A Critical History of Greek Philosophy - W. T. Stace (ebook reader below 3000 txt) 📗

habits of some obscure animal might be. That alone which should be pursued is the knowledge of the Idea. And he went so far as to deny that knowledge of the sense-world could properly be described as knowledge at all. But the habits of animals appeared to Aristotle a matter worthy of investigation for its own sake. Francis Bacon in his "Novum Organum" has many contemptuous references to Aristotle. And the gist of them all is that Aristotle had no regard for facts, but theorized a priori out of his head, and that instead of patiently investigating the facts of nature, he decided, upon so-called "rational" grounds, what nature ought to do, and squared the facts with his theories.

It was natural for Bacon to be unjust to him. He, with the other thinkers of his time, was engaged upon an uphill fight against scholasticism, then dominant, which claimed to represent the true teaching of Aristotle. And it was true that the schoolmen theorized a priori, {258} and ignored facts, or, what was worse, appealed to the writings of Aristotle to decide questions of fact which should have been decided by an appeal to nature. And Bacon not unnaturally confounded Aristotle with these modern Aristotelians, and attributed to him the faults that were really theirs. But no man was ever keener on facts than Aristotle as is proved by his treatises upon animals, which contain evidences of astonishing patience and laborious work in the collection of facts. It is true, however, that even in the domain of facts, Aristotle, like all the ancients, was guilty of introducing a priori reasonings when they were quite out of place. Thus he does not scruple to argue that the stars must move in circles because the circle is the perfect figure. And numerous similar instances could be quoted. But it was inevitable that, with science in its swaddling clothes, without the aid of any instruments, or of any body of previously ascertained truths, Aristotle should fall into these snares. He well understood the fundamental necessity of all natural sciences for a laborious investigation of facts, but, when this was impossible, he used the only means in his power, his reason.

Secondly, in spite of Plato's rationalism, he had allowed to myths and poetry a large share in the development of his thoughts, and had even exhibited a distinct tendency towards mysticism. Here again what Aristotle wanted was definite knowledge. It pained him to see poetic metaphors substituted for rational explanation. And this accounts for the third main difference between Plato and Aristotle, the marked contrast in their prose styles. Plato was a master-artist in words. Aristotle cared nothing for the ornaments and beauties of style. {259} He harshly excludes them from his work. What alone he is intent upon is the meaning, the truth that the words express. He is too much in earnest with philosophy to lose himself in a haze of beautiful words, or to be put off with metaphors instead of reasons. His style is even harsh, abrupt, and ugly. But what it loses in beauty it gains in clearness of conception. For every thought or shade of thought which it is desired to express there is an accurate term. If no term in common use will express the thought, Aristotle coins one. Hence he is one of the greatest terminologists that ever lived. He adapted or invented an enormous number of terms. He may be not unjustly regarded as the founder of philosophical language, as the inventor of a vocabulary of technical terms. Many of the terms used to this day to express man's most abstract thoughts, were invented or introduced by Aristotle. It must not be supposed that Aristotle wrote in a rigidly scientific style because he had no aesthetic sense. The very contrary is the case. His treatise on art shows him by far the best critic of the ancient world, and in his appreciation and estimation of the beautiful he far excels Plato. But he saw that art and science have each their own sphere, and that it is fatal to confuse the two. Nothing is so damaging to art as to be made the mere vehicle of reasoning. Nothing is so damaging to philosophy as to allow itself to be governed by poetry. If we want beauty, we must follow the path of art. But if we desire truth, we must stick close to reason.

Aristotle's system falls most easily into the fivefold division of logic, metaphysics, physics, ethics, and aesthetics.

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2. Logic.

Not much need be said under this head, because whoever knows the common logic of the text-books knows the logic of Aristotle. Of the two branches of reasoning, deductive and inductive, Aristotle clearly recognizes the latter. And many of his observations upon induction are acute and penetrating. But he has not reduced induction to a science. He has not laid bare the fundamental canons of inductive thought. This was a work not performed until comparatively modern times. His name therefore is more especially associated with deductive logic, of which he was the founder. He not only founded the science, but practically completed it. What we now know as "formal logic," what is to this day contained in all text-books, taught in all schools and universities, is, in all its essentials, nothing more than the logic of Aristotle. His writings upon the subject include the treatment of the well-known laws of thought, the doctrine of the ten categories, the five predicables, the doctrines of terms, of propositions, of syllogisms, and of the reduction of the other figures to the first figure of the syllogism. And these heads might well form the list of contents of a modern work on formal logic. In only two respects has any advance been made upon Aristotle by subsequent logicians. The fourth figure of the syllogism is not recognized by Aristotle; and he dealt only with categorical syllogisms, and does not treat conditional syllogisms. But whether or not the fourth figure of the syllogism has any value is still a matter open to dispute. And though the doctrine of conditional syllogisms is important, it is not essential, because all conditional syllogisms can be reduced to categorical {261} syllogisms. The categorical syllogism is the fundamental type of reasoning, to which every other form of deduction can be reduced. As for the rest of the huge treatises on formal logic which some moderns have produced, the supposed additions are nothing but wearisome, endless, useless, nauseating, academic distinctions and refinements, which are much better forgotten than remembered. Aristotle's logic contains therefore all that is essential to the subject. The only ground on which it can be attacked is its wholly empirical procedure. But that is another story. As a collection, arrangement, and analysis of the facts of reason, it is to all intents and purposes finality achieved at one stroke.

3. Metaphysics.

The treatise now known as the "Metaphysics" of Aristotle did not originally bear that name. Aristotle's name for this subject is "first philosophy," by which he means the knowledge of the first, highest, or most general principles of the universe. All other branches of knowledge are subordinate to this science, not because they are inferior in value, but because they are lower in logical sequence as dealing with principles less universal in their scope. Thus all the special sciences deal with one or another particular sphere of being, but the "first philosophy" has for its subject being as such, "being so far forth as it is being." It studies, not the characteristics of this or that kind of being, but the principles which are equally true of all being. The laws of Zoology apply only to animals, but the principles of the "first philosophy" apply to everything. The name "metaphysics" came into use only half a century B.C., when {262} Andronicus published a complete edition of Aristotle's known works. In this edition the treatise on "first philosophy" was placed after the "physics," and "metaphysics" signifies simply "after physics." The derivation of the word thus appears to be merely accidental and adventitious. Whether it was also in any way intended to signify that the subject is "beyond physics," that is, deals with what transcends physical existence, seems doubtful.

Aristotle's metaphysical theory grows naturally out of his polemic against Plato's theory of Ideas, because his own system was in effect simply an attempt to overcome the defects which he found in Plato. The main heads of this polemic are the following:--

(1) Plato's Ideas do not explain the existence of things. To explain why the world is here is after all the main problem of philosophy, and Plato's theory fails to do this. Even admitting that, say, the Idea of whiteness exists, we cannot see how it produces white objects.

(2) Plato has not explained the relation of Ideas to things. Things, we are told, are "copies" of Ideas, and "participate" in them. But how are we to understand this "participation"? In using such phrases, says Aristotle, Plato is giving no real account of the relationship, but is merely "uttering poetic metaphors."

(3) Even if the existence of things is explained by the Ideas, their motion is not. Suppose that the Idea of whiteness produces white things, the Idea of beauty beautiful things, and so on, yet, since the Ideas themselves are immutable and motionless, so will be the world which is their copy. Thus the universe would be {263} absolutely static, like Coleridge's "painted ship upon a painted ocean." But the world, on the contrary, is a world of change, motion, life, becoming. Plato makes no attempt to explain the unceasing becoming of things. Even if the Idea of whiteness explains white objects, yet why do these objects arise, develop, decay, and cease to exist? To explain this there must be some principle of motion in the Ideas themselves. But there is not. They are immovable and lifeless.

(4) The world consists of a multitude of things, and it is the business of philosophy to explain why they exist. By way of explanation Plato merely assumes the existence of another multitude of things, the Ideas. But the only effect of this is to double the number of things to be explained. How does it help thus to duplicate everything? And Aristotle likens Plato to a man who, being unable to count with a small number, fancies that, if he doubles the number, he will find it easier to count.

(5) The Ideas are supposed to be non-sensuous, but they are, in fact, sensuous. Plato thought that a non-sensuous principle must be sought in order to explain the world of sense. But not being able to find any such principle, he merely took the objects of sense over again and called them non-sensuous. But there is, in fact, no difference between the horse and the Idea of the horse, between the man and the Idea of the man, except a useless and meaningless "in-itself" or "in-general" attached to each object of sense to make it appear something different. The Ideas are nothing but hypostatized things of sense, and Aristotle likens them to the anthropomorphic gods of the popular religion. "As {264} these," he says, "are nothing but deified men, so the Ideas are nothing but eternalized things of nature." Things are said to be copies of Ideas, but in fact the Ideas are only copies of things.

(6) Next comes the argument of the "third man," so called by Aristotle from the illustration by which he explained it. Ideas are assumed in order to explain what is common to many objects. Wherever there is a common element there must be an Idea. Thus there is a common element in all men, and therefore there is an Idea of man. But there is also an element common to the individual man and to the Idea of man. There must, therefore, be a further Idea, the "third man," to explain this. And between this further Idea and the