An Elegy Wrote in a Country Church Yard and The Eton College Manuscript - Thomas Gray (100 books to read txt) 📗
- Author: Thomas Gray
- Performer: -
Book online «An Elegy Wrote in a Country Church Yard and The Eton College Manuscript - Thomas Gray (100 books to read txt) 📗». Author Thomas Gray
If chance, by lonely Contemplation led,
Some hidden Spirit shall inquire thy Fate,
Haply some hoary-headed Swain may say,
'Oft have we seen him at the Peep of Dawn
'Brushing with hasty Steps the Dews away
'To meet the Sun upon the upland Lawn.
'There at the Foot of yonder nodding Beech
'That wreathes its old fantastic Roots so high,
'His listless Length at Noontide wou'd he stretch,
'And pore upon the Brook that babbles by.
'Hard by yon Wood, now frowning as in Scorn,
'Mutt'ring his wayward Fancies he wou'd rove,
'Now drooping, woeful wan, like one forlorn,
'Or craz'd with Care, or cross'd in hopeless Love.
'One Morn I miss'd him on the custom'd Hill,
'Along the Heath, and near his fav'rite Tree;
'Another came; nor yet beside the Rill,
'Nor up the Lawn, nor at the Wood was he.
'The next with Dirges due in sad Array
'Slow thro' the Church-way Path we saw him born.
'Approach and read (for thou can'st read) the Lay,
'Grav'd on the Stone beneath yon aged Thorn.
The EPITAPH.
A Youth to Fortune and to Fame unknown:
Fair Science frown'd not on his humble Birth,
And Melancholy mark'd him for her own.
Large was his Bounty, and his Soul sincere,
Heav'n did a Recompense as largely send:
He gave to Mis'ry all he had, a Tear:
He gain'd from Heav'n ('twas all he wish'd) a Friend
No farther seek his Merits to disclose,
Or draw his Frailties from their dread Abode,
(There they alike in trembling Hope repose)
The Bosom of his Father and his God.
FINIS. PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY
FIRST YEAR (1946-47)
Numbers 1-4 out of print.
5. Samuel Wesley's Epistle to a Friend Concerning Poetry (1700) and Essay on Heroic Poetry (1693).
6. Representation of the Impiety and Immorality of the Stage (1704) and Some Thoughts Concerning the Stage (1704).
SECOND YEAR (1947-1948)
7. John Gay's The Present State of Wit (1711); and a section on Wit from The English Theophrastus (1702).
8. Rapin's De Carmine Pastorali, translated by Creech (1684).
9. T. Hanmer's (?) Some Remarks on the Tragedy of Hamlet (1736).
10. Corbyn Morris' Essay towards Fixing the True Standards of Wit, etc. (1744).
11. Thomas Purney's Discourse on the Pastoral (1717).
12. Essays on the Stage, selected, with an Introduction by Joseph Wood Krutch.
THIRD YEAR (1948-1949)
13. Sir John Falstaff (pseud.), The Theatre (1720).
14. Edward Moore's The Gamester (1753).
15. John Oldmixon's Reflections on Dr. Swift's Letter to Harley (1712); and Arthur Mainwaring's The British Academy (1712).
16. Nevil Payne's Fatal Jealousy (1673).
17. Nicholas Rowe's Some Account of the Life of Mr. William Shakespeare (1709).
18. "Of Genius," in The Occasional Paper, Vol. III, No. 10 (1719); and Aaron Hill's Preface to The Creation (1720).
FOURTH YEAR (1949-1950)
19. Susanna Centlivre's The Busie Body (1709).
20. Lewis Theobold's Preface to The Works of Shakespeare (1734).
21. Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela (1754).
22. Samuel Johnson's The Vanity of Human Wishes (1749) and Two Rambler papers (1750).
23. John Dryden's His Majesties Declaration Defended (1681).
24. Pierre Nicole's An Essay on True and Apparent Beauty in Which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams, translated by J.V. Cunningham.
FIFTH YEAR (1950-51)
25. Thomas Baker's The Fine Lady's Airs (1709).
26. Charles Macklin's The Man of the World (1792).
27. Frances Reynolds' An Enquiry Concerning the Principles of Taste, and of the Origin of Our Ideas of Beauty, etc. (1785).
28. John Evelyn's An Apologie for the Royal Party (1659); and A Panegyric to Charles the Second (1661).
29. Daniel Defoe's A Vindication of the Press (1718).
30. Essays on Taste from John Gilbert Cooper's Letters Concerning Taste, 3rd edition (1757), & John Armstrong's Miscellanies (1770).
William Andrews Clark Memorial Library E.N. HOOKER
University of California, Los Angeles R.C. BOYS
University of Michigan JOHN LOFTIS
University of California, Los Angeles
The Society exists to make available inexpensive reprints (usually facsimile reproductions) of rare seventeenth and eighteenth century works. The editorial policy of the Society continues unchanged. As in the past, the editors welcome suggestions concerning publications. All income of the Society is devoted to defraying cost of publication and mailing.
All correspondence concerning subscriptions in the United States and Canada should be addressed to the William Andrews Clark Memorial Library, 2205 West Adams Boulevard, Los Angeles 18, California. Correspondence concerning editorial matters may be addressed to any of the general editors. The membership fee is $3.00 a year for subscribers in the United States and Canada and 15/-for subscribers in Great Britain and Europe. British and European subscribers should address B.H. Blackwell, Broad Street, Oxford, England.
Publications for the sixth year [1951-1952],
(At least six items, most of them from the following list, will be reprinted.)
THOMAS GRAY: An Elegy Wrote in a Country Church Yard (1751). Introduction by George Sherburn.
JAMES BOSWELL, ANDREW ERSKINE, and GEORGE DEMPSTER: Critical Strictures on the New Tragedy of Elvira (1763). Introduction by Frederick A. Pottle.
An Essay on the New Species of Writing Founded by Mr. Fielding (1751). Introduction by James A. Work.
HENRY GALLY: A Critical Essay on Characteristic Writing (1725). Introduction by Alexander Chorney.
[JOHN PHILLIPS]: Satyr Against Hypocrits (1655). Introduction by Leon Howard.
Prefaces to Fiction. Selected and with an Introduction by Benjamin Boyce.
THOMAS TYERS: A Biographical Sketch of Dr. Samuel Johnson ([1785]). Introduction by Gerald Dennis Meyer.
Publications for the first five years (with the exception of NOS. 1-4, which are out of print) are available at the rate of $3.00 a year. Prices for individual numbers may be obtained by writing to the Society.
THE AUGUSTAN REPRINT SOCIETY
WILLIAM ANDREWS CLARK MEMORIAL LIBRARY
2205 WEST ADAMS BOULEVARD, LOS ANGELES 18, CALIFORNIA
Make check or money order payable to THE REGENTS OF THE UNIVERSITY OF CALIFORNIA.
(Click image for larger view.)
(Click image for larger view.)
(Click image for larger view.)
(Click image for larger view.)
End of the Project Gutenberg EBook of An Elegy Wrote in a Country Church
Yard (1751) and The Eton College Manuscript, by Thomas Gray
*** END OF THIS PROJECT GUTENBERG EBOOK AN ELEGY WROTE IN A COUNTRY ***
***** This file should be named 15409-h.htm or 15409-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/5/4/0/15409/
Produced by David Starner, Diane Monico and the Online Distributed
Proofreading Team at http://www.pgdp.net.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic
Comments (0)