The Sense of Beauty - George Santayana (best short books to read .txt) 📗

If we attempt to remove from life all its evils, as the popular imagination has done at times, we shall find little but aesthetic pleasures remaining to constitute unalloyed happiness. The satisfaction of the passions and the appetites, in which we chiefly place earthly happiness, themselves take on an aesthetic tinge when we remove ideally the possibility of loss or variation. What could the Olympians honour in one another or the seraphim worship in God except the embodiment of eternal attributes, of essences which, like beauty, make us happy only in contemplation? The glory of heaven could not be otherwise symbolized than by light and music. Even the knowledge of truth, which the most sober theologians made the essence of the beatific vision, is an aesthetic delight; for when the truth has no further practical utility, it becomes a landscape. The delight of it is imaginative and the value of it aesthetic.

This reduction of all values to immediate appreciations, to sensuous or vital activities, is so inevitable that it has struck even the minds most courageously rationalistic. Only for them, instead of leading to the liberation of aesthetic goods from practical entanglements and their establishment as the only pure and positive values in life, this analysis has led rather to the denial of all pure and positive goods altogether. Such thinkers naturally assume that moral values are intrinsic and supreme; and since these moral values would not arise but for the existence or imminence of physical evils, they embrace the paradox that without evil no good whatever is conceivable.

The harsh requirements of apologetics have no doubt helped them to this position, from which one breath of spring or the sight of one well-begotten creature should be enough to dislodge them. Their ethical temper and the fetters of their imagination forbid them to reconsider their original assumption and to conceive that morality is a means and not an end; that it is the price of human non-adaptation, and the consequence of the original sin of unfitness. It is the compression of human conduct within the narrow limits of the safe and possible. Remove danger, remove pain, remove the occasion of pity, and the need of morality is gone. To say "thou shalt not" would then be an impertinence.

But this elimination of precept would not be a cessation of life. The senses would still be open, the instincts would still operate, and lead all creatures to the haunts and occupations that befitted them. The variety of nature and the infinity of art, with the companionship of our fellows, would fill the leisure of that ideal existence. These are the elements of our positive happiness, the things which, amid a thousand vexations and vanities, make the clear profit of living.

Aesthetic consecration of general principles.

§ 6. Not only are the various satisfactions which morals are meant to secure aesthetic in the last analysis, but when the conscience is formed, and right principles acquire an immediate authority, our attitude to these principles becomes aesthetic also. Honour, truthfulness, and cleanliness are obvious examples. When the absence of these virtues causes an instinctive disgust, as it does in well-bred people, the reaction is essentially aesthetic, because it is not based on reflection and benevolence, but on constitutional sensitiveness. This aesthetic sensitiveness is, however, properly enough called moral, because it is the effect of conscientious training and is more powerful for good in society than laborious virtue, because it is much more constant and catching. It is καλοκάγαθία, the aesthetic demand for the morally good, and perhaps the finest flower of human nature.

But this tendency of representative principles to become independent powers and acquire intrinsic value is sometimes mischievous. It is the foundation of the conflicts between sentiment and justice, between intuitive and utilitarian morals. Every human reform is the reassertion of the primary interests of man against the authority of general principles which have ceased to represent those interests fairly, but which still obtain the idolatrous veneration of mankind. Nor are chivalry and religion alone liable to fall into this moral superstition. It arises wherever an abstract good is substituted for its concrete equivalent. The miser's fallacy is the typical case, and something very like it is the ethical principle of half our respectable population. To the exercise of certain useful habits men come to sacrifice the advantage which was the original basis and justification of those habits. Minute knowledge is pursued at the expense of largeness of mind, and riches at the expense of comfort and freedom.

This error is all the more specious when the derived aim has in itself some aesthetic charm, such as belongs to the Stoic idea of playing one's part in a vast drama of things, irrespective of any advantage thereby accruing to any one; somewhat as the miser's passion is rendered a little normal when his eye is fascinated not merely by the figures of a bank account, but by the glitter of the yellow gold. And the vanity of playing a tragic part and the glory of conscious self-sacrifice have the same immediate fascination. Many irrational maxims thus acquire a kind of nobility. An object is chosen as the highest good which has not only a certain representative value, but also an intrinsic one, — which is not merely a method for the realization of other values, but a value in its own realization.

Obedience to God is for the Christian, as conformity to the laws of nature or reason is for the Stoic, an attitude which has a certain emotional and passionate worth, apart from its original justification by maxims of utility. This emotional and passionate force is the essence of fanaticism, it makes imperatives categorical, and gives them absolute sway over the conscience in spite of their one-sidedness and their injustice to the manifold demands of human nature.

Obedience to God or reason can originally recommend itself to a man only as the surest and ultimately least painful way of balancing his aims and synthesizing his desires. So necessary is this sanction even to the most impetuous natures, that no martyr would go to the stake if he did not believe that the powers of nature, in the day of judgment, would be on his side. But the human mind is a turbulent commonwealth, and the laws that make for the greatest good cannot be established in it without some partial sacrifice, without the suppression of many particular impulses. Hence the voice of reason or the command of God, which makes for the maximum ultimate satisfaction, finds itself opposed by sundry scattered and refractory forces, which are henceforth denominated bad. The unreflective conscience, forgetting the vicarious source of its own excellence, then assumes a solemn and incomprehensible immediacy, as if its decrees were absolute and intrinsically authoritative, not of to-day or yesterday, and no one could tell whence they had arisen. Instinct can all the more easily produce this mystification when it calls forth an imaginative activity full of interest and eager passion. This effect is conspicuous in the absolutist conscience, both devotional and rationalistic, as also in the passion of love. For in all these a certain individuality, definiteness, and exclusiveness is given to the pursued object which is very favourable to zeal, and the heat of passion melts together the various processes of volition into the consciousness of one adorable influence.

However deceptive these complications may prove to men of action and eloquence, they ought not to impose on the critic of human nature. Evidently what value general goods do not derive from the particular satisfactions they stand for, they possess in themselves as ideas pleasing and powerful over the imagination. This intrinsic advantage of certain principles and methods is none the less real for being in a sense aesthetic. Only a sordid utilitarianism that subtracts the imagination from human nature, or at least slurs over its immense contribution to our happiness, could fail to give these principles the preference over others practically as good.

If it could be shown, for instance, that monarchy was as apt, in a given case, to secure the public well-being as some other form of government, monarchy should be preferred, and would undoubtedly be established, on account of its imaginative and dramatic superiority. But if, blinded by this somewhat ethereal advantage, a party sacrificed to it important public interests, the injustice would be manifest. In a doubtful case, a nation decides, not without painful conflicts, how much it will sacrifice to its sentimental needs. The important point is to remember that the representative or practical value of a principle is one thing, and its intrinsic or aesthetic value is another, and that the latter can be justly counted only as an item in its favour to be weighed; against possible external disadvantages. Whenever this comparison and balancing of ultimate benefits of every kind is angrily dismissed in favour of some absolute principle, laid down in contempt of human misery and happiness, we have a personal and fantastic system of ethics, without practical sanctions. It is an evidence that the superstitious imagination has invaded the sober and practical domain of morals.

Aesthetic and physical pleasure.

§ 7. We have now separated with some care intellectual and moral judgments from the sphere of our subject, and found that we are to deal only with perceptions of value, and with these only when they are positive and immediate. But even with these distinctions the most remarkable characteristic of the sense of beauty remains undefined. All pleasures are intrinsic and positive values, but all pleasures are not perceptions of beauty. Pleasure is indeed the essence of that perception, but there is evidently in this particular pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the rest. It will be instructive to notice the degrees of this difference.

The bodily pleasures are those least resembling perceptions of beauty. By bodily pleasures we mean, of course, more than pleasures with a bodily seat; for that class would include them all, as well as all forms and elements of consciousness. Aesthetic pleasures have physical conditions, they depend on the activity of the eye and the ear, of the memory and the other ideational functions of the brain. But we do not connect those pleasures with their seats except in physiological studies; the ideas with which aesthetic pleasures are associated are not the ideas of their bodily causes. The pleasures we call physical, and regard as low, on the contrary, are those which call our attention to some part of our own body, and which make no object so conspicuous to us as the organ in which they arise.

There is here, then, a very marked distinction between physical and aesthetic pleasure; the organs of the latter must be transparent, they must not intercept our attention, but carry it directly to some external object. The greater dignity and range of aesthetic pleasure is thus made very intelligible. The soul is glad, as it were, to forget its connexion with the body and to fancy that it can travel over the world with the liberty with which it changes the objects of its thought. The mind passes from China to Peru without any conscious change in the local tensions of the body. This illusion of disembodiment is very exhilarating, while immersion in the flesh and confinement to some organ gives a tone of grossness and selfishness to our consciousness. The generally meaner associations of physical pleasures also help to explain their comparative crudity.

The differetia of aesthetic pleasure not its disinterestedness. 

§ 8. The distinction between pleasure and the sense of beauty has sometimes been said to consist in the unselfishness of aesthetic satisfaction. In other pleasures, it is said, we gratify our senses and passions; in the contemplation of beauty we are raised above ourselves, the passions are silenced and we are happy in the recognition of a good that