The History of Mr. Polly - H. G. Wells (romantic novels in english TXT) 📗

“Want to speak to Parsons, Sir,” he said to Mr. Mansfield, and deserted his post hastily, dashed through the intervening departments and was in position behind a pile of Bolton sheeting as the governor came in out of the street.

“What on Earth do you think you are doing with that window, Parsons?” began Mr. Garvace.

Only the legs of Parsons and the lower part of his waistcoat and an intervening inch of shirt were visible. He was standing inside the window on the steps, hanging up the last strip of his background from the brass rail along the ceiling. Within, the Manchester shop window was cut off by a partition rather like the partition of an old-fashioned church pew from the general space of the shop. There was a panelled barrier, that is to say, with a little door like a pew door in it. Parsons’ face appeared, staring with round eyes at his employer.

Mr. Garvace had to repeat his question.

“Dressing it, Sir⁠—on new lines.”

“Come out of it,” said Mr. Garvace.

Parsons stared, and Mr. Garvace had to repeat his command.

Parsons, with a dazed expression, began to descend the steps slowly.

Mr. Garvace turned about. “Where’s Morrison? Morrison!”

Morrison appeared.

“Take this window over,” said Mr. Garvace pointing his bunch of fingers at Parsons. “Take all this muddle out and dress it properly.”

Morrison advanced and hesitated.

“I beg your pardon, Sir,” said Parsons with an immense politeness, “but this is my window.”

“Take it all out,” said Mr. Garvace, turning away.

Morrison advanced. Parsons shut the door with a click that arrested Mr. Garvace.

“Come out of that window,” he said. “You can’t dress it. If you want to play the fool with a window⁠—”

“This window’s All Right,” said the genius in window dressing, and there was a little pause.

“Open the door and go right in,” said Mr. Garvace to Morrison.

“You leave that door alone, Morrison,” said Parsons.

Polly was no longer even trying to hide behind the stack of Bolton sheetings. He realised he was in the presence of forces too stupendous to heed him.

“Get him out,” said Mr. Garvace.

Morrison seemed to be thinking out the ethics of his position. The idea of loyalty to his employer prevailed with him. He laid his hand on the door to open it; Parsons tried to disengage his hand. Mr. Garvace joined his effort to Morrison’s. Then the heart of Polly leapt and the world blazed up to wonder and splendour. Parsons disappeared behind the partition for a moment and reappeared instantly, gripping a thin cylinder of rolled huckaback. With this he smote at Morrison’s head. Morrison’s head ducked under the resounding impact, but he clung on and so did Mr. Garvace. The door came open, and then Mr. Garvace was staggering back, hand to head; his autocratic, his sacred baldness, smitten. Parsons was beyond all control⁠—a strangeness, a marvel. Heaven knows how the artistic struggle had strained that richly endowed temperament. “Say I can’t dress a window, you thundering old Humbug,” he said, and hurled the huckaback at his master. He followed this up by hurling first a blanket, then an armful of silesia, then a window support out of the window into the shop. It leapt into Polly’s mind that Parsons hated his own effort and was glad to demolish it. For a crowded second Polly’s mind was concentrated upon Parsons, infuriated, active, like a figure of earthquake with its coat off, shying things headlong.

Then he perceived the back of Mr. Garvace and heard his gubernatorial voice crying to no one in particular and everybody in general: “Get him out of the window. He’s mad. He’s dangerous. Get him out of the window.”

Then a crimson blanket was for a moment over the head of Mr. Garvace, and his voice, muffled for an instant, broke out into unwonted expletive.

Then people had arrived from all parts of the Bazaar. Luck, the ledger clerk, blundered against Polly and said, “Help him!” Somerville from the silks vaulted the counter, and seized a chair by the back. Polly lost his head. He clawed at the Bolton sheeting before him, and if he could have detached a piece he would certainly have hit somebody with it. As it was he simply upset the pile. It fell away from Polly, and he had an impression of somebody squeaking as it went down. It was the sort of impression one disregards. The collapse of the pile of goods just sufficed to end his subconscious efforts to get something to hit somebody with, and his whole attention focussed itself upon the struggle in the window. For a splendid instant Parsons towered up over the active backs that clustered about the shop window door, an active whirl of gesture, tearing things down and throwing them, and then he went under. There was an instant’s furious struggle, a crash, a second crash and the crack of broken plate glass. Then a stillness and heavy breathing.

Parsons was overpowered.⁠ ⁠…

Polly, stepping over scattered pieces of Bolton sheeting, saw his transfigured friend with a dark cut, that was not at present bleeding, on the forehead, one arm held by Somerville and the other by Morrison.

“You⁠—you⁠—you⁠—you annoyed me,” said Parsons, sobbing for breath.

There are events that detach themselves from the general stream of occurrences and seem to partake of the nature of revelations. Such was this Parsons affair. It began by seeming grotesque; it ended disconcertingly. The fabric of Mr. Polly’s daily life was torn, and beneath it he discovered depths and terrors.

Life was not altogether a lark.

The calling in of a policeman seemed at the moment a pantomime touch. But when it became manifest that Mr. Garvace was in a fury of vindictiveness, the affair took on a different complexion. The way in which the policeman made a note of everything and aspirated nothing impressed the sensitive mind of Polly profoundly. Polly presently found himself straightening up ties to the refrain of “ ’E then ’it you on the ’ed and⁠—”

In the dormitory that night Parsons had become heroic. He sat on the edge of the bed with his head bandaged, packing very slowly and