; and Madame Bovary extended hers, without doubt obeying the attraction of a stronger will. She had not felt it since that spring evening when the rain fell upon the green leaves, and they had said goodbye standing at the window. But soon recalling herself to the necessities of the situation, with an effort she shook off the torpor of her memories, and began stammering a few hurried words.

“Ah, good day! What! you here?”

“Silence!” cried a voice from the pit, for the third act was beginning.

“So you are at Rouen?”

“Yes.”

“And since when?”

“Turn them out! turn them out!” People were looking at them. They were silent.

But from that moment she listened no more; and the chorus of the guests, the scene between Ashton and his servant, the grand duet in D major, all were for her as far off as if the instruments had grown less sonorous and the characters more remote. She remembered the games at cards at the druggist’s, and the walk to the nurse’s, the reading in the arbour, the tête-à-tête by the fireside⁠—all that poor love, so calm and so protracted, so discreet, so tender, and that she had nevertheless forgotten. And why had he come back? What combination of circumstances had brought him back into her life? He was standing behind her, leaning with his shoulder against the wall of the box; now and again she felt herself shuddering beneath the hot breath from his nostrils falling upon her hair.

“Does this amuse you?” said he, bending over her so closely that the end of his moustache brushed her cheek. She replied carelessly⁠—

“Oh, dear me, no, not much.”

Then he proposed that they should leave the theatre and go and take an ice somewhere.

“Oh, not yet; let us stay,” said Bovary. “Her hair’s undone; this is going to be tragic.”

But the mad scene did not at all interest Emma, and the acting of the singer seemed to her exaggerated.

“She screams too loud,” said she, turning to Charles, who was listening.

“Yes⁠—a little,” he replied, undecided between the frankness of his pleasure and his respect for his wife’s opinion.

Then with a sigh Léon said⁠—

“The heat is⁠—”

“Unbearable! Yes!”

“Do you feel unwell?” asked Bovary.

“Yes, I am stifling; let us go.”

Monsieur Léon put her long lace shawl carefully about her shoulders, and all three went off to sit down in the harbour, in the open air, outside the windows of a café.

First they spoke of her illness, although Emma interrupted Charles from time to time, for fear, she said, of boring Monsieur Léon; and the latter told them that he had come to spend two years at Rouen in a large office, in order to get practice in his profession, which was different in Normandy and Paris. Then he inquired after Berthe, the Homais, Mère Lefrançois, and as they had, in the husband’s presence, nothing more to say to one another, the conversation soon came to an end.

People coming out of the theatre passed along the pavement, humming or shouting at the top of their voices, “O bel ange, ma Lucie!”15 Then Léon, playing the dilettante, began to talk music. He had seen Tambourini, Rubini, Persiani, Grisi, and, compared with them, Lagardy, despite his grand outbursts, was nowhere.

“Yet,” interrupted Charles, who was slowly sipping his rum-sherbet, “they say that he is quite admirable in the last act. I regret leaving before the end, because it was beginning to amuse me.”

“Why,” said the clerk, “he will soon give another performance.”

But Charles replied that they were going back next day. “Unless,” he added, turning to his wife, “you would like to stay alone, kitten?”

And changing his tactics at this unexpected opportunity that presented itself to his hopes, the young man sang the praises of Lagardy in the last number. It was really superb, sublime. Then Charles insisted⁠—

“You would get back on Sunday. Come, make up your mind. You are wrong if you feel that this is doing you the least good.”

The tables round them, however, were emptying; a waiter came and stood discreetly near them. Charles, who understood, took out his purse; the clerk held back his arm, and did not forget to leave two more pieces of silver that he made chink on the marble.

“I am really sorry,” said Bovary, “about the money which you are⁠—”

The other made a careless gesture full of cordiality, and taking his hat said⁠—

“It is settled, isn’t it? Tomorrow at six o’clock?”

Charles explained once more that he could not absent himself longer, but that nothing prevented Emma⁠—

“But,” she stammered, with a strange smile, “I am not sure⁠—”

“Well, you must think it over. We’ll see. Night brings counsel.” Then to Léon, who was walking along with them, “Now that you are in our part of the world, I hope you’ll come and ask us for some dinner now and then.”

The clerk declared he would not fail to do so, being obliged, moreover, to go to Yonville on some business for his office. And they parted before the Saint-Herbland Passage just as the clock in the cathedral struck half-past eleven.

Part III I

Monsieur Léon, while studying law, had gone pretty often to the dancing-rooms, where he was even a great success amongst the grisettes, who thought he had a distinguished air. He was the best-mannered of the students; he wore his hair neither too long nor too short, didn’t spend all his quarter’s money on the first day of the month, and kept on good terms with his professors. As for excesses, he had always abstained from them, as much from cowardice as from refinement.

Often when he stayed in his room to read, or else when sitting of an evening under the lime-trees of the Luxembourg, he let his Code fall to the ground, and the memory of Emma came back to