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shot across the sky

But that meant that the voice on the tape . . .

Kendra continues; she doesnā€™t seem to notice Amberā€™s freeze-up. ā€œHer little cousin loved that nicknameā€”wouldnā€™t stop repeating it. We had so much fun in the nooks and crannies around here,ā€ she continues, wistful. ā€œUsed to play around in the dumbwaiter, occasionally get forced into babysitting.ā€

ā€œC-cousin?ā€ Amber stutters. She left behind extended family in Norton and a young daughter. This young daughter. The one they hadnā€™t been able to find any record of . . .

Kendra nods. ā€œQuiet little girl, but I donā€™t know who wouldnā€™t be a little . . . messed up after what happened to her parents. It was so sad. And Alex, tooā€”it couldnā€™t have been easy. But for Alex to . . .ā€ Her voice trails off; her face is drawn. She gives Jada and Amber a tight smile. ā€œThe important thing is that you girls be . . . good to each other, you know? Sometimes I think that if Alex had the support she needed . . .ā€ She doesnā€™t finish her thought. Jada gives her auntā€™s hand a squeeze, and Kendra shakes herself out of her thoughts. ā€œIā€™m sorryā€”Iā€™m sure no one wants to hear these things, especially on a day like today! The house is lovely, Amber. And it was so, so nice to meet you.ā€

Amber nods. She feels . . . numb.

But I donā€™t want to see it there;

So that star had to die.

Amber sees a flash of recognition in Jadaā€™s eyes. She gives Kendra a brief goodbye before pushing off through the crowdā€”she can discuss details with Jada later. Right now, she needs to find Rudy.

Shooting star. And a cousin who couldnā€™t stop repeating the words. Frank Glenarmā€™s surviving daughter had lived with Alex Grable. And Alex and her mother had died after moving into that little girlā€™s house.

Amberā€™s skin prickles. What if Alex hadnā€™t killed her mom? What if Alex hadnā€™t killed herself? What if that young cousin is still alive?

She needs to find Rudy.

Thereā€™s a shriek from the foyer. Amber had been distracted from her post; she hasnā€™t been watching the carpetingā€”and now there he is. Steve, standing on the hardwood, the end of the carpet in his hands. Yanking it up for all the world to see:

GET OUT OF MY HOUSE

Amber rushes toward him, but itā€™s too lateā€”about a hundred cell phones are pointed at the text, still all too visible, outlined on the floor. She can already feel her phone buzzing with notifications on their account . . .

Amber navigates the crowd, shoving aside gawkers and well-to-do families without notice or apology.

Steve locks gazes with her and stares her down. ā€œWhy would you vandalize your own house?ā€ he asks. ā€œNot popular enough on the internet already, huh? What really happened to Cecily? Why are you hidingā€”ā€

ā€œGet out of my house!ā€

Amber flinches at the fury in her dadā€™s voice. Heā€™s marching toward Steve, all the exhaustion and pain and stress of the last few weeks igniting, exploding into a shout that sounds more than a little unhinged. Steve jerks his gaze away from Amber and toward her father, staggering backward. He stumbles into the wall, knocking off one of the stock photos. It falls, hits the floor, cracksā€”and reveals the red, bloodlike smears beneath. All the cell phones photographing the house pivot to him, but Mr. Cole doesnā€™t notice. He hasnā€™t been trained like Amber and her siblings.

ā€œYou think you can come in here and trash my home?ā€ he yells, too loud, too angry, too unaware of exactly how terrified Steve has become.

ā€œDad,ā€ Amber starts, finally breaking through the crowdā€”but itā€™s like sheā€™s not even there. ā€œDad!ā€ Across the room, Officer Perry, too, is pushing toward the disturbance, eyes wide with what must be adrenaline.

ā€œRobert!ā€ Her mother is at his side now, gripping his bicep in a vice, tearing him off Steve and twisting him around so that he can see.

Everyone in the open house has their cameras out, broadcasting the Coles to the world. Amber doesnā€™t even bother asking them not to post it. She can already feel her phone vibrating; itā€™s too late. The video is already up. A livestream. And they have been tagged.

LIVE House Party Fight! THIS IS THE REAL COLE FAMILY.

CHAPTER 24

Rudy

The video looks as bad as it sounds. The first oneā€”the one that went viralā€”was shot from a strange angle, so that the viewer canā€™t see why Mr. Cole was suddenly shouting at Steve. All thatā€™s apparent is that one second Steve is saying something, and the next Mr. Cole is threatening him in front of the entire party.

Other videos, of course, show off the followerā€™s whole message on the floor.

The aftermath is one of sound: Rudy, Amber, and Cecily sit by the dumbwaiter and listen to Mrs. Coleā€™s footsteps as she paces around the kitchen, finally breaking to shout at their father in a fierce, desperate climax: ā€œYou ruin everything! This is all because of you!ā€

Rudy hears his momā€™s voice crack and then the muffled sounds of sobbing. Even after their motherā€™s breakdown has long faded into the sounds of cleaning up the open house, Amber still canā€™t stop crying. Cecily looks the way Rudy feels: numb.

A short while later, Mrs. Cole comes upstairs.

ā€œI need you and Amber to shoot a video with Dad,ā€ she says, her eyes on Rudy. ā€œAn apology video.ā€

So they set up the camera. While Rudy and Cecily position key lights and chairs in front of a sad beige wall, he listens to Amber trying to coach their father. ā€œListen, Dad, just say youā€™re sorry and try to sound . . . sound genuine, okay? Say what happened, and say youā€™re sorry that you scared Steve. Are you sure you donā€™t want a script?ā€

But their dad shakes his head.

They set him in the frame, seated between Rudy and Amber. Cecily presses Record.

Mr. Cole opens his mouth and closes it. Nothing comes out.

ā€œItā€™s okay, Dad,ā€ Amber says. ā€œWhenever youā€™re ready.ā€

But Dad isnā€™t ready. When he finally speaks, itā€™s stiff, canned. ā€œI want to

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