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crossed a line and it was a federal matter now. But Yaromir Popovā€™s murderā€”now that Lyndsey doubts it is connected to Kulakov and Nesterov, it doesnā€™t belong to FBI, does it? The weight of the evidence is that Eric Newman arranged it. She canā€™t go to FBI with that, not until she knows why.

ā€œIā€™m not sure what it means,ā€ Lyndsey says. That much felt fair to say. ā€œIā€™ll talk to Tony and find out if we sent Simon to Russia.ā€ What she doesnā€™t say, because she doesnā€™t need to, is that the case just got turned on its head.

Herbert waits a beat. ā€œLook, Lyndsey, Iā€™ll give you space to work this through, but are you sure this isnā€™t something I need to know? Itā€™ll only slow down the investigation if you donā€™t tell us everything.ā€

ā€œYou and I know this could have serious implications at the Agency. I donā€™t want to be wrong. I just need a little more time to be sure of what Iā€™m seeing.ā€

ā€œUh-huh.ā€

ā€œTwenty-four hours. Then Iā€™ll tell you everything I know.ā€

ā€œIā€™ll hold you to it.ā€ Herbert hangs up.

Alone, the realization hits Lyndsey like a baseball bat. She doesnā€™t have a doubt, not a whisper, not a glimmer. Eric Newman was behind Yaromir Popovā€™s death.

THIRTY-SEVEN

Thereā€™s a courtyard outside the Agency cafeteria. Itā€™s got a handful of tables, and benches under the scant trees. A huge sculpture stands in a corner, strips of metal with letters of the alphabet punched out in seemingly random placement, inviting further inspection. Itā€™s meant to represent cryptography, and those letters encase a hidden message.

Lyndsey sits on a bench staring at the statue. The sun is filtered by trees but still glints brightly off the metal, making her squint. She left her desk because she couldnā€™t risk running into Eric in her current frame of mind.

What game is he playing? No matter how she twists and turns the facts, she canā€™t think of one scenario that makes sense. Why would Eric Newman bring her in to solve the caseā€”or not solve the caseā€”if heā€™s the one who had Popov killed?

He says he is on her side.

She looks at the metal sculpture, but her gaze goes right through it. The letters are a tangle. Like everything else, it seems.

She goes back to her own puzzle, trying to lace the pieces together in a way that tells a logical story. Eric hired Simon to kill Popov. No one knows why Popov was rushing to Washington, but the circumstances imply he had something to tell CIA but didnā€™t trust Moscow Station. What did he know?

Thatā€™s where she comes up blank. He had something to tell her, according to Masha. Something he didnā€™t think he could share with Moscow Station. Which could mean he didnā€™t trust his handler, Tom Cassidy, or didnā€™t trust the entire station.

All she can do is think about Eric. Why this charade when Popov was killed, when he was behind it all along? It couldnā€™t have been sanctioned, then.

He authorized it on his own.

Sheā€™s afraid of the emotions running through her right now like a raging river. At CIA, youā€™re trained to be wary of emotions. Emotions cloud your judgment and trick your mind, leave you susceptible to manipulation and error. So right now, sheā€™s fighting with everything she has. She wants to go into Ericā€™s office and push him up against the wall and demand to know what heā€™s doing, damn the secrets within secrets, tell me. Whyā€”of all the assets available to him, all the deadbeats and liars and drunks whoā€™ve strung CIA along for yearsā€”he chose to sacrifice Yaromir Popov. But you donā€™t ask the fox to explain why he went into the henhouse when all the chickens are lying dead on the ground.

She feels eyes on her. Sheā€™s sure itā€™s paranoia, nothing more than an old friend who didnā€™t know she was back from Beirut, ready to walk over with a big ā€œhello.ā€ Lyndsey looks over her shoulder, expecting to find nothing there, no oneā€”but itā€™s Theresa. Lyndsey would recognize her trademark red lipstick anywhere.

Theresa is looking at her quizzically. They havenā€™t been seeing as much of each other in the office of late, not like at first. Lyndsey realizes, cynically, that was because Theresa was looking for information about the investigation, not out of real friendship. This realization comes with a sting.

Yet, their friendship felt real.

Donā€™t be a chump: itā€™s all smoke and mirrors. And has been since day one.

ā€”

Lyndsey suddenly remembers her first date with Davis. He brought her to Bourj Hammoud, the Armenian neighborhood in the city, for a dinner of sujuk shawarma. After dinner, they strolled back down Armenia Street and Davis told her stories from his various assignments, the safe stuff, no secrets, no names. The more she enjoyed herself, the more she worried because it couldnā€™t be. It wasnā€™t allowed. If she were smart, she would nip it in the bud, stop it before it began.

Davis picked up on her silence, and tucked her arm over his, drawing her close. ā€œI know what youā€™re thinkingā€”and donā€™t. Donā€™t listen to them. Donā€™t let them think for you, Lyndsey.ā€

ā€œBut, the rulesā€”ā€

ā€œFuck their rulesā€”no, really. If you follow their rules, youā€™re going to miss the important things. The things that are worth fighting for. You and I know weā€™re not doing anything wrong, so why should we give up the good thing we could have, just to obey some pointless rule? The thing is, they wouldnā€™t want you to, if they knew. They need rule breakers. You just need to know which rules to break.ā€

ā€”

Theresa is still waiting across the courtyard. Lyndsey has only a second to decide what to do. Sheā€™s angry with Theresa and more than a little waryā€”she probably put a man in the hospitalā€”but those dangerous emotions tell her to talk to her. Itā€™s not too late to save her. And Theresa has the answer. She knows whatā€™s really going on.

Yet, too, she knows what

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