The Life of Buffalo Bill - William F. Cody (ebook reader that looks like a book txt) 📗

the wings, attempted to prompt me, but it did no good; for while I was on the stage I “chipped in” anything I thought of.

The Scouts of the Plains was an Indian drama, of course; and there were between forty and fifty “supers” dressed as Indians. In the fight with them, Jack and I were at home. We blazed away at each other with blank cartridges; and when the scene ended in a hand-to-hand encounter⁠—a general knockdown and drag-out⁠—the way Jack and I killed Indians was “a caution.” We would kill them all off in one act, but they would come up again ready for business in the next. Finally the curtain dropped; the play was ended; and I congratulated Jack and myself on having made such a brilliant and successful debut. There was no backing out after that.

The next morning there appeared in the Chicago papers some very funny criticisms on our first performance. The papers gave us a better send-off than I expected, for they did not criticise us as actors. The Chicago Times said that if Buntline had actually spent four hours in writing that play, it was difficult for anyone to see what he had been doing all the time. Buntline, as “Cale Durg,” was killed in the second act, after a long temperance speech; and the Inter-Ocean said that it was to be regretted that he had not been killed in the first act. The company, however, was very good, and Mdlle. Morlacchi, as “Pale Dove,” particularly fine; while Miss Cafarno “spouted” a poem of some seven hundred and three verses, more or less, of which the reader will be glad to know that I only recall the words “I was born in March.”

Our engagement proved a decided success financially, if not artistically. Nixon was greatly surprised at the result, and at the end of the week he induced Buntline to take him in as a partner in the company.

The next week we played at DeBar’s Opera House, in St. Louis, doing an immense business. The following week we were at Cincinnati, where the theater was so crowded every night that hundreds were unable to obtain admission. We met with equal success all over the country. Theatrical managers, upon hearing of this new and novel combination; which was drawing such tremendous houses, were all anxious to secure us; and we received offers of engagements at all the leading theaters. We played one week at the Boston Theater, and the gross receipts amounted to $16,200. We also appeared at Niblo’s Garden, New York, the theater being crowded to its utmost capacity every night of the engagement. At the Arch Street Theater, Philadelphia, it was the same way. There was not a single city where we did not have crowded houses.

We closed our tour on the 16th of June, 1873, at Port Jervis, New York, and when I counted up my share of the profits I found that I was only about $6,000 ahead. I was somewhat disappointed, for, judging from our large business, I certainly had expected a greater sum.

Texas Jack and myself longed for a hunt on the Western prairies once more; and on meeting in New York a party of gentlemen who were desirous of going with us, we all started Westward, and after a pleasant trip arrived at Fort McPherson.

XXIX Starring

Texas Jack and I spent several weeks in hunting in the western part of Nebraska, and at the end of our vacation we felt greatly reinvigorated and ready for another theatrical campaign. We accordingly proceeded to New York and organized a company for the season of 1873⁠–⁠74. Thinking that Wild Bill would be quite an acquisition to the troupe, we wrote to him at Springfield, Missouri, offering him a large salary if he would play with us that winter. He was doing nothing at the time, and we thought that he would like to take a trip through the States, as he had never been East.

Wild Bill accepted our offer, and came on to New York; though he told us from the start that we could never make an actor out of him. Although he had a fine stage appearance and was a handsome fellow, and possessed a good strong voice, yet when he went upon the stage before an audience, it was almost impossible for him to utter a word. He insisted that we were making a set of fools of ourselves, and that we were the laughingstock of the people. I replied that I did not care for that, as long as they came and bought tickets to see us.

Wild Bill was continually playing tricks upon the members of the company, and it was his especial delight to torment the “supers.” Quite frequently in our sham Indian battles he would run up to the “Indians” (the supers), and putting his pistol close to their legs, would fire at them and burn them with the powder, instead of shooting over their heads. This would make them dance and jump, so that it was difficult to make them fall and die⁠—although they were paid twenty-five cents each for performing the “dying business.” The poor “supers” often complained to me about this, and threatened not to go on the stage and be killed again if that man Wild Bill did not stop shooting and burning their legs. I would order Wild Bill to stop his mischief; he would laugh and then promise not to do it any more. But it would not be long before he was at his old tricks again.

My company, known as the “Buffalo Bill Combination,” did a fine business, all through the East. Wild Bill continued his pranks, which caused us considerable annoyance, but at the same time greatly amused us.

One day at Titusville, Pennsylvania, while Burke, the business agent, was registering our names and making arrangements for our accommodation, several of us started for the billiard room; but were met by the