Sartor Resartus - Thomas Carlyle (most interesting books to read txt) 📗
- Author: Thomas Carlyle
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Of good society Teufelsdröckh appears to have seen little, or has mostly forgotten what he saw. He speaks-out with a strange plainness; calls many things by their mere dictionary names. To him the Upholsterer is no Pontiff, neither is any Drawing-room a Temple, were it never so begilt and overhung: “a whole immensity of Brussels carpets, and pier-glasses, and ormolu,” as he himself expresses it, “cannot hide from me that such Drawing-room is simply a section of Infinite Space, where so many God-created Souls do for the time meet together.” To Teufelsdröckh the highest Duchess is respectable, is venerable; but nowise for her pearl bracelets and Malines laces: in his eyes, the star of a Lord is little less and little more than the broad button of Birmingham spelter in a Clown’s smock; “each is an implement,” he says, “in its kind; a tag for hooking-together; and, for the rest, was dug from the earth, and hammered on a smithy before smith’s fingers.” Thus does the Professor look in men’s faces with a strange impartiality, a strange scientific freedom; like a man unversed in the higher circles, like a man dropped thither from the Moon. Rightly considered, it is in this peculiarity, running through his whole system of thought, that all these shortcomings, over-shootings, and multiform perversities, take rise: if indeed they have not a second source, also natural enough, in his Transcendental Philosophies, and humour of looking at all Matter and Material things as Spirit; whereby truly his case were but the more hopeless, the more lamentable.
To the Thinkers of this nation, however, of which class it is firmly believed there are individuals yet extant, we can safely recommend the Work: nay, who knows but among the fashionable ranks too, if it be true, as Teufelsdröckh maintains, that “within the most starched cravat there passes a windpipe and weasand, and under the thickliest embroidered waistcoat beats a heart,”—the force of that rapt earnestness may be felt, and here and there an arrow of the soul pierce through? In our wild Seer, shaggy, unkempt, like a Baptist living on locusts and wild honey, there is an untutored energy, a silent, as it were unconscious, strength, which, except in the higher walks of Literature, must be rare. Many a deep glance, and often with unspeakable precision, has he cast into mysterious Nature, and the still more mysterious Life of Man. Wonderful it is with what cutting words, now and then, he severs asunder the confusion; shears down, were it furlongs deep, into the true centre of the matter; and there not only hits the nail on the head, but with crushing force smites it home, and buries it.—On the other hand, let us be free to admit, he is the most unequal writer breathing. Often after some such feat, he will play truant for long pages, and go dawdling and dreaming, and mumbling and maundering the merest commonplaces, as if he were asleep with eyes open, which indeed he is.
Of his boundless Learning, and how all reading and literature in most known tongues, from Sanchoniathon to Dr. Lingard, from your Oriental Shasters, and Talmuds, and Korans, with Cassini’s Siamese Tables, and Laplace’s Mécanique Céleste, down to Robinson Crusoe and the Belfast Town and Country Almanac, are familiar to him—we shall say nothing: for unexampled as it is with us, to the Germans such universality of study passes without wonder, as a thing commendable, indeed, but natural, indispensable, and there of course. A man that devotes his life to learning, shall he not be learned?
In respect of style our Author manifests the same genial capability, marred too often by the same rudeness, inequality, and apparent want of intercourse with the higher classes. Occasionally, as above hinted, we find consummate vigour, a true inspiration; his burning thoughts step forth in fit burning words, like so many full-formed Minervas, issuing amid flame and splendour from Jove’s head; a rich, idiomatic diction, picturesque allusions, fiery poetic emphasis, or quaint tricksy turns; all the graces and terrors of a wild Imagination, wedded to the clearest Intellect, alternate in beautiful vicissitude. Were it not that sheer sleeping and soporific passages; circumlocutions, repetitions, touches even of pure doting jargon, so often intervene! On the whole, Professor Teufelsdröckh is not a cultivated writer. Of his sentences perhaps not more than nine-tenths stand straight on their legs; the remainder are in quite angular attitudes, buttressed-up by props (of parentheses and dashes), and ever with this or the other tagrag hanging from them; a few even sprawl-out helplessly on all sides, quite broken-backed and dismembered. Nevertheless, in almost his very worst moods, there lies in him a singular attraction. A wild tone pervades the whole utterance of the man, like its keynote and regulator; now screwing itself aloft as into the Song of Spirits, or else the shrill mockery of Fiends; now sinking in cadences, not without melodious heartiness, though sometimes abrupt enough, into the common pitch, when we hear it only as a monotonous hum; of which hum the true character is extremely difficult to fix. Up to this hour we have never fully satisfied ourselves whether it is a tone and hum of real Humour, which we reckon among the very
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