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As broad, as obvious, to the passing clown,
As to the letter'd sage's curious eye.

Such are the various aspects of the mind--
Some heavenly genius, whose unclouded thoughts
Attain that secret harmony which blends 280
The etherial spirit with its mould of clay,
Oh! teach me to reveal the grateful charm
That searchless Nature o'er the sense of man
Diffuses, to behold, in lifeless things,
The inexpressive semblance [Endnote HH] of himself,
Of thought and passion. Mark the sable woods
That shade sublime yon mountain's nodding brow:
With what religious awe the solemn scene
Commands your steps! as if the reverend form
Of Minos or of Numa should forsake 290
The Elysian seats, and down the embowering glade
Move to your pausing eye! Behold the expanse
Of yon gay landscape, where the silver clouds
Flit o'er the heavens before the sprightly breeze:
Now their gray cincture skirts the doubtful sun;
Now streams of splendour, through their opening veil
Effulgent, sweep from off the gilded lawn
The aerial shadows, on the curling brook,
And on the shady margin's quivering leaves
With quickest lustre glancing; while you view 300
The prospect, say, within your cheerful breast
Plays not the lively sense of winning mirth
With clouds and sunshine chequer'd, while the round
Of social converse, to the inspiring tongue
Of some gay nymph amid her subject train,
Moves all obsequious? Whence is this effect,
This kindred power of such discordant things?
Or flows their semblance from that mystic tone
To which the new-born mind's harmonious powers
At first were strung? Or rather from the links 310
Which artful custom twines around her frame?

For when the different images of things,
By chance combined, have struck the attentive soul
With deeper impulse, or, connected long,
Have drawn her frequent eye; howe'er distinct
The external scenes, yet oft the ideas gain
From that conjunction an eternal tie,
And sympathy unbroken. Let the mind
Recall one partner of the various league,
Immediate, lo! the firm confederates rise, 320
And each his former station straight resumes:
One movement governs the consenting throng,
And all at once with rosy pleasure shine,
Or all are sadden'd with the glooms of care.
'Twas thus, if ancient fame the truth unfold,
Two faithful needles, [Endnote II] from the informing touch
Of the same parent stone, together drew
Its mystic virtue, and at first conspired
With fatal impulse quivering to the pole:
Then, though disjoin'd by kingdoms, though the main 330
Roll'd its broad surge betwixt, and different stars
Beheld their wakeful motions, yet preserved
The former friendship, and remember'd still
The alliance of their birth: whate'er the line
Which one possess'd, nor pause, nor quiet knew
The sure associate, ere with trembling speed
He found its path and fix'd unerring there.
Such is the secret union, when we feel
A song, a flower, a name, at once restore
Those long-connected scenes where first they moved 340
The attention, backward through her mazy walks
Guiding the wanton fancy to her scope,
To temples, courts, or fields, with all the band
Of painted forms, of passions and designs
Attendant; whence, if pleasing in itself,
The prospect from that sweet accession gains
Redoubled influence o'er the listening mind.

By these mysterious ties, [Endnote JJ] the busy power
Of Memory her ideal train preserves
Entire; or when they would elude her watch, 350
Reclaims their fleeting footsteps from the waste
Of dark oblivion; thus collecting all
The various forms of being to present,
Before the curious aim of mimic art,
Their largest choice; like Spring's unfolded blooms
Exhaling sweetness, that the skilful bee
May taste at will, from their selected spoils
To work her dulcet food. For not the expanse
Of living lakes in Summer's noontide calm,
Reflects the bordering shade, and sun-bright heavens, 360
With fairer semblance; not the sculptured gold
More faithful keeps the graver's lively trace,
Than he whose birth the sister powers of Art
Propitious view'd, and from his genial star
Shed influence to the seeds of fancy kind,
Than his attemper'd bosom must preserve
The seal of Nature. There alone unchanged,
Her form remains. The balmy walks of May
There breathe perennial sweets; the trembling chord
Resounds for ever in the abstracted ear, 370
Melodious; and the virgin's radiant eye,
Superior to disease, to grief, and time,
Shines with unbating lustre. Thus at length
Endow'd with all that nature can bestow,
The child of Fancy oft in silence bends
O'er these mix'd treasures of his pregnant breast
With conscious pride. From them he oft resolves
To frame he knows not what excelling things,
And win he knows not what sublime reward
Of praise and wonder. By degrees, the mind 380
Feels her young nerves dilate: the plastic powers
Labour for action: blind emotions heave
His bosom; and with loveliest frenzy caught,
From earth to heaven he rolls his daring eye,
From heaven to earth. Anon ten thousand shapes,
Like spectres trooping to the wizard's call,
Flit swift before him. From the womb of earth,
From ocean's bed they come: the eternal heavens
Disclose their splendours, and the dark abyss
Pours out her births unknown. With fixed gaze 390
He marks the rising phantoms. Now compares
Their different forms; now blends them, now divides,
Enlarges and extenuates by turns;
Opposes, ranges in fantastic bands,
And infinitely varies. Hither now,
Now thither fluctuates his inconstant aim,
With endless choice perplex'd. At length his plan
Begins to open. Lucid order dawns;
And as from Chaos old the jarring seeds
Of Nature at the voice divine repair'd 400
Each to its place, till rosy earth unveil'd
Her fragrant bosom, and the joyful sun
Sprung up the blue serene; by swift degrees
Thus disentangled, his entire design
Emerges. Colours mingle, features join,
And lines converge: the fainter parts retire;
The fairer eminent in light advance;
And every image on its neighbour smiles.
Awhile he stands, and with a father's joy
Contemplates. Then with Promethean art, 410
Into its proper vehicle [Endnote KK] he breathes
The fair conception; which, embodied thus,
And permanent, becomes to eyes or ears
An object ascertain'd: while thus inform'd,
The various organs of his mimic skill,
The consonance of sounds, the featured rock,
The shadowy picture and impassion'd verse,
Beyond their proper powers attract the soul
By that expressive semblance, while in sight
Of Nature's great original we scan 420
The lively child of Art; while line by line,
And feature after feature we refer
To that sublime exemplar whence it stole
Those animating charms. Thus Beauty's palm
Betwixt them wavering hangs: applauding Love
Doubts where to choose; and mortal man aspires
To tempt creative praise. As when a cloud
Of gathering hail, with limpid crusts of ice
Enclosed and obvious to the beaming sun,
Collects his large effulgence; straight the heavens 430
With equal flames present on either hand
The radiant visage; Persia stands at gaze,
Appall'd; and on the brink of Ganges doubts
The snowy-vested seer, in Mithra's name,
To which the fragrance of the south shall burn,
To which his warbled orisons ascend.

Such various bliss the well-tuned heart enjoys,
Favour'd of Heaven! while, plunged in sordid cares,
The unfeeling vulgar mocks the boon divine;
And harsh Austerity, from whose rebuke 440
Young Love and smiling Wonder shrink away
Abash'd and chill of heart, with sager frowns
Condemns the fair enchantment. On my strain,
Perhaps even now, some cold, fastidious judge
Casts a disdainful eye; and calls my toil,
And calls the love and beauty which I sing,
The dream of folly. Thou, grave censor! say,
Is Beauty then a dream, because the glooms
Of dulness hang too heavy on thy sense,
To let her shine upon thee? So the man 450
Whose eye ne'er open'd on the light of heaven,
Might smile with scorn while raptured vision tells
Of the gay-colour'd radiance flushing bright
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