Short Fiction - Kate Chopin (animal farm read .txt) 📗

“Who has been in the room during my absence?” questioned Madame Valtour, with asperity. Viny abandoned herself to a moment’s reflection.

“Pa-Jeff comed in yere wid de mail⁠—” If she had said St. Peter came in with the mail, the fact would have had as little bearing on the case from Madame Valtour’s point of view.

Pa-Jeff’s uprightness and honesty were so long and firmly established as to have become proverbial on the plantation. He had not served the family faithfully since boyhood and been all through the war with “old Marse Valtour” to descend at his time of life to tampering with household bric-a-brac.

“Has anyone else been here?” Madame Valtour naturally inquired.

“On’y Agapie w’at brung you some Creole aiggs. I tole ’er to sot ’em down in de hall. I don’ know she comed in de settin’-room o’ not.”

Yes, there they were; eight, fresh “Creole eggs” reposing on the muslin in the sewing basket. Viny herself had been seated on the gallery brushing her mistress’ gowns during the hours of that lady’s absence, and could think of no one else having penetrated to the sitting-room.

Madame Valtour did not entertain the thought that Agapie had stolen the relic. Her worst fear was, that the girl, finding herself alone in the room, had handled the frail bit of porcelain and inadvertently broken it.

Agapie came often to the house to play with the children and amuse them⁠—she loved nothing better. Indeed, no other spot known to her on earth so closely embodied her confused idea of paradise, as this home with its atmosphere of love, comfort and good cheer. She was, herself, a cheery bit of humanity, overflowing with kind impulses and animal spirits.

Madame Valtour recalled the fact that Agapie had often admired this Dresden figure (but what had she not admired!); and she remembered having heard the girl’s assurance that if ever she became possessed of “fo’ bits” to spend as she liked, she would have someone buy her just such a china doll in town or in the city.

Before night, the fact that the Dresden lady had strayed from her proud eminence on the sitting-room mantel, became, through Viny’s indiscreet babbling, pretty well known on the place.

The following morning Madame Valtour crossed the field and went over to the Bedauts’ cabin. The cabins on the plantation were not grouped; but each stood isolated upon the section of land which its occupants cultivated. Pa-Jeff’s cabin was the only one near enough to the Bedauts to admit of neighborly intercourse.

Seraphine Bedaut was sitting on her small gallery, stringing red peppers, when Madame Valtour approached.

“I’m so distressed, Madame Bedaut,” began the planter’s wife, abruptly. But the ’Cadian woman arose politely and interrupted, offering her visitor a chair.

“Come in, set down, Ma’me Valtour.”

“No, no; it’s only for a moment. You know, Madame Bedaut, yesterday when I returned from making a visit, I found that an ornament was missing from my sitting-room mantelpiece. It’s a thing I prize very, very much⁠—” with sudden tears filling her eyes⁠—“and I would not willingly part with it for many times its value.” Seraphine Bedaut was listening, with her mouth partly open, looking, in truth, stupidly puzzled.

“No one entered the room during my absence,” continued Madame Valtour, “but Agapie.” Seraphine’s mouth snapped like a steel trap and her black eyes gleamed with a flash of anger.

“You wan’ say Agapie stole some’in’ in yo’ house!” she cried out in a shrill voice, tremulous from passion.

“No; oh no! I’m sure Agapie is an honest girl and we all love her; but you know how children are. It was a small Dresden figure. She may have handled and broken the thing and perhaps is afraid to say so. She may have thoughtlessly misplaced it; oh, I don’t know what! I want to ask if she saw it.”

“Come in; you got to come in, Ma’me Valtour,” stubbornly insisted Seraphine, leading the way into the cabin. “I sen’ ’er to de house yistiddy wid some Creole aiggs,” she went on in her rasping voice, “like I all time do, because you all say you can’t eat dem sto’ aiggs no mo’. Yere de basket w’at I sen’ ’em in,” reaching for an Indian basket which hung against the wall⁠—and which was partly filled with cotton seed.

“Oh, never mind,” interrupted Madame Valtour, now thoroughly distressed at witnessing the woman’s agitation.

“Ah, bien non. I got to show you, Agapie en’t no mo’ thief ’an yo’ own child’en is.” She led the way into the adjoining room of the hut.

“Yere all her things w’at she ’muse herse’f wid,” continued Seraphine, pointing to a soapbox which stood on the floor just beneath the open window. The box was filled with an indescribable assortment of odds and ends, mostly doll-rags. A catechism and a bluebacked speller poked dog-eared corners from out of the confusion; for the Valtour children were making heroic and patient efforts toward Agapie’s training.

Seraphine cast herself upon her knees before the box and dived her thin brown hands among its contents. “I wan’ show you; I goin’ show you,” she kept repeating excitedly. Madame Valtour was standing beside her.

Suddenly the woman drew forth from among the rags, the Dresden lady, as dapper, sound, and smiling as ever. Seraphine’s hand shook so violently that she was in danger of letting the image fall to the floor. Madame Valtour reached out and took it very quietly from her. Then Seraphine rose tremblingly to her feet and broke into a sob that was pitiful to hear.

Agapie was approaching the cabin. She was a chubby girl of twelve. She walked with bare, callous feet over the rough ground and bareheaded under the hot sun. Her thick, short, black hair covered her head like a mane. She had been dancing along the path, but slackened her pace upon catching sight of the two women who had returned to the gallery. But when she perceived that her mother was crying she darted impetuously forward. In an instant she