Someone Comes to Town, Someone Leaves Town - Cory Doctorow (best classic books to read .txt) 📗

I made the old TV work. I don't think I knew how any of it really worked -- couldn't tell you a thing about, you know, electrical engineering, but I just got a sense of how it was supposed to go together.

Auntie didn't let me out of the apartment after five. I could watch the kids go by from the window -- skinny Hasids with side-curls and Filipinos with pretty ribbons and teenagers who smoked, but I couldn't go to them. I watched Sesame Street and Mr. Dressup and I began to soak up English. I began to soak up the idea of playing with other kids.

I began to soak up the fact that none of the kids on the TV had wings.

Auntie left me alone in the afternoons while she went out shopping and banking and whatever else it was she did, and it was during those times that I could get myself into her bedroom and go rooting around her things.

She had a lot of mysterious beige foundation garments that were utterly inexplicable, and a little box of jewelry that I liked to taste, because the real gold tasted really rich when I sucked on it, and a stack of old cigarette tins full of frayed photos.

The pictures were stiff and mysterious. Faces loomed out of featureless black backgrounds: pop-eyed, jug-eared Russian farm boys, awkward farm girls with process waves in their hair, everyone looking like they'd been stuffed and mounted. I guess they were her relatives, because if you squinted at them and cocked your head, you could kind of see her features in theirs, but not saggy and wrinkled and three-chinned, but young and tight and almost glowing. They all had big shoulders and clothing that looked like the kind of thing the Hasids wore, black and sober.

The faces were interesting, especially after I figured out that one of them might belong to Auntie, but it was the blackness around them that fascinated me. The boys had black suits and the girls wore black dresses, and behind them was creased blackness, complete darkness, as though they'd put their heads through a black curtain.

But the more I stared at the blackness, the more detail I picked out. I noticed the edge of a curtain, a fold, in one photo, and when I looked for it, I could just pick it out in the other photos. Eventually, I hit on the idea of using a water glass as a magnifying lens, and as I experimented with different levels of water, more detail leapt out of the old pictures.

The curtains hanging behind them were dusty and wrinkled. They looked like they were made of crushed velvet, like the Niagara Falls souvenir pillow on Auntie's armchair in the living room, which had whorls of paisley trimmed into them. I traced these whorls with my eye, and tried to reproduce them with a ballpoint on paper bags I found under the sink.

And then, in one of the photos, I noticed that the patterns disappeared behind and above the shoulders. I experimented with different water levels in my glass to bring up the magnification, and I diligently sketched. I'd seen a Polka Dot Door episode where the hosts showed how you could draw a grid over an original image and a matching grid on a sheet of blank paper and then copy over every square, reproducing the image in manageable, bite-sized chunks.

That's what I did, using the edge of a nail file for a ruler, drawing my grid carefully on the paper bag, and a matching one on the picture, using the blunt tip of a dead pen to make a grid of indentations in the surface of the photo.

And I sketched it out, one square at a time. Where the pattern was, where it wasn't. What shapes the negative absence-of-pattern took in the photos. As I drew, day after day, I realized that I was drawing the shape of something black that was blocking the curtain behind.

Then I got excited. I drew in my steadiest hand, tracing each curve, using my magnifier, until I had the shape drawn and defined, and long before I finished, I knew what I was drawing and I drew it anyway. I drew it and then I looked at my paper sack and I saw that what I had drawn was a pair of wings, black and powerful, spread out and stretching out of the shot.

She curled the prehensile tips of her wings up the soles of his feet, making him go, Yeek! and jump in the bed.

"Are you awake?" she said, twisting her head around to brush her lips over his.

"Rapt," he said.

She giggled and her tits bounced.

"Good," she said. "'Cause this is the important part."

Auntie came home early that day and found me sitting at her vanity, with the photos and the water glass and the drawings on the paper sacks spread out before me.

Our eyes met for a moment. Her pupils shrank down to tiny dots, I remember it, remember seeing them vanish, leaving behind rings of yellowed hazel. One of her hands lashed out in a claw and sank into my hair. She lifted me out of the chair by my hair before I'd even had a chance to cry out, almost before I'd registered the fact that she was hurting me -- she'd never so much as spanked me until then.

She was strong, in that slow old Russian lady way, strong enough to grunt ten sacks of groceries in a bundle-buggy up the stairs to the apartment. When she picked me up and tossed me, it was like being fired out of a cannon. I rebounded off the framed motel-room art over the bed, shattering the glass, and bounced twice on the mattress before coming to rest on the floor. My arm was hanging at a funny angle, and when I tried to move it, it hurt so much that I heard a high sound in my ears like a dog whistle.

I lay still as the old lady yanked the drawers out of her vanity and upended them on the floor until she found an old book of matches. She swept the photos and my sketches into the tin wastebasket and then lit a match with trembling hands and dropped it in. It went out. She repeated it, and on the fourth try she got the idea of using the match to light all the remaining matches in the folder and drop that into the bin. A moment later, it was burning cheerfully, spitting curling red embers into the air on clouds of dark smoke. I buried my face in the matted carpet and tried not to hear that high note, tried to will away the sick grating feeling in my upper arm.

She was wreathed in smoke, choking, when she finally turned to me. For a moment, I refused to meet her eye, sure that she would kill me if I did, would see the guilt and the knowledge in my face and keep her secret with murder. I'd watched enough daytime television to know about dark secrets.

But when she bent down to me, with the creak of stretching elastic, and she lifted me to my feet and bent to look me in the eye, she had tears in her eyes.

She went to the pile of oddments and junk jewelry that she had dumped out on the floor and sorted through it until she found a pair of sewing shears, then she cut away my T-shirt, supporting my broken arm with her hand. My wings were flapping nervously beneath the fabric, and it got tangled, and she took firm hold of the wingtips and folded them down to my back and freed the shirt and tossed it in the pile of junk on her normally spotless floor.

She had spoken to me less and less since I had fixed the television and begun to pick up English, and now she was wordless as she gently rotated my fingerbones and my wristbones, my elbow and my shoulder, minute movements, listening for my teakettle hiss when she hit the sore spots.

"Is broken," she said. "Cholera," she said. "I am so sorry, lovenu," she said.

"I've never been to the doctor's," she said. "Never had a pap smear or been felt for lumps. Never, ever had an X-ray. Feel this," she said, and put her upper arm before his face. He took it and ran his fingertips over it, finding a hard bump halfway along, opposite her fleshy bicep.

"What's this?" he said.

"It's how a bone sets if you have a bad break and don't get a cast. Crooked."

"Jesus," he said, giving it another squeeze. Now that he knew what it was, he thought -- or perhaps fancied -- that he could feel how the unevenly splintered pieces of bone mated together, met at a slight angle and fused together by the knitting process.

"She made me a sling, and she fed me every meal and brushed my teeth. I had to stop her from following me into the toilet to wipe me up. And I didn't care: She could have broken both of my arms if she'd only explained the photos to me, or left them with me so that I could go on investigating them, but she did neither. She hardly spoke a word to me."

She resettled herself against the pillows, then pulled him back against her again and plumped his head against her breasts.

"Are you falling in love with me?" she said.

He startled. The way she said it, she didn't sound like a young adult, she sounded like a small child.

"Mimi --" he began, then stopped himself. "I don't think so. I mean, I like you --"

"Good," she said. "No falling in love, all right?"

Auntie died six months later. She keeled over on the staircase on her way up to the apartment, and I heard her moaning and thrashing out there. I hauled her up the stairs with my good arm, and she crawled along on her knees, making gargling noises.

I got her laid out on the rug in the living room. I tried to get her up on the sofa, but I couldn't budge her. So I gave her pillows from the sofa and water and then I tried tea, but she couldn't take it. She threw up once, and I soaked it up with a tea towel that had fussy roses on it.

She took my hand and her grip was weak, her strong hands suddenly thin and shaky.

It took an hour for her to die.

When she died, she made a rasping, rattling sound and then she shat herself. I could smell it.

It was all I could smell, as I sat there in the little apartment, six years old, hot as hell outside and stuffy inside. I opened the windows and watched the Hasids walk past. I felt like I should do something for the old lady, but I didn't know what.

I formulated a plan. I would go outside and bring in some grown-up to take care of the old lady. I would do the grocery shopping and eat sandwiches until I was twelve, at which point I would be grown up and I would get a job fixing televisions.

I marched into my room and changed into my best clothes, the little Alice-blue dress I wore to dinner on Sundays, and I brushed my hair and put on my socks with the blue pom-poms at the ankles, and found my shoes in the hall closet. But it had been three years since I'd last worn the shoes, and I could barely fit three