Short Fiction - Kate Chopin (animal farm read .txt) 📗

proposal, which she had promptly declined, and at the age of fifty she had not yet lived to regret it.

So she was quite alone in the world, except for her dog Ponto, and the negroes who lived in her cabins and worked her crops, and the fowls, a few cows, a couple of mules, her gun (with which she shot chicken-hawks), and her religion.

One morning Mamzelle Aurélie stood upon her gallery, contemplating, with arms akimbo, a small band of very small children who, to all intents and purposes, might have fallen from the clouds, so unexpected and bewildering was their coming, and so unwelcome. They were the children of her nearest neighbor, Odile, who was not such a near neighbor, after all.

The young woman had appeared but five minutes before, accompanied by these four children. In her arms she carried little Elodie; she dragged Ti Nomme by an unwilling hand; while Marcéline and Marcélette followed with irresolute steps.

Her face was red and disfigured from tears and excitement. She had been summoned to a neighboring parish by the dangerous illness of her mother; her husband was away in Texas⁠—it seemed to her a million miles away; and Valsin was waiting with the mule-cart to drive her to the station.

“It’s no question, Mamzelle Aurélie; you jus’ got to keep those youngsters fo’ me tell I come back. Dieu sait, I would n’ botha you with ’em if it was any otha way to do! Make ’em mine you, Mamzelle Aurélie; don’ spare ’em. Me, there, I’m half crazy between the chirren, an’ Léon not home, an’ maybe not even to fine po’ maman alive encore!”⁠—a harrowing possibility which drove Odile to take a final hasty and convulsive leave of her disconsolate family.

She left them crowded into the narrow strip of shade on the porch of the long, low house; the white sunlight was beating in on the white old boards; some chickens were scratching in the grass at the foot of the steps, and one had boldly mounted, and was stepping heavily, solemnly, and aimlessly across the gallery. There was a pleasant odor of pinks in the air, and the sound of negroes’ laughter was coming across the flowering cotton-field.

Mamzelle Aurélie stood contemplating the children. She looked with a critical eye upon Marcéline, who had been left staggering beneath the weight of the chubby Elodie. She surveyed with the same calculating air Marcélette mingling her silent tears with the audible grief and rebellion of Ti Nomme. During those few contemplative moments she was collecting herself, determining upon a line of action which should be identical with a line of duty. She began by feeding them.

If Mamzelle Aurélie’s responsibilities might have begun and ended there, they could easily have been dismissed; for her larder was amply provided against an emergency of this nature. But little children are not little pigs; they require and demand attentions which were wholly unexpected by Mamzelle Aurélie, and which she was ill prepared to give.

She was, indeed, very inapt in her management of Odile’s children during the first few days. How could she know that Marcélette always wept when spoken to in a loud and commanding tone of voice? It was a peculiarity of Marcélette’s. She became acquainted with Ti Nomme’s passion for flowers only when he had plucked all the choicest gardenias and pinks for the apparent purpose of critically studying their botanical construction.

“ ’Tain’t enough to tell ’im, Mamzelle Aurélie,” Marcéline instructed her; “you got to tie ’im in a chair. It’s w’at maman all time do w’en he’s bad: she tie ’im in a chair.” The chair in which Mamzelle Aurélie tied Ti Nomme was roomy and comfortable, and he seized the opportunity to take a nap in it, the afternoon being warm.

At night, when she ordered them one and all to bed as she would have shooed the chickens into the henhouse, they stayed uncomprehending before her. What about the little white nightgowns that had to be taken from the pillow-slip in which they were brought over, and shaken by some strong hand till they snapped like ox-whips? What about the tub of water which had to be brought and set in the middle of the floor, in which the little tired, dusty, sunbrowned feet had everyone to be washed sweet and clean? And it made Marcéline and Marcélette laugh merrily⁠—the idea that Mamzelle Aurélie should for a moment have believed that Ti Nomme could fall asleep without being told the story of “Croque-mitaine” or “Loup-garou” or both; or that Elodie could fall asleep at all without being rocked and sung to.

“I tell you, Aunt Ruby,” Mamzelle Aurélie informed her cook in confidence; “me, I’d rather manage a dozen plantation’ than fo’ chil’ren. It’s terrassent! Bonté! Don’t talk to me about chil’ren!”

“ ’Tain’ ispected sich as you would know airy thing ’bout ’em, Mamzelle Aurélie. I see dat plainly yistiddy w’en I spy dat li’le chile playin’ wid yo’ baskit o’ keys. You don’ know dat makes chillun grow up hardheaded, to play wid keys? Des like it make ’em teeth hard to look in a lookin’-glass. Them’s the things you got to know in the raisin’ an’ manigement o’ chillun.”

Mamzelle Aurélie certainly did not pretend or aspire to such subtle and far-reaching knowledge on the subject as Aunt Ruby possessed, who had “raised five an’ bared (buried) six” in her day. She was glad enough to learn a few little mother-tricks to serve the moment’s need.

Ti Nomme’s sticky fingers compelled her to unearth white aprons that she had not worn for years, and she had to accustom herself to his moist kisses⁠—the expressions of an affectionate and exuberant nature. She got down her sewing-basket, which she seldom used, from the top shelf of the armoire, and placed it within the ready and easy reach which torn slips and buttonless waists demanded. It took her some days to