The Enormous Room - E. E. Cummings (sci fi books to read .TXT) 📗

am sorry for you, but due to your friend you will be detained a little while.”

I asked: “Several weeks?”

“Possibly,” said Monsieur.

This concluded the trial.

Monsieur le Ministre conducted me into room number 1 again. “Since I have taken your cigarettes and shall keep them for you, I will give you some tobacco. Do you prefer English or French?”

Because the French (paquet bleu) are stronger and because he expected me to say English, I said “French.”

With a sorrowful expression Noyon went to a sort of bookcase and took down a blue packet. I think I asked for matches, or else he had given back the few which he found on my person.

Noyon, t-d and the grand criminal (alias I) now descended solemnly to the FIAT. The more and more mystified conducteur conveyed us a short distance to what was obviously a prison-yard. Monsieur le Ministre watched me descend my voluminous baggage.

This was carefully examined by Monsieur at the bureau, of the prison. Monsieur made me turn everything topsy-turvy and inside out. Monsieur expressed great surprise at a huge shell: where did I get it?⁠—I said a French soldier gave it to me as a souvenir.⁠—And several têtes d’obus?⁠—also souvenirs, I assured him merrily. Did Monsieur suppose I was caught in the act of blowing up the French Government, or what exactly?⁠—But here are a dozen sketchbooks, what is in them?⁠—Oh, Monsieur, you flatter me: drawings.⁠—Of fortifications? Hardly; of poilus, children, and other ruins.⁠—Ummmm. (Monsieur examined the drawings and found that I had spoken the truth.) Monsieur puts all these trifles into a small bag, with which I had been furnished (in addition to the huge duffle-bag) by the generous Red Cross. Labels them (in French): “Articles found in the baggage of Cummings and deemed inutile to the case at hand.” This leaves in the duffle-bag aforesaid: my fur coat, which I brought from New York; my bed and blankets and bedroll, my civilian clothes, and about twenty-five pounds of soiled linen. “You may take the bedroll and the folding bed into your cell”⁠—the rest of my affaires would remain in safe keeping at the bureau.

“Come with me,” grimly croaked a lank turnkey creature.

Bedroll and bed in hand, I came along.

We had but a short distance to go; several steps in fact. I remember we turned a corner and somehow got sight of a sort of square near the prison. A military band was executing itself to the stolid delight of some handfuls of ragged civiles. My new captor paused a moment; perhaps his patriotic soul was stirred. Then we traversed an alley with locked doors on both sides, and stopped in front of the last door on the right. A key opened it. The music could still be distinctly heard.

The opened door showed a room, about sixteen feet short and four feet narrow, with a heap of straw in the further end. My spirits had been steadily recovering from the banality of their examination; and it was with a genuine and never-to-be-forgotten thrill that I remarked, as I crossed what might have been the threshold: “Mais, on est bien ici.”

A hideous crash nipped the last word. I had supposed the whole prison to have been utterly destroyed by earthquake, but it was only my door closing.⁠ ⁠…

II En Route

I put the bedroll down. I stood up.

I was myself.

An uncontrollable joy gutted me after three months of humiliation, of being bossed and herded and bullied and insulted. I was myself and my own master.

In this delirium of relief (hardly noticing what I did) I inspected the pile of straw, decided against it, set up my bed, disposed the roll on it, and began to examine my cell.

I have mentioned the length and breadth. The cell was ridiculously high; perhaps ten feet. The end with the door in it was peculiar. The door was not placed in the middle of this end, but at one side, allowing for a huge iron can waist-high which stood in the other corner. Over the door and across the end, a grating extended. A slit of sky was always visible.

Whistling joyously to myself, I took three steps which brought me to the door-end. The door was massively made, all of iron or steel I should think. It delighted me. The can excited my curiosity. I looked over the edge of it. At the bottom reposefully lay a new human turd.

I have a sneaking mania for woodcuts, particularly when used to illustrate the indispensable psychological crisis of some outworn romance. There is in my possession at this minute a masterful depiction of a tall, bearded, horrified man who, clad in an anonymous rig of goat skins, with a fantastic umbrella clasped weakly in one huge paw, bends to examine an indication of humanity in the somewhat cubist wilderness whereof he had fancied himself the owner.⁠ ⁠…

It was then that I noticed the walls. Arm-high they were covered with designs, mottos, pictures. The drawing had all been done in pencil. I resolved to ask for a pencil at the first opportunity.

There had been Germans and Frenchmen imprisoned in this cell. On the right wall, near the door-end, was a long selection from Goethe, laboriously copied. Near the other end of this wall a satiric landscape took place. The technique of this landscape frightened me. There were houses, men, children. And there were trees. I began to wonder what a tree looks like, and laughed copiously.

The back wall had a large and exquisite portrait of a German officer.

The left wall was adorned with a yacht, flying a number 13. “My beloved boat” was inscribed in German underneath. Then came a bust of a German soldier, very idealized, full of unfear. After this, a masterful crudity⁠—a doughnut-bodied rider, sliding with fearful rapidity down the acute backbone of a totally transparent sausage-shaped horse, who was moving simultaneously in five directions.